Review: The Neighbourhood – The Neighbourhood

The Neighbourhood - The Neighbourhood

Typically when a band, such as The Neighbourhood, choose to self-title an album, it signals either a re-branding or further solidifies how the band wants to be perceived from this point forward. This album (which is their third full-length LP) falls into the latter category as it thoroughly solidifies the type of music that The Neighbourhood have grown into. The album as a whole focuses on the band’s strengths: gloomy themes, synth-laden riffs, and outstanding vocals from front-man Jesse Rutherford.

The promotional approach for this album was different than what they had tried in the past, as they released two EPs (Hard & To Imagine) leading up to the release of the full-length. This creative approach of teasing the new styles and themes they were experimenting with gave their fans a glimpse into the creative process that went into this album. The lazy approach of releasing two EPs and having the same exact songs and sequencing on the album is not in this band’s DNA, as they have chosen the very best of the EPs content and created an album worth multiple repeat listens.

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Review: Animal Flag – Void Ripper

Animal Flag - Void Ripper

Hard as it may be to believe, Void Ripper is in fact Animal Flag’s fifth full-length album, and a more-than-worthy followup to 2016’s LP. While the project has always been the brainchild of Matt Politoski, this is the first album featuring the current lineup of Zach Weeks, Sai Boddupalli and Alex Pickert. This time around, the group have crafted an explosive and comprehensive group of songs that Politoski described to Modern Vinyl as a three part process of “order, disorder, and re-order.”

As you might imagine, “disorder” implies a certain chaotic and loud element when applied to a band’s music. In the case of Animal Flag, that’s nothing new. Anyone that has seen this band live can attest to their absolute mastery of dynamics, and while that mastery is hard to capture on record: Void Ripper comes damn close. The production, courtesy of bassist Zach Weeks, is about as raw as it gets, with pounding drums often threatening to drown out other instrumentation.

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Review: The Wonder Years – Sister Cities

The Wonder Years - Sister Cities

If you were to describe the course of The Wonder Years’ decade-plus career, you may find the word “growth” as the most fitting. The band’s breakthrough trilogy of albums (2010’s The Upsides, 2011’s Suburbia I’ve Given You All and Now I’m Nothing, and 2013’s The Greatest Generation) were all about growing up. Each release addressed various stages of getting older all while the band continually got better as musicians and songwriters. Which is why 2015’s No Closer To Heaven felt like such an aberration. Instead of taking the leaps that the prior three albums did, No Closer To Heaven sounded like a lateral move, an album unsure of which version of the band it wanted to be. It resulted in some half-baked, rushed ideas and were the pressure of “what’s next” might have gotten to vocalist Dan Campbell and his bandmates. That’s not to say that Heaven doesn’t feature some of the band’s best work ever (“Cigarettes and Saints”, “The Bluest Things on Earth”, and “Stained Glass Ceilings” are peak Wonder Years), but it was frustrating that the band didn’t fully dive in. Yet it’s that past frustration that makes the band’s incredible new album, Sister Cities, feel so rewarding and refreshing.

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Albums in Stores – Apr. 6th, 2018

Quite a few albums out today that I think people should be excited about. We’ve got new releases from Hop Along, Underoath, The Aces, Kississippi, and some band called The Wonder Years. If you hit read more you can see all the releases we have in our calendar for the week. Hit the quote bubble to access our forums and talk about what came out today, what albums you picked up, and to make mention of anything we may have missed.

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