Mending Broken History

AbsolutePunk.net

In April of 2016, we said goodbye to AbsolutePunk and launched Chorus. Saying goodbye to something that was such a massive part of my life was difficult, but also absolutely necessary. The following years have allowed me a freedom and release from the mental weight of that website that I find hard to put into words. The only minor regret I have, from time to time, is that so much of the history of the music scene was lost. But whereas I am very glad many threads, comment sections, and horrific posts are forever scrubbed from the internet, there is a part of me that misses the content and historical record of big events, certain album releases, and old interviews with bands that have been forgotten to time.

In order to keep some of the scene’s musical history alive, we’ve republished some of the old AbsolutePunk content here on Chorus and will continue to bring over various articles we think are historically relevant. We’ve also added a new visual banner on this content to better signify that it was once on AbsolutePunk and to link to this post, explaining as such.

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Liner Notes (July 24th, 2020)

Phone

This week has thoughts on Taylor Swift, Neon Trees, bad violin playing in movies, and much more. Plus, there’s a playlist of ten songs I enjoyed this week, and this week’s supporter Q&A post can be found here.

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Review: Ellie Goulding – Brightest Blue

Ellie Goulding - "EG.0"

Brightest Blue is Ellie Goulding’s attempt to tell us exactly who she is.

In my preview of Brightest Blue through a review of EG.0, the accompanying EP (which she has since rightfully tacked “Sixteen” onto on streaming services), I wrote that “I sometimes think that Ellie Goulding didn’t know what to do with herself.” Over the next couple of days, interviews began to appear that supported this.

“I feel like I’ve never been able to explore who I am as a songwriter and as a pop artist. So that’s what [Brightest Blue] is,” she told London’s Evening Standard. In the Guardian, she talks of choosing Max Martin as a producer for 2015’s Delirium: “I need to commit to something. No one seems to know what I am. Maybe I don’t know who I am.”

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