Review: Tiger Lou – The Loyal

Tiger Lou - The Loyal

The Loyal starts off with 14 seconds of “Woland’s First”. It’s only a quick moment but leeways into The Loyal gently. Still, the mood kicks off like a slingshot. From here on, Tiger Lou is changing along with the album, existing in the album and breathing like the album. There is no escaping. The Loyal is its own being. Rasmus Kellerman is the man pulling the strings and pumping the heart. Almost all the album instrumentation was recorded by his lonesome with Peter Katis (Interpol, Denali, The National) lending his production. The payoff is stunning.

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Review: City and Colour – Bring Me Your Love

City and Colour - Bring Me Your Love

Over the past few months, we’ve seen notable metalcore front men try their hand at quieter and gentler side projects, such as Keith Buckley and Josh Scogin, of Every Time I Die and The Chariot fame, respectively. But, if this is to become the new trend, we should give credit to City and Colour, the side project of Dallas (city) Green (colour, get it?), for spearheading such endeavors. Most famous for his work as the lead man in Canadian rock act Alexisonfire, Green is now making waves in the States with his solo work on his Vagrant-debut, folk-inspired Bring Me Your Love

Already a star in Canada, his debut album, Sometimes, garnered a plethora of critical acclaim and awards from our northern brothers. While Sometimes wasn’t widely available in the U.S., it still made a modest splash with American fans. Now, with the backing of Vagrant, Bring Me Your Love is the first City And Colour album to be released on American soil and aims to be a big hit with many in the scene.

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Review: Simple Plan – Simple Plan

Simple Plan - Simple Plan

Nearly three and a half years removed from their sophomore album, the platinum-certified Still Not Getting Any…, Simple Plan has returned from their sabbatical with a brand new self-titled CD. It’s evident upon first listen that while they’ve opted for the glossy production of a major-label band, they still have the songwriting skills of cavemen. Unfortunately for our now-damaged ears, the overdone production doesn’t distort the abominably dull lyrics enough to offer any comfort.

The social commentary (no, really) from Simple Plan begins with the opener and lead single, “When I’m Gone,” while introducing us to a main talking point about the new album. Frontman Pierre Bouvier’s vocals, previously one step above nails on a chalkboard have lost most of its grating whine, and instead dropped him in the middle of every other average pop-rock singer with little to no range. Nonetheless, the band yearns for acceptance with a vast array of mid-tempo ballads and slow songs that will totally undershoot their target audience. Frankly, it doesn’t even sound like they’re trying half of the time. “The End” amounts to nothing more than a crappy b-side from The Higher’s newest album; heavy on distortion, little on substance. As Bouvier begs and pleads for the subject of the song to stay and croons, “You know it’s not the end,” the listener begins to wish it was.

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