Trent Reznor Talks with Vulture

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Trent Reznor recently sat down with Vulture:

I was bummed out by the result. It took the wind out of my sails as far as thinking of direct-to-customer as a sustainable business for a musician. In a way, that experience gave me a preemptive look at music today. You’re not making money from albums; instead they’re a vessel for making people aware of you. That’s what led me to thinking that a singular subscription service clearly is the only way this problem is going to be solved. If we can convert as many music fans as possible to the value of that, in a post-ownership world, it would be the best way to go.

Apple Removes iPod Nano and iPod Shuffle

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The iPod nano and the iPod shuffle are no more:

The iPod touch remains. With its 10th anniversary just a few months away, I wonder how long it has left. In July 2015, Apple gave it the A8 processor from the iPhone 6, along with better cameras and increased storage capacity. The Touch’s pricing and capacities were adjusted today, but the product saw no other changes.

Review: Manchester Orchestra – A Black Mile To The Surface

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Manchester Orchestra - A Black Mile to the Surface

Before recording anything for Manchester Orchestra’s fifth album, Andy Hull aimed to deconstruct what the band was. “My challenge was whatever you’re instinctively going to want to play on the record, try and not do that,” Hull explained to UPROXX earlier this summer, “try and do the opposite of that thing.” Obviously, there isn’t anything like a simple “how-to” guide on achieving such a goal, so the band worked with multiple producers at various studios to create a record that could cement their legacy as one of this era’s great rock bands. And after a year full of obsessive detail, second guessing, and a grueling recording process, Manchester Orchestra emerged with A Black Mile To The Surface, their most majestic and challenging record yet.

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Ben Gibbard Talks With Stereogum

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Ben Gibbard of Death Cab for Cutie sat down with Stereogum:

We’ve been demoing some songs here and there with Dave [Depper] and Zack [Rae], who are gonna be a part of this next record, people who are members of the band now. I feel like they know our band better than we do, because they were outside of it for so long. Their aesthetic take on the material is so valuable because they were fans of the band before they were in the band, so they could say like, “I want what you think you’re doing with this song, but you’re not pulling it off.”

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