I’ve run some of the math, and basically, if everyone reading this signed up for just one year, this website would be sustainable basically immediately for multiple years. If only a small fraction of the people reading this right now signed up, this website is viable for me to keep running as my full-time job for another year. And, that’s the ultimate goal.
Looking back 15 years from Silverstein’s debut album is an interesting experiment, now knowing all of the great work they have put forth since. When Broken is Easily Fixed was a compilation of the band’s early EPs, Summer’s Stellar Gaze (2000) and When the Shadows Beam (2002), that were re-recorded for Victory Records under the tutelage of producer Justin Koop. The LP itself went on to sell over 200,000 units, far surpassing any expectations.
I first discovered Silverstein when my college roommate told me I needed to check out this new band on Victory Records named after a children’s book author (Shel Silverstein). That first song he played for me was “Bleeds No More.” I was immediately drawn into the aggressiveness of the track, from the dual-guitar attack of Neil Boshart and Josh Bradford, to the carefully placed screams of Shane Told, the track just clicked. Then as I began to investigate the other songs on When Broken is Easily Fixed, I became drawn to songs such as “Red Light Pledge” and “Wish I Could Forget You,” each with their own personalities and intricate guitar work, precise drumming, and incredible hooks. I really appreciated what Silverstein was aiming for on this release, and I knew that this band in particular was going to do something great in their career.
Travis Scott’s Astroworld notches a second week at No. 1 on the Billboard 200 albums chart, as the set earned 205,000 equivalent album units in the week ending Aug. 16 (down 62 percent), according to Nielsen Music. Of that sum, a little over 78,000 were from traditional album sales (down 71 percent).
Jackie MacMullan is doing a five part series on mental health in the NBA for ESPN:
Yet there remain many obstacles to confront, chief among them the stigma attached to mental health that prompts many players to suffer in silence. There’s another critical sticking point: The union insists that mental health treatment be confidential, but some NBA owners, who in some cases are paying their players hundreds of millions of dollars, want access to the files of their “investments.”
Rebecca Sun, writing at The Hollywood Reporter:
To director Jon M. Chu, the only tune that could fit the bill was Coldplay’s 2000 breakthrough single “Yellow.” Warner Bros. was concerned that the song’s title was problematic (the word has been used as an ethnic slur against Asians), but that’s exactly why Chu wanted it. “We’re going to own that term,” he told The Hollywood Reporter in an outtake from THR’s cover story. “If we’re going to be called yellow, we’re going to make it beautiful.”
Today, EuroTrip – directed by Jeff Schaffer (currently a director and producer of Curb Your Enthusiasm), Alec Berg (executive producer on Silicon Valley), and David Mandel (showrunner of Veep); only Schaffer was allowed a full directing credit – is considered a cult classic, while Road Trip has largely been forgotten. And a huge reason for this is that EuroTrip had a secret weapon that even the filmmaker didn’t quite know they had at the time – a catchy song of betrayal that is played throughout the film called “Scotty Doesn’t Know.”
HBO has officially picked up Watchmen:
Watchmen on HBO will not adapt the comic books of the same name. The network said that, “‘Watchmen’ embraces the nostalgia of the original groundbreaking graphic novel while attempting to break new ground of its own.”
“Some of the characters will be unknown,” Lindelof explained. “New faces. New masks to cover them. We also intend to revisit the past century of Costumed Adventuring through a surprising yet familiar set of eyes…and it is here we will be taking our greatest risks.”