Review: Sugarcult – Lights Out

Sugarcult - Lights Out

Just about every band out there ends up with a song or two expressing a deep-held desire to spread their wings because they are jaded with the current state of affairs. Sugarcult’s third album, Lights Out, is jaded and yearning for more, which is ultimately what their fans may feel upon repeated listens.

Sugarcult have always relied on squealing instrumentals sure to get fans jumping around and singing along, even if the music falls squarely into the pop-punk category. Lights Outis no different, although the tones are just a little bit darker and Tim Pagnotta’s vocals just a little bit rougher than we have heard before. The title track is merely a shout-along intro to “Dead Living,” which will get you well acquainted with the overall sound of the new CD. Glossed production brings the manic-depressive “Los Angeles” to the forefront of the CD in all its shimmering glory and radio readiness. Sugarcult has always stood on the strength of their singles, and as the second single, “Los Angeles” will help them try to return to the mainstream. Following quickly is “Do It Alone” (the first single from Lights Out, conveniently), which provides a more upbeat song reminiscent of Start Static. The chorus repeats a bit too often, but it is certainly sugary and memorable.

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Review: +44 – When Your Heart Stops Beating

+44 - When Your Heart Stops Beating

It’s inevitable, +44 and Angels & Airwaves will be (unfairly) compared. Yes, both bands feature members from one of the most influential pop-punk bands ever, blink-182. And yes, both bands released their hotly anticipated albums this year. But, this is where all the comparisons end. While AVA’s album was trying to be the next U2, Mark Hoppus wrote more about the end of blink and how horrible his past year had been. While +44 isn’t completely different than from the sound blink-182 captured on their last release, it would be an injustice to the band to categorize their debut album, When Your Heart Stops Beating, as “blink-182 with synths.” It’s much more than that on this thirteen track journey. Produced by Hoppus and drummer Travis Barker, with some help from executive producer Jerry Finn features a nice balance of upbeat pop-punk tunes, arena-sized rockers, and somber tracks. 

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