In the Yellowcard discography, Lift a Sail is the oddity. It’s not a pop-punk album, for one thing – not really even close. There are arena rock songs on this record, and songs inspired by ‘90s alt-rock, and songs with a whole lot of electronic flourishes, and songs that are experimental and minimalist. There are arguably zero songs that sound like the Yellowcard of old: the band with big, bright choruses, and lyrics about summertime, and triumphant electric violin solos, and rapidfire, double-time drums. And speaking of those drums, this record marks Yellowcard’s first without drummer Longineu “LP” Parsons III, whose technical acumen behind the kit was always a strong selling point for many listeners.

For all these reasons and more, Lift a Sail was a tough pill to swallow for a lot of Yellowcard fans when it arrived 10 years ago. I remember the AbsolutePunk.net forums in the days after the album came out, and the divide in the Yellowcard threads about whether it lived up to their legacy. Plenty of fans loved it, and found the departures the band made from their signature sound to be refreshing and invigorating. But another segment of listeners – if we’re being honest, a larger segment – was baffled by what they were hearing. The phrase “sell out” was definitely bandied about, as if no pop-punk band worth its salt could try on electropop flourishes without going artistically bankrupt. A lot of fans missed the pop-punk, missed the summertime vibes, missed the big choruses and the bigger drums. I definitely remember a few users saying that, if LP wasn’t going to be a part of the band’s universe anymore, then they didn’t want to be, either.