The official release date for Jack’s Mannequin’s The Glass Passenger is September 30th.
Read More “Jack’s Mannequin Release Date”Jack’s Mannequin Release Date
Review: Valencia – We All Need a Reason to Believe
Pop-punk is dead.
Okay, so maybe that isn’t as great or grand as the statement Nas made in 2007 about hip-hop, but it still applies here. Once a genre full of camaraderie, energy, and statements has become stale, as bands are more concerned with their neon clothes, swooping hair cuts, and which 17 year old groupie they are going to nail tonight. Pop punk is dead. And like Nas tried to resurrect his genre, we need a band that can breathe new life into pop-punk.
This band is Valencia.
The band’s debut, 2005’s This Could Be A Possibility, was overall a good album, displaying themes and vibes that brought back memories of quality pop-punk, but their Columbia Records debut, We All Need A Reason To Believe takes the Philadelphia quintet’s sound to the next level. Produced by Ariel Rechtshaid (We Are Scientists, Plain White T’s), We All Need A Reason To Believe features eleven tracks that are fast, raw, and pack an emotional punch the majority of the bands in the genre fail to generate.
Read More “Valencia – We All Need a Reason to Believe”Review: The Hold Steady – Stay Positive
To have the “perfect” night, you need to make sure you hit all the criteria.
Is the sun setting and is there a light breeze?
Check.
Are my closest friends with me and am I drinking my favorite brew?
Check.
Is the soundtrack to the perfect night spinning in my stereo?
You can only check this off if said soundtrack is Stay Positive, the fourth studio album from The Hold Steady.
The Brooklyn quintet has a knack for spinning intricate tales of drinking, friendship, the good times and the bad. Vocalist and guitarist Craig Finn is a master at his craft; his vocals are gruff yet inviting, his lyrics deep yet simple. Produced by John Agnello, Stay Positive is eleven tracks chock full of big riffs, beautiful keys, and raw energy throughout.
Read More “The Hold Steady – Stay Positive”Review: Finch – Finch EP
Just when I thought you couldn’t get any dumber, you go and do something like this… and totally redeem yourself!
Harry Dunne
When you saw the link to my Finch review, you probably thought to yourself, “oh, Drew will probably talk about how Say Hello To Sunshine alienated so many fans and in some way was a cause to the band initially breaking up, blah, blah, blah.” But I will do no such thing, instead I fooled you with a Dumb and Dumber quote! Just like that adventure Harry Dunne and Lloyd Christmas made cross-country to return that briefcase (Samsonite! I was way off! I knew it started with an S, though.), Finch’s journey has been one of up’s and down’s. But the California quintet (Hmmm, California! Beautiful!) have fought through all their adversity to release the best Finch material to date.
Read More “Finch – Finch EP”Review: Hit the Lights – Skip School, Start Fights
Considering a majority of their fan base ranges in the age group of 14-18 years of age, Skip School, Start Fights might not be the wisest message to send to today’s ever-vulnerable youth, who have taken the bait from every young pop band with scenester haircuts. Yet for Ohio pop-punk quartet Hit The Lights, they appear to be a different breed of pop-punk – no synthesizers blazing the overproduced dance songs, no overdubbed auto-tuned vocals, and well … no scenester haircuts to be seen as far as I can tell. In fact, they might even do pop-punk better than just about anyone out there right now, not making any large creative strides, simply offering a slice of sprightly exhilaration.
How is all this possible, you might be asking? With dozens of pop bands to choose from, the music scene for today’s teenagers has become a major-label-funded ice cream truck of sorts. Most fans likely choose their ice cream by the way it looks and not by the way it tastes – after all, Teenage Mutant Ninja Turtle ice cream is so much yummier than banana fudge. Although, in the long run, the coolest (let’s use that term lightly) looking one is always the most difficult to eat and gives you the biggest stomachache.
Read More “Hit the Lights – Skip School, Start Fights”Review: Alkaline Trio – Agony & Irony
“This is so bad.”
“This is my least favorite record by them.”
“They’re dead to me.”
“Maybe they should just break up.”
These were just some of the general reactions to Alkaline Trio’s 2005 release, Crimson. Many longtime fans of the band disliked it; they didn’t like the dynamics, the vibe, the atmosphere. It was “too goth.” The list continues. Quite frankly, this very reviewer enjoyedCrimson, sure it wasn’t their best work, but it was far from horrible. Now three years have passed, and the Chicago punk vets are back with their sixth studio album and Epic debut, Agony & Irony. But has three years been enough for fans to forget the bitter taste of Crimson?
Read More “Alkaline Trio – Agony & Irony”Review: Relient K – The Bird and the Bee Sides
If there is one thing you can count on from Canton, Ohio’s Relient K, it’s consistency — and having the ability to back that consistency up with an uplifting bravado that comes off as generosity rather than ego. Last winter, they graciously provided their fans with a Christmas record to sit by their fires with; this summer, the band has put together a lengthy double-set of new and old tracks alike for the cleverly-titled The Bird and The Bee Sides. While you could claim it’s a double-album, really, the band recorded 13 new songs (entitled the Nashville Tennis EP) and remastered some old gems from their various singles and EPs (dubbed The Bird and The Bee Sides). The entire set is a 26-track jubilee and clocks in at just over an hour, never succeeding as a cohesive whole — but that really isn’t the album’s purpose.
Read More “Relient K – The Bird and the Bee Sides”Review: Less Than Jake – GNV FLA
”Less Than Jake have lost their touch. They’ll never top Hello Rockview. Being on a major label changed them as a band.”
We’ve all heard the constant stream of allegations, accusations, and diatribes against the Gainesville, Florida-based band now in its sixteenth year. Finished with their stint on Sire/Warner Bros. Records, they started their own label (Sleep It Off Records) to release their seventh studio album, GNV FLA, the title an ode to their hometown.
Titillating trombone slides, warbling guitar riffs, and even the addition of a trumpet (Scott Klopfenstein from Reel Big Fish) allow GNV FLA to explode into the top half of Less Than Jake’s discography with little effort. The songs are in your face, catchy, and full of skankable goodness. Some may say the band has “returned” to an earlier sound, but it’s just the product of ditching glossy overproduction and continuing to write a mix of social commentary, nostalgic witticisms, and horn-happy sing-alongs.
Read More “Less Than Jake – GNV FLA”Review: Cute is What We Aim For – Rotation
I like change. I like when one day is beautiful and sunny, the next is dark and gloomy, and I’m left waiting for the storm. For me, change keeps things interesting when there isn’t much going on in general. Musically, I like change too, but more often than not, when a band decides to change their sound, it’s usually a hit or miss. Names like Cartel and The Academy Is… come to mind when I think of times a band has tried to progress musically but subsequently failed to deliver. On the other hand, New Found Glory’s Coming Homewas able to possess a sound that was different from their usual work yet still accessible to their fan base (for the most part, anyway). Back in 2006, Cute Is What We Aim For released The Same Old Blood Rush With a New Touch, their label debut done by pop-aficionado Matt Squire, and although it was the soundtrack of my Summer, it came with mixed reviews; much of which I agreed with despite liking the record so much. Filled with cliched one-liners, grating vocals, and predictable instrumentation, it was a magnet for hate. However, none of this bothered me; I loved that album for sole purpose of making me feel good with its catchy melodies and the fact that I could listen over and over again without getting sick of it. With that said, Cute Is What We Aim For avoids the dreaded “sophomore slump” with their new album Rotation by making a record that is a vast improvement musically and vocally from their previous effort.
Read More “Cute is What We Aim For – Rotation”Alkaline Trio
How do you guys personally feel about the new album?
Derek: I can honestly say that we are more pleased with this album than anything that we’ve done before. From the writing of the songs, down to the actual recording of the album it was about as pure a process as possible, creatively.
Read More “Alkaline Trio”Review: Death Cab for Cutie – Narrow Stairs
Death Cab For Cutie has a new album. It’s called Narrow Stairs, and if you haven’t read the articles, then you may not know that it’s “bloody and loose” and more “hard rock” than any of their previous work. Or maybe you have no clue that guitarist Chris Walla is back as producer, and from there, the album was recorded on analog tape to minimize overdubs. These are the token details we’ve been given.
2005’s Plans, the band’s first major label release, is high-profile studio work – sparkling and calculated. Being the epitome of commercially viable indie rock and a band that’s proved themselves capable of making literate music in the face of popularity, the release of Narrow Stairs isn’t about doubt; it’s about questions. Like, how will the band live up to darling Transatlanticism? Or will Narrow Stairs come close to the ability of Plan’s platinum success? Will Ben Gibbard top his past lyric and vocal work? If the analog Narrow Stairsprocess really was “bloody and loose”, will we even notice, or was it more for their own well-being? Death Cab’s art pop as hard rock? Wait, really?
Read More “Death Cab for Cutie – Narrow Stairs”Review: From First To Last – From First To Last
To be honest, before even listening to my copy of From First To Last’s new self-titled album, I was thinking of how many horrible puns I could create using former vocalist Sonny Moore’s name. But because I’m just a Neanderthal, I couldn’t come up with any decent ones. Unfortunate for me (fortunate for you, though).
Seriously, though, From First To Last have encounter more drama over the past year than the entire first season of A Shot At Love. After Moore quit to go make his own music, the band was dropped by Capital Records and seriously considered breaking up. Instead guitarist Matt Good took over lead vocals, the band picked up a permanent bassist in Matt Manning, and they were picked up by Suretone Records. Armed with a new home and a permanent lineup, From First To Last went on to complete their third studio album and major label debut.
Read More “From First To Last – From First To Last”Review: Thrice – The Alchemy Index Vols. III & IV
The double disc album can be a pitfall for many bands. The girth of a release sometimes outweighs the overall vision and flow of the effort. Such is not the case with this 4-disc opus (ok, it’s technically a two release 24 song opus that could fit on two discs, but who’s counting?). I never thought I’d say it, but with the release of the second half of The Alchemy Index, Thrice has succeeded in creating a relevant multi-disc album that not only stands as a testament to the success of the format but also maintains a fairly even level of quality throughout. Though it is not without its slip-ups, the release stands as an excellent departure and display of tremendous growth from a band once pigeon holed as “screamo”.
Read More “Thrice – The Alchemy Index Vols. III & IV”Review: New Found Glory – Tip of the Iceberg EP
It’s easy to answer the question of “who’s your favorite band?” when it’s asked. After eleven years, six full lengths, and two EPs, New Found Glory have yet to let me down on anything they’ve ever recorded. Tip of the Iceberg, their third EP, and first in 8 years, is no exception. For those who wrote New Found Glory off after their 2006 release Coming Home, get ready to eat your words, because this EP showcases everything people love about NFG and more, as it is some of their best material to date.
Produced and engineered by Paul Miner (Death By Stereo), New Found Glory have taken on a familiar but somewhat different sound on Tip of the Iceberg by creating three hardcore punk songsthat can be compared to Catalyst’s “Intro.” One of the most exciting things about this band is waiting to hear the vocals of Jordan Pundik on a new song that I haven’t heard yet, because with every new album, his voice keeps getting better, and with this release, it’s his best vocal performance yet. I was a bit skeptic at first as to how his voice would sound with the music but it turned out to work incredibly well. Each of the new original songs are very brief, but they’ll definitely leave a mark. “Tip of the Iceberg” is a great opener which will stamp the lyrics “This is just the tip of the iceberg / No bone in my body tells me I deserve her” into your brain, while “Dig My Own Grave” is the hardest of the three and features a sing-along chorus and vocals from Chad Gilbert during the bridge. My favorite track “If You Don’t Love Me” sounds like a title off Coming Home, but it’s probably one of the catchiest and fastest songs the band has done.
Read More “New Found Glory – Tip of the Iceberg EP”Review: Jimmy Eat World – Futures
Sometimes on those cold late nights when the air coming from my body feels as if my soul is struggling to unleash itself from its shackles, I think of the words sung by Jimmy Eat World front man Jim Adkins on “Night Drive”: “You pierce my heart like a willing arm, your ticking makes my blood move.” Lines such as this, that sting immediately due to their poignancy and stark honesty fill the entire landscape that Jimmy Eat World’s landmark 2004 album Futures builds for itself and the listener.
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