Our shop has limited edition pride versions of the Chorus.fm merch.
We also trace Turner’s early years of constant touring and how he’s managed to find the time to write new songs and books while on tour. We talk about social media’s dual nature as a useful tool and destructive force in society too; a topic that has become a common theme among Dialog guests. Finally, we touch on the evolving music industry and how it’s affected Turner’s career as a musician.
I think Josh said to me, “Hey. You want to do a show on New Year’s?” And I said, “Sure. What New Year’s?” I think I was just about to do my tour. [Pauses.]
I can walk you through a scenario, and this might explain things: I’ll hear from Josh, or I’ll call Josh and say, “Hey! I’ve got an idea for a song or a thing. Do you want to work on it?” And he’ll say, “Yeah, let’s figure out a time for it to work out.” We’ll plan that out, and then the time will come, and something will come up, and we won’t be able to do it. Then a month will [go] by, and one of us will call each other and say, “Hey, hey, you want to do this thing? This sounds like a good idea. Let’s do that.” That loop has always kind of happened the last couple [of] decades. Also, I don’t know; I’m speculating here.
Motion City are a much bigger beast than the little stuff that I’m doing. But I don’t have a problem with doing both of them at the same time. I think that I’m going to make music in one form or another forever. [Deep breath.] I really should’ve thought of things to talk about. I like to make it up on the fly because it’s honest, you know, instead of preprogrammed sound bites…
The list of accolades that Bastille have accrued over just three studio albums is what most bands can only dream of when they start their career. With over 9 million records sold to date, several number one singles, and many major music awards added to their impressive resume, Bastille should be able to kick back and celebrate a bit. Coming off of a successful sophomore effort in Wild World, that was packed with content surrounding the changing world around us, political ramifications, and dense metaphors about how the world as we knew it was spiraling out of control, it only made sense for their follow-up to be called Doom Days.
The hype surrounding this particular release was at an all-time high due to the success of their Top 40 crossover smash with collaborator Marshmello in “Happier.” Everything was lining up perfectly for Bastille to deliver their landmark album in their discography since they appeared to have so much going in their favor. Doom Days chronicles their rise to fame, as well as what the band described in a recent interview as a loose concept album regarding “the importance of escapism, hope and the preciousness of close friendships.”