Looking for Life on a Flat Earth

The New Yorker

Alan Burdick, writing at The New Yorker:

If you are only just waking up to the twenty-first century, you should know that, according to a growing number of people, much of what you’ve been taught about our planet is a lie: Earth really is flat. We know this because dozens, if not hundreds, of YouTube videos describe the coverup. We’ve listened to podcasts—Flat Earth Conspiracy, The Flat Earth Podcast—that parse the minutiae of various flat-Earth models, and the very wonkiness of the discussion indicates that the over-all theory is as sound and valid as any other scientific theory. We know because on a clear, cool day it is sometimes possible, from southwestern Michigan, to see the Chicago skyline, more than fifty miles away—an impossibility were Earth actually curved.

Maybe, and stay with me here, the internet was a massive mistake.

Apple Music Rolling Out Update With ‘Coming Soon’ Section

Mitchel Broussard, writing at MacRumors:

Apple appears to be rolling out a series of updates for Apple Music today, including a small but useful new section called “Coming Soon,” which allows subscribers to check out new albums about to be released over the next few weeks. […] In another addition, Apple is now making it possible to easily see album launch dates on their respective pages on iOS and macOS. In the Editors’ Notes section, following the traditional encouragement to add the pre-release album to your library, there’s a new line that begins “Album expected…” followed by the album’s specific release date.

Some nice updates, but what I really want is one feed/section that simply gives me a chronological listing of newly released albums from people already in my collection. On Friday morning I should be able to look one place and see all the new albums from people Apple Music already knows I like and listen to. I’m cool with a smaller scattering of recommendations for new music I may like under that main list as well, but finding the newly released albums from artists I already love should be easy. Half the time I’ll forget I pre-added an album that’s out today and this kind of reminder would be great. Hell, so many of my friends don’t even know their favorite band released new music over the past five years. This is a solvable problem.

Update: I was just looking around in the new Apple Music, and I don’t know if this is new or not, but if you go to the “For You” section and scroll to the very bottom, there’s a “New Releases” section. Clicking “See All” seems pretty close to what I’m talking about. However, it’s definitely missing things from artists in my collection with new albums. For example, that Lykke Li album released today isn’t in my listing even though all of her albums are in my library.

Spotify Offers Managers, Artists Advances to License Music Directly

Hannah Karp, writing for Billboard:

Under the terms of some of the deals, management firms can receive several hundred thousand dollars as an advance fee for agreeing to license a certain number of tracks by their independent acts directly to Spotify. Then, in at least some cases, the managers and acts stand to earn 50 percent of the revenue per stream on those songs on Spotify. That’s slightly less than the 54 percent of revenue the major record labels in the U.S. get per stream, on average, according to Billboard’s calculations, but major-label artists and their managers typically receive only 20 percent to 50 percent of the label’s share, depending on an act’s individual royalty rates, and don’t usually get to own their master recordings.

Won’t You Be My Neighbor?

Film

Won’t You Be My Neighbor?, the documentary about Fred Rogers, is now out in select cities. The director was recently interviewed for MEL Magazine and shared this great tidbit:

There’s one detail that I really liked that’s not in the film, which is he felt like the shows should be evergreen. As he often said, the outside world of the child changes, but the inside of the child never changes. So he thought his shows should play the same to two-year-olds now or 20 years ago. But as the years would go on, he would find things that had happened in old episodes that didn’t feel current, where maybe he used a pronoun “he” instead of “they” — or he met a woman and presumed that she was a housewife. So he would put on the same clothes and go back and shoot inserts and fix old episodes so that they felt as current as possible, so that he could stand by them 100 percent. I’ve never heard of that happening — it’s kind of amazing.

Ticketfly Hacker Stole More Than 26 Million Email and Home Addresses

Kris Holt, writing at Engadget:

A hacker has leaked personal information for more than 26 million Ticketfly users after last week’s data breach. That’s according to Troy Hunt, the founder of Have I Been Pwned, which lets you check whether your email address has been included in various data breaches.

The hacker posted several Ticketfly database files to a public server, and Hunt found that they contained 26,151,608 email addresses. Many users’ names, phone numbers and home and billing addresses were also compromised.

Tickeyfly Still Down

Tickeyfly is still down. Hypebot reports:

More than 30 hours after it first went dark, Ticketfly and the sites of many of the major venues and promoters it services are still offline. […] Code left on the Ticketfly site points to the hacker group IsHaKdZ, who appears to be demanding a ransom.

I’ve seen a lot of bands and tours affected by this.

Why No One Answers Their Phone Anymore

iPhone

Alexis C. Madrigal, writing at The Atlantic:

When you called someone, if the person was there, they would pick up, they would say hello. If someone called you, if you were there, you would pick up, you would say hello. That was just how phones worked. The expectation of pickup was what made phones a synchronous medium.

I attach no special value to it. There’s no need to return to the pure state of 1980s telephonic culture. It’s just something that happened, like lichen growing on rocks in the tundra, or bacteria breaking down a fallen peach. Life did its thing, on and in the inanimate substrate. But I want to dwell on the existence of this cultural layer, because it is disappearing.

No one picks up the phone anymore.

Recording Academy Chief Neil Portnow to Step Down Next Year

Grammys

Billboard:

The decision comes at a time when the Academy has been facing increasing public pressure and backlash amid a number of scandals, many of them self-inflicted. Portnow himself has been at the center of several of them, beginning the night of Jan. 28, 2018, when he said in an interview following the 60th Grammy Awards in New York City that women needed to “step up” if they wanted to be better-represented in the music industry.

The Cultural Vandalism of Jeffrey Tambor

Arrested Development

Matt Zoller Seitz, writing at Vulture:

Nobody is stopping anyone from watching these works (though they’re no longer as easy to find, and you probably have to own a DVD player). We can still talk about them, study them, write about them, contextualize them. But the emotional connection has been severed. The work becomes archival. It loses its present-tense potency, something that significant or great works have always had the privilege of claiming in the past.

That’s all on the predators. It’s not on you. None of us asked for this.

I found myself nodding along through this entire piece, so much of it applicable to the music world as well.

Vevo to Shut Down Site

YouTube

Amy X Wang, writing at Rolling Stone:

The company announced in a blog post Thursday that it is shuttering its mobile apps and website, and that “going forward, Vevo will remain focused on engaging the biggest audiences and pursuing growth opportunities.” It will continue investing in original content and sponsorships, but phase out its own independently-operated platforms, it said. Read: Vevo is almost entirely succumbing to YouTube, the juggernaut that has long supplied most of its audience.

N.F.L. Teams Will Be Fined if Players Kneel During National Anthem

Football

Victor Mather, writing for The New York Times:

N.F.L. players will be allowed to stay in the locker room during the national anthem, but their teams will be fined by the league if they go onto the field and kneel, according to new rules adopted by owners on Wednesday in an effort to defuse an issue that escalated last season into a national debate catalyzed by President Trump.

This is so unbelievably stupid.

Amazon Teams Up With Law Enforcement to Deploy Face Recognition Technology

amazon

ACLU:

Marketing materials and documents obtained by ACLU affiliates in three states reveal a product that can be readily used to violate civil liberties and civil rights. Powered by artificial intelligence, Rekognition can identify, track, and analyze people in real time and recognize up to 100 people in a single image. It can quickly scan information it collects against databases featuring tens of millions of faces, according to Amazon.

Amazon is marketing Rekognition for government surveillance. According to its marketing materials, it views deployment by law enforcement agencies as a “common use case” for this technology. Among other features, the company’s materials describe “person tracking” as an “easy and accurate” way to investigate and monitor people. Amazon says Rekognition can be used to identify “people of interest” raising the possibility that those labeled suspicious by governments — such as undocumented immigrants or Black activists — will be seen as fair game for Rekognition surveillance. It also says Rekognition can monitor “all faces in group photos, crowded events, and public places such as airports” — at a time when Americans are joining public protests at unprecedented levels.

Blog: The World Still Spins Around Male Genius

Megan Garber, writing for The Atlantic:

The added tragedy of all this — kicked, climbed, son, gun, months — is the fact that Karr was not, specifically, making allegations. As Jezebel’s Whitney Kimball pointed out, “The fact that [Wallace] abused [Karr] is not a revelation; this has been documented and adopted by the literary world as one of Wallace’s character traits.” D.T. Max’s 2012 biography of Wallace, Every Love Story Is a Ghost Story, documented those abuses: Wallace, Max alleges, once pushed Karr from a vehicle. During another fight, he threw a coffee table at her. Karr, in her tweets, was merely repeating the story she has told many times before. A story that has been treated — stop me if this sounds familiar — largely as a complication to another story. In this case, the story of the romantically unruly genius of one David Foster Wallace.