YouTube: A perfect 300 in 90 seconds.
Angelica Garcia has a voice wise beyond her years. The twenty-two year old was uprooted from her Los Angeles home when her family moved to Accomac, Virginia. The Garcia’s moved into a two hundred year old gothic brick home, whose spirits clearly had an affect on the burgeoning singer-songwriter.
Angelica Garcia embraces the solitude to write and record demos for what would become her debut album Medicine for Birds. The album delicately meshes Americana and blues though tales of bad dating (“Orange Flower”), growing up (“Little Bird”), and dealing with otherworldly spirits (“The Devil Can Get In”). Garcia’s demos featured shoebox drums, harmonica improv, and creaking doors. Her next album will focus more on the singer’s Latin roots.
I had the chance to talk with Angelica for a new video interview.
Jimmy Wales, the founder of Wikipedia, has launched a new venture called Wikitribune to help fight fake news:
Wikitribune is a news platform that brings journalists and a community of volunteers together.
We want to make sure that you read fact-based articles that have a real impact in both local and global events. And that stories can be easily verified and improved.
Four scholarships will be awarded, one per college, to female incoming, current or graduate students pursuing studies in creative arts, music, literature, or African-American studies. The schools selected for participation are Berklee College of Music, Howard University, Parsons School of Design, and Spelman College. All details and application deadlines are available directly from the colleges.
Doritos and Marvel have teamed up to release bags of chips that will play the Guardians of the Galaxy soundtrack:
The custom bags will be available for consumer purchase on April 28 via Amazon.com/Doritos while supplies last. On May 5 — the release date for the second installment in the Guardians franchise — Doritos will also host Rock Out Loud pop-up recording booths in New York and Los Angeles. Fans will get the chance to sing one of the Marvel/Hollywood Records soundtrack’s classic tunes. In addition, they’ll have the opportunity to win various prizes, including the custom cassette player replica Doritos bags, concert and other event tickets and free bags of Doritos.
The cheese dust makes the music sound “warmer.”
The next day, Jepsen and Crowe brought the song to Josh Ramsay, the leader of pop-rock group Marianas Trench, who suggested that they turn the song’s pre-chorus into its proper chorus. “He went, ‘That pre-chorus is way hookier than the chorus that you guys have, so let’s repeat it,’” says Jepsen. From there, “Call Me Maybe” — originally more of a folk-leaning track, in the vein of Jepsen’s earlier singer-songwriter work — was re-imagined as a bubblegum pop track by Ramsay, who ended up producing the song. “He got inspired and started adding strings,” remembers Jepsen. “before we knew it, it had this whole new life.”
Robert Pirsig, the author of Zen and the Art of Motorcycle Maintenance, has passed away. He was 88.
Robert M. Pirsig, whose “Zen and the Art of Motorcycle Maintenance,” a dense and discursive novel of ideas, became an unlikely publishing phenomenon in the mid-1970s and a touchstone in the waning days of the counterculture, died on Monday at his home in South Berwick, Me. He was 88.
The Maine has come a long way since the release of their debut full-length album, Can’t Stop, Won’t Stop. In the past decade they’ve grown from young kids with a dream into truly talented musicians – a fact that is evident in their latest album Lovely, Little, Lonely.
Even though each song on Lovely, Little Lonely is a hit in its own right, they make the most sense within the context of the whole. The album flows seamlessly from one song to the next and as a result The Maine succeeds in crafting a story that demands your full attention from start to finish.
As The Decemberists took to the stage at The Fillmore in Philadelphia, it became obvious that they could have played a room worlds larger than the largest club venue in Philadelphia if they desired. The rapturous sold out crowd of 3,000 roared back the words to the opening salvo, the three-part odyssey “The Crane Wife”, from the album of the same name that recently turned ten years old. The fact that they booked the “Shuffling Off to Ragnarok” tour at venues such as this, though, speaks to a desire for intimacy; a desire to hear and be heard, a desire to share a smaller space with the people who care most about them.