Inside YouTube’s Plan to Win the Music-Streaming Wars

YouTube

David Pierce, writing for Protocol:

One easy knock on music-streaming services is that they’re all the same. Their libraries may differ slightly at the margins, but they all have about the same 60 million or so songs in their catalog. And Mariah Carey’s “All I Want for Christmas is You” sounds pretty much the same anywhere you play it.

Except on YouTube. There you can watch the original version, but also the Carpool Karaoke version, a duet Carey did with Justin Bieber, the scene from “Love Actually” that features the song, and countless live performances, covers and remixes. Want to learn a dance to the song in time for this year’s holidays? Want to learn to play the song on the guitar or piano? Want to hear a smash-cut version of President Trump singing the song? Want to know how that song got to be so irritatingly ubiquitous? That’s all on the first page of the YouTube search results. YouTube has a corpus of unique music content that none of its rivals can touch.

Musicians on Musicians: Phoebe Bridgers & Lars Ulrich

Phoebe Bridgers and Metallica’s Lars Ulrich interviewed each other over at Rolling Stone:

It was the strangest fucking summer. Because I was most on the front lines, it left me kind of shell-shocked. It really started more as a street fight. It was like, “Wait a minute, one of our songs is playing on a bunch of radio stations in the Midwest?” It was a song we hadn’t released yet. So we started tracing it back, and it was like, “Napster, what the fuck?” The environment we were brought up in was if somebody fucked with you, we’d just go after them. And then all of a sudden the lights came on, the whole world was watching.

It left certainly a pretty crazy taste in my mouth, especially because everybody was my friend: “You’re doing such a great job. We support you. What can I do to help you? Call me.” And then, as soon as I was out there and I looked behind, there was not a single person behind me. Obviously, I had the support of the band, but it was really weird.

Decaydance Records: An Oral History

Fall Out Boy

The Forty Five has a great new oral history all about Decaydance Records. The part about Snakes on a Plane, specifically, brought back quite a few memories:

Midtown had broken up so Gabe was trying to figure out what he was going to do next. He had a song called ‘Bring it’ he was working on that had a cool vibe. Sisky from Academy called and said, ‘There’s a movie called Snakes on a Plane that might be the worst movie of all time. We should try to get our song ‘Black Mamba’ in it’. A friend of mine was the music supervisor on the movie, so I called him and asked if we could get the song in. He said there weren’t going to be songs in the movie, only score, but I convinced him to let us do a soundtrack. We went to Gabe and told him he needed to add some parts to ‘Bring it’ to be about snakes on a plane. He wasn’t super happy with me at the time but he was a team player.

It’s Time to Hunker Down

The Atlantic

Zeynep Tufekci, writing at The Atlantic, first with the good news:

The end may be near for the pestilence that has haunted the world this year. Good news is arriving on almost every front: treatments, vaccines, and our understanding of this coronavirus.

Pfizer and BioNTech have announced a stunning success rate in their early Phase 3 vaccine trials—if it holds up, it will be a game changer. Treatments have gotten better too. A monoclonal antibody drug—similar to what President Donald Trump and former Governor Chris Christie received—just earned emergency-use authorization from the FDA. Dexamethasone—a cheap, generic corticosteroid—cut the death rate by a third for severe COVID-19 cases in a clinical trial.

Doctors and nurses have much more expertise in managing cases, even in using nonmedical interventions like proning, which can improve patients’ breathing capacity simply by positioning them facedown. Health-care workers are also practicing fortified infection-control protocols, including universal masking in medical settings.

Our testing capacity has greatly expanded, and people are getting their results much more quickly. We may soon get cheaper, saliva-based rapid tests that people can administer on their own, itself a potential game changer.

And then with the kicker:

The best way to prepare would have been to enter this phase with as few cases as possible. In exponential processes like epidemics, the baseline matters a great deal. Once the numbers are this large, it’s very easy for them to get much larger, very quickly — and they will. When we start with half a million confirmed cases a week, as we had in mid-October, it’s like a runaway train. Only a few weeks later, we are already at about 1 million cases a week, with no sign of slowing down.

Americans are reporting higher numbers of contacts compared with the spring, probably because of quarantine fatigue and confusing guidance. It’s hard to keep up a restricted life. But what we’re facing now isn’t forever.

It’s time to buckle up and lock ourselves down again, and to do so with fresh vigilance. Remember: We are barely nine or 10 months into this pandemic, and we have not experienced a full-blown fall or winter season. Everything that we may have done somewhat cautiously — and gotten away with — in summer may carry a higher risk now, because the conditions are different and the case baseline is much higher.

Marc Geiger Buying Up Independent Music Venues

The New York Times

The New York Times:

For small music venues, the situation is dire. Starved for revenue since March, and with no lifeline from Congress, independent clubs across the country are shuttering by the dozen — devastating fans and artists alike and delivering a brutal blow to the ecosystem that develops tomorrow’s Grammy winners and underground heroes.

One music executive, however, thinks he can save them, through a plan to invest in small clubs and build an indie touring network.

Guitar Center Is Preparing for a Possible Bankruptcy

The New York Times:

Guitar Center has begun to prepare for a potential bankruptcy filing that could come as soon as next month, people with knowledge of the situation said. The retailer missed an interest payment of roughly $45 million earlier this month, setting off a 30-day grace period that could end in default, the people said.

The country’s largest retailer of musical instruments has reached out to creditors to discuss a plan that would involve the company filing for bankruptcy this year and emerging from it in early 2021, said the people, who requested anonymity because the talks are confidential. A spokesperson for Guitar Center did not respond to a request for comment.

New York Philharmonic Cancels 2020/2021 Season

The New York Philharmonic has cancelled their entire 2020/2021 season:

Today we share news that we did our best to avert, but reality has intervened. Due to mandatory state and city government health regulations, the Philharmonic will not be able to resume live, indoor concerts in January as originally hoped. With deep regret, all previously scheduled concerts from January 6 to June 13, 2021, must now be cancelled. In the 178-year history of our institution, the cancellation of an entire season marks a historic first, and a dreadful one at that. If you are disappointed, please know how devastated we all are by this turn of events. The health and financial challenges, indeed the experiential challenges we all face, are profound.

Panic! at the Disco’s Flourishes Weren’t Just Dramatic. They Were Theater.

Panic! at the Disco

Maya Phillips, writing at The New York Times, looks back on Panic! at the Disco’s debut:

Fifteen years ago, a mysterious top-hatted figure and a parade of circus performers interrupted a wedding in a music video with an unconventional soundtrack: an energetic pop-punk song with a bouncy, carnivalesque cello opening.

This is how Panic! at the Disco announced itself in the “I Write Sins Not Tragedies” video, the first from its 2005 debut album, “A Fever You Can’t Sweat Out.” Though the band has undergone many reinventions in the years since, it’s closely associated with its original aesthetic: a distinctive theatrical sensibility that drew on the sound of early 2000s pop-punk while also referencing vintage performance styles — burlesque, vaudeville, old Broadway musicals — to illustrate themes of duplicity, addiction and broken relationships.

The Menzingers Talk With PunkNews

The Menzingers

Tom from The Menzingers talked with PunkNews about their recent acoustic album:

At its deepest level, it’s almost an existential crisis. We’re older now. The entire band is in our early 30s. We’ve spent this many years working at what we consider to be our craft. We write songs. We play those songs. We book tours and we are able to execute those tours, keep everybody safe, and all those things that come along with that. 

To have that completely taken away, it’s a very bizarre and empty feeling that can arise around that. From there, we have to ask ourselves what we are going to do? This all comes from the personal aspect of us and we decided to write that record and keep us busy to create some sounds that we can share with people. We are going to continue to write remotely and pay attention to what we’re doing to make the best music we can.

Rise Against Talks with Alt Press

Rise Against

Tim Mcllrath of Rise Against talked with Alt. Press about their recent single:

Yeah, I am seeing that. I’ve seen political action stigmatized by youth culture in the last 20 years at different points. Where being part of a protest or singing a protest song was seen as cheesy or campy. If you were in the street holding a sign, there was a time in the last 10 years where that really wasn’t cool. People decided to put cool points on something as important as societal change. 

That has diminished, and it’s so exciting to see that people understand how important it is to be in the streets and how important it is to not be silent about what’s happening and understand. But being cool and hip is a powerful force. It’s what drives a lot of things. Now you’re seeing people shed those labels, and now they just really care about the world. They’re going to grow up in the world their kids are going to grow up in. And they realize that they’ve got to put their hands on the levers a little bit.

Bruce Springsteen Talks with Rolling Stone

Bruce Springsteen

The latest Bruce Springsteen Rolling Stone interview is up for your reading pleasure:

Last year, Springsteen was working through his archives for a follow-up to his 1998 outtakes box set, Tracks, when he “sort of came across these songs.” There’s no particular message in their inclusion. He simply wanted to hear the band play them now, he says, “to be able to go back and sing in your adult voice but with ideas of your youth.… It was kind of insane fun, because the lyrics for all those songs were so completely crazy.”

Yours Truly Track by Track Commentary

Yours Truly

Yours Truly shared a track by track commentary on their new album, Self Care, over at All Punked Up:

“Composure” is about trying to keep your cool at the end of a relationship and how difficult it can be. It’s natural to be upset, angry and a million different other emotions at once. I wrote it at a time when I really needed to reclaim my self-worth after losing so much of it. I was over being miserable and waiting for acceptance.

Shazam Getting Control Center Button

iPhone

Jay Peters, writing for The Verge:

Apple bought music recognition app Shazam in 2018, and now it’s integrating it into iOS in another big way — a new Music Recognition feature can identify songs playing around you as well as in apps on your phone. And it even works when you’re listening to music on your headphones.

The new feature is available as a toggle in Control Center, but it does require a developer beta of iOS 14.2 if you want to try it right now.

I use Shazam very frequently, often when watching a TV show or movie. On iOS 14 you can assign “back taps” to a Shortcut, so I assigned a double tap on the back of the phone to a Shazam Shortcut that listens and identifies the song.

MusicHarbor Gets iOS 14 Update

Apps

MusicHarbor, a great app for tracking new music coming out from your favorite artists, got a big iOS 14 update. MacStories has a rundown of the new features:

MusicHarbor also offers three types of widgets: Upcoming Releases, Latest Releases, and Stats. Upcoming Releases and Latest Releases draw from the albums collected in those sections of the app. Upcoming releases come in small and medium variants, while Latest Releases also includes a large widget. Each type displays a grid of album art, album details in some cases, and release date. The small widgets simply act as launchers for MusicHarbor, while the medium and large ones will open the album tapped.