The next day, Jepsen and Crowe brought the song to Josh Ramsay, the leader of pop-rock group Marianas Trench, who suggested that they turn the song’s pre-chorus into its proper chorus. “He went, ‘That pre-chorus is way hookier than the chorus that you guys have, so let’s repeat it,’” says Jepsen. From there, “Call Me Maybe” — originally more of a folk-leaning track, in the vein of Jepsen’s earlier singer-songwriter work — was re-imagined as a bubblegum pop track by Ramsay, who ended up producing the song. “He got inspired and started adding strings,” remembers Jepsen. “before we knew it, it had this whole new life.”
Robert Pirsig, the author of Zen and the Art of Motorcycle Maintenance, has passed away. He was 88.
Robert M. Pirsig, whose “Zen and the Art of Motorcycle Maintenance,” a dense and discursive novel of ideas, became an unlikely publishing phenomenon in the mid-1970s and a touchstone in the waning days of the counterculture, died on Monday at his home in South Berwick, Me. He was 88.
The Maine has come a long way since the release of their debut full-length album, Can’t Stop, Won’t Stop. In the past decade they’ve grown from young kids with a dream into truly talented musicians – a fact that is evident in their latest album Lovely, Little, Lonely.
Even though each song on Lovely, Little Lonely is a hit in its own right, they make the most sense within the context of the whole. The album flows seamlessly from one song to the next and as a result The Maine succeeds in crafting a story that demands your full attention from start to finish.
As The Decemberists took to the stage at The Fillmore in Philadelphia, it became obvious that they could have played a room worlds larger than the largest club venue in Philadelphia if they desired. The rapturous sold out crowd of 3,000 roared back the words to the opening salvo, the three-part odyssey “The Crane Wife”, from the album of the same name that recently turned ten years old. The fact that they booked the “Shuffling Off to Ragnarok” tour at venues such as this, though, speaks to a desire for intimacy; a desire to hear and be heard, a desire to share a smaller space with the people who care most about them.
Jesse Cannon’s latest book takes a look at the creative process and how to get results that you’re happy with. While it focuses largely on music, it can easily apply to so much more than that. Processing Creativity: The Tools, Practices And Habits Used To Make Music You’re Happy With isn’t a behemoth of a book like Get More Fans, but it’s equally as effective. The book takes you through the motions of finding who is a best fit to work with, how to make music you’re happy with, and so much more.
But the album also hints at a darkness that surrounded the group while it recorded in Paris during a turbulent time, as its hometown absorbed a swell of refugees, underwent a surge in alt-right sentiment and endured terrorist attacks. On the night of the attacks at the Bataclan, a concert hall where Phoenix had played and attended shows, the guitarist Christian Mazzalai was trapped in the studio, where the band was recording after the police shut down Paris.