CBS has announced a new show called Sounds of the Underground. You can watch the commercial here, and the full press release is below, but the band’s confirmed for the show so far include: August Burns Red, Badxchannels, Frank Iero, The Skints, Halifax (reunion set), Emarosa, Unwritten Law, Silent Planet, Craig Owens/Chiodos, and The Red Jumpsuit Apparatus.
On their seventh studio album, Order in Decline, Sum 41 wastes little time in describing the state of the world we are living in. And they do a great job of summarizing the feeling of growing up in a country where the leader seems to suck the life out of everything that we once held so dear. Sum 41 have delivered their late career masterpiece and they have never sounded better in this mixture of punk, metal, and rock that pulsates with immediacy and a strong call to action from their fan-base. The styles they have teased and tinkered with over their career come to full fruition on this record that finally realizes the band’s full potential.
Even from the first few riffs delivered on “Turning Away,” Sum 41 rock with a confident swagger found in scene mainstays such as Green Day, while still showcasing vulnerability and a human element behind their words. Deryck Whibley sings in the first powerful chorus, “I’m turning away/Because I feel like I can’t go on, while we’re living in this lie/And when all of my faith is gone, I don’t even want to try/There’s nothing that you could say, that could ever change my mind/And will all of these steps I take, it’s giving me back my life.” There’s a lot to unpack here, as we know Whibley nearly lost his battle to alcohol addiction and had a long road to recovery to fight for his life, much less his career as a touring musician in a successful band. Whibley sounds re-focused, refreshed, and doesn’t appear to want to let his new outlook on life go to waste any time soon.
Dami Lee, writing at The Verge:
Etsy, the e-commerce platform for handmade goods, is acquiring music gear marketplace Reverb for $275 million in cash. The site, which sells new, used, and vintage musical instruments and accessories, will continue to operate as a standalone business.
On March 10, 2009, a case was filed in the U.S. Circuit Court for the Northern District of Illinois, where I grew up. Rothstein v. American Airlines, Inc. starred my father, Plaintiff Steven Rothstein, and the Defendant, then the world’s third-largest airline. With $23 billion in annual revenue, American Airlines had nothing to lose. For my father, it was a last-ditch effort to save his life.
Here’s how it all took off. In the early 1980s, American rolled out AAirpass, a prepaid membership program that let very frequent flyers purchase discounted tickets by locking in a certain number of annual miles they presumed they might fly in advance. My 30-something-year-old father, having been a frequent flyer for his entire life, purchased one. Then, a few years later, American introduced something straight out an avid traveler’s fantasy: an unlimited ticket.
Andy Newman, writing at The New York Times:
On my first DoorDash shift, a lunch run in Brooklyn, I learned about the company’s interesting tipping policy.
DoorDash offers a guaranteed minimum for each job. For my first order, the guarantee was $6.85 and the customer, a woman in Boerum Hill who answered the door in a colorful bathrobe, tipped $3 via the app. But I still received only $6.85.
Here’s how it works: If the woman in the bathrobe had tipped zero, DoorDash would have paid me the whole $6.85. Because she tipped $3, DoorDash kicked in only $3.85. She was saving DoorDash $3, not tipping me.