Elizabeth Lopatto, writing at The Verge:

Sometimes certain lines of business weren’t told about the revenue goals they were expected to fulfill. Meanwhile, the company’s actual accounting and expense controls were messy. For instance, Vice’s digital division had expenses from NetJets — a private jet service — on its profit and loss statement, two sources told me. (A third confirmed the NetJets account existed without saying which balance sheet it was on. Two sources took credit for eventually canceling the NetJets account. “Since at least 2021, Vice has not had a NetJets account,” according to Vice spokesperson Samira Sorzano.) One executive source alleged that the digital division was funding a production executive’s $350,000 salary — an executive who the source claims did virtually nothing. Another exec heard, to their shock, that someone had reportedly spent $24,000 on a one-way ticket from New York to London.

Financial Times:

UberCheats was an algorithm-auditing tool. Samii, who was working as a cycle courier for Uber in Pittsburgh, Pennsylvania, at the time, had lost trust in the automated system that essentially functioned as his boss. He had become convinced the Uber Eats app was consistently making errors and underpaying him. After weeks of trying and failing to get a human being at Uber to explain, he felt he had no choice but to take matters into his own hands.

The Verge:

Nobuko believes the proliferation of floppy music in Western cultures is linked to strong punk movements with a DIY aesthetic. “Also, the lobit scene seems to be bigger in countries that had bad internet connections, so they would already use lobit encoding to upload or download things online,” he explains. In a similar vein, Hilkmann believes that floppy recordings are an explicitly anti-capitalist niche that exists outside the usual means of publishing music today on Spotify and other streaming services. “A medium, artistically, is only interesting as long as it’s available,” he says. “Now that floppy disks are becoming more and more difficult to get, they’ve become more and more a collector’s item almost, while a few years ago, it was more like almost a trashy medium that you could quickly get your hands on and do fun things with.”

TechCrunch:

Today at the Hot Pod Summit in Brooklyn, Adobe unveiled Project Music GenAI Control, a platform that can generate audio from text descriptions (e.g. “happy dance,” “sad jazz”) or a reference melody and let users customize the results within the same workflow.

Using Project Music GenAI Control, users can adjust things like tempo, intensity, repeating patterns and structure. Or they can take a track and extend it to an arbitrary length, remixing music or creating an endless loop.

A video example.