The Story Behind the ‘Essential Guide to Emo Culture’ 10 Years Later

Everybody Hurts Book

Rabab Al-Sharif looks at the story behind the book, Everybody Hurts: An Essential Guide To Emo Culture, as it turns ten:

“A lot of people, mostly critics and Pitchfork disciples, were quick to write off emo as a passing trend. They thought it was a gateway music that would provide an adequately angsty soundtrack to your teen years. Then, after puberty passed, you’d throw away the eyeliner, hide the flat irons, and try to forget whether mics were for singing or for swinging,” Simon says.

I’ve known Leslie Simon for a long time now and I can’t believe it’s been ten years since this book came out. What a trip down memory lane. I can see my copy sitting on the bookshelf from where I write this.

Sidebar: Why is loading one page on AltPress.com over 16 MB? That website is a mess.

Nostalgia Tours: Reviving Careers or Denying the Inevitable?

Alternative Press

Jonathan Diener, writing for Alternative Press:

“Play the old stuff!” is something musicians will hear from hecklers in the crowd or trolls on the internet on a regular basis. It’s a complicated thing to hear when you’ve had years of improvement in songwriting and your overall craft since the earlier, naive music you created. How many times have you heard bands say, “This is our best album yet,” in interviews about their new material? They mean it. That’s why it can sting when fans don’t care for it and worse yet, don’t even know it exists. I used to take it as an insult before I realized it’s really just the fans expressing their love of part of your career. To them, that era was what connected with them the most. So why not cater to their requests?