Review: The Sonder Bombs – Modern Female Rockstar

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MODERN FEMALE ROCKSTAR

I’ve been waiting for a band like The Sonder Bombs to come along. The four-piece from Cleveland, Ohio has assembled an immersive collection of tracks to make up their debut album, Modern Female Rockstar. The band promises to change up the scene with their brand of unrelenting, socially conscious pop-punk – with the ukulele as a main star! Pop punk hasn’t been this fun, or sounded this important, in god knows how long. Modern Female Rockstar is urgent, shimmers, and explodes. With “Title” and “Twinkle Lights,” The Sonder Bombs join peers in UK riot grrrl group Peach Club and punk rock band Dream Wife, as well as Australian rockers Camp Cope and Courtney Barnett in penning tracks that carry hefty messages – these phenomenal artists relentlessly and publicly condemn sexual assault. But, The Sonder Bombs don’t forget to have some fun along the way, allowing their songs to revel in quickly found assurance.

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‘A Star is Born’ Soundtrack Tops the Charts Again

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The A Star is Born soundtrack is once again the top album in the country:

Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack spends a second week at No. 1 on the Billboard 200 albums chart, as the set earned 143,000 equivalent album units in the week ending Oct. 18, according to Nielsen Music (down 38 percent compared to its opening frame a week ago). Of the latest tracking week’s unit sum, 86,000 were in album sales — down 47 percent.

‘Transgender’ Could Be Defined Out of Existence Under Trump Administration

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The New York Times:

The Trump administration is considering narrowly defining gender as a biological, immutable condition determined by genitalia at birth, the most drastic move yet in a governmentwide effort to roll back recognition and protections of transgender people under federal civil rights law.

I am constantly left speechless by just how cruel and fucked-up this administration is. If you’re feeling helpless, you can donate to the Trans Lifeline if you’re able, and this thread from Parker Molloy is a good read.

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Liner Notes (October 19th, 2018)

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I blame Federico Viticci over at MacStories for going on a deep dive of playing around with Siri Shortcuts all week. Once I start down the path of automating things or organizing my phone, I always end up going overboard. Still, it was a fun way to spend a few nights.

In this week’s roundup, I look at a few new apps I’ve been using and explore the Siri Shortcut stuff I’ve been playing around with. I also share my first thoughts on the upcoming album from Saves the Day, go through my usual media diet from the past week, and share ten songs I loved this week. There’s been lots of Halloween and fall-themed entertainment in our household recently. The supporter Q&A post can be found here.

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Review: Tokyo Police Club – TPC

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TPC

On TPC, the self-titled and fourth full-length LP from Tokyo Police Club, they crank up the guitars and hone in on their songwriting. Coming off of two quick EPs, entitled Melon Collie and the Infinite Radness (Part I and II), after the success of my favorite effort to date by the band, Forcefield, Tokyo Police Club wanted to reinvent themselves once again. What we are left with is a solid mix of guitar-driven rock by a band still trying to figure out who they are.

Starting off the 12-song set is the track called “New Blues,” that reminded me a bit of the garage-rock style of The Strokes with Dave Monks trademark earnest vocal delivery. When Monks sings, “Battle cry, I can barely sleep/It happens every single time/It’s in my heart/It’s in my soul/For once I don’t want it to be denied,” you can feel every heartbeat and drop of emotion that went into the song. It also doesn’t hurt to have a very talented guitarist backing Monks’ words in Josh Hook, who certainly lives up to his last name by crafting several key hooks in many of the memorable songs found on this album.

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Avril Lavigne Talks With Billboard

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Avril Lavigne sat down to talk with Billboard:

After cranking her cover of favorite Nickelback song “How You Remind Me,” Lavigne searches YouTube for her and Whibley’s performance of Sum 41’s “In Too Deep.” “What a great song, right?” asks Lavigne. (I have to admit, it is.) She joins her 23-year-old self in harmonizing: “’Cause I’m in too deep, and I’m trying to keep/Up above in my head, instead of going under.”

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