And this is the first time he’ll be doing so with anyone anywhere about the evergreen quartet’s new album, Surviving (due out on October 18 via The Orchard/rca). You can’t half tell, as the frontman excitedly rattles through the inspirations, meanings and the secrets behind the latest collection of songs he and the band have poured every ounce of their everything into. It turns out there’s a lot to learn, as Jim gets into the core of the record’s politics, its themes of hope and hopelessness, the underlying insecurities that inform its outlook and everything from high-concept philosophy to saxophone solos. The black coffee is very much required for this one…
The full list of content from Disney+ has been released.
Amazon Music is rolling out a new lossless streaming tier.
Amazon is launching a new tier of its music service today, dubbed Amazon Music HD. It offers lossless versions of audio files for streaming or downloading at a price that aggressively undercuts Tidal, the main competition for this kind of audio. Amazon will charge $14.99 a month for the HD tier, or $12.99 if you’re an Amazon Prime customer. Tidal’s Hi-Fi plan costs $19.99 monthly. The new plan was rumored a few months ago.
It’ll be our longest, for sure. I think they’ll be two-hour sets. Not sure if it’s going to be 2:05 exactly, but definitely two hours. The good thing about those two is that they’re relatively shorter records, so it makes sense to play them at one show.
The thing is, we never played every single one of those songs before. Some of those songs we’re going to be playing, we’ve never played ever. There’s maybe a good four or five songs we’ve never gotten around to playing when the album came out. So yes, you are learning stuff. But there’s also the brand-new record: We’ve never played a lot of those songs off Order In Decline; they were built in the studio, but live is a whole different thing. What I’m trying to say is, there’s a lot of rehearsing going on.
Trump gives me diarrhoea (laughs), you know? I don’t want to write a song about it!
It’s just more about trying to empathise with people’s situations. It’s just a crazy time. When I was a kid, my parents had six kids. My dad was a trucker and my mother was a waitress, and they bought a home in California in the ’70s with five kids living in the house. That is an impossible thing to do right now in California – if not in other places. And that’s what scares me a little bit more – what’s going to happen to people in the future.
Brian Hiatt, writing for Rolling Stone:
She wants to talk about the music, of course, but she is also ready to explain the past three years of her life, in depth, for the first time. The conversation is often not a light one. She’s built up more armor in the past few years, but still has the opposite of a poker face — you can see every micro-emotion wash over her as she ponders a question, her nose wrinkling in semi-ironic offense at the term “old-school pop stars,” her preposterously blue eyes glistening as she turns to darker subjects. In her worst moments, she says, “You feel like you’re being completely pulled into a riptide. So what are you going to do? Splash a lot? Or hold your breath and hope you somehow resurface? And that’s what I did. And it took three years. Sitting here doing an interview — the fact that we’ve done an interview before is the only reason I’m not in a full body sweat.”
Kyle Kilday has launched a Kickstarter to create a documentary about the early 2000’s emo and punk scene:
The Last Scene will be the FIRST comprehensive chronicle of what many believe is the LAST underground, DIY music scene. One forged in VFW halls and community recreation centers across the United States in the Late 1990’s/Early 2000’s.
This is the story of the punk and emo kids who gave us the last “new” thing in rock music, during an era of change for the music industry and youth culture at large.
Blink-182 will perform a pre-recorded halftime show on next week’s Monday Night Football.