There’s not much of a tradition of emo in the UK. In the 90s, emo developed so geographically that the generally-used term for it is ‘Midwest emo,’ since its sound was incubated by bands like Cap’n Jazz from Illinois, The Promise Ring from Wisconsin, The Get Up Kids from Missouri. That’s not to say that that scene was by any means insular; Texas is the Reason from New York, Jimmy Eat World from Arizona and Mineral from Texas all had distinctly ‘Midwestern’ sounds, and the forebearers of any one of those bands were Sunny Day Real Estate from Washington state and Jawbreaker from California. Plus, none of it would have happened without the Revolution Summer bands from DC, most notably Embrace and Rites of Spring, and perhaps, more importantly, Fugazi which sprung from both of them. Cross-country touring, plus zines and demo exchanges, meant that emo was pretty effectively shared across every corner of the States. Many of those bands did tour the UK too – Braid and The Get Up Kids went over there together in 1998 – but it seemingly wasn’t enough to imprint on the UK its own parallel scene, at least not one that made enough of an impact to enter the canon of emo as we talk about it twenty years on.
What we have now is ‘fourth-wave’ emo (also known as emo revival), a spiritual continuation of that Midwestern scene, with the difference being that this one was and is built heavily around Bandcamp, Twitter, and online blogs like PropertyOfZack, The Alternative and, yeah, Chorus.fm. Since house shows and local community amongst bands are still key to DIY, it didn’t bring about a total eradication of geography – ask anyone about the Philadelphia scene, for example – but it does mean that now there’s no ocean for music to travel, bands that emulate the 90s Midwestern sound can pop up anywhere.