Review: Alexisonfire – Old Crows/Young Cardinals

Alexisonfire - Old Crows/Young Cardinals

It’s no secret that I wasn’t particularly fond of Crisis, Alexisonfire’s third album and Vagrant Records debut. In fact, I was very disheartened by it because any band that has the talent Alexisonfire possesses should never release an album that bad. I hoped that Crisis was just an aberration and not a trend, and after waiting nearly three years, my fear has been calmed. Old Crows/Young Cardinals is a gem, as it is the album we’ve been waiting for the Ontario quintet to write their entire careers.

Produced by Julius Butty, Old Crows/Young Cardinals takes the best progressive parts of Crisis and the intensity of the first two AOF records, making the album a force to be reckoned with. It’s fast, aggressive, and in-your-face; paced by the soul of punk rock and layered with the triple-vocal attack of George Pettit, Dallas Green, and Wade MacNeil. “Old Crows” kicks off the album with a dirty guitar riff and is carried by Pettit’s new gruff vocal delivery. Green makes his first appearance on the high-octane “Young Cardinals,” as he rips through the chorus, while drummer Jordan Hastings sets the tempo. 

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Review: The Dear Hunter – Act III: Life and Death

The Dear Hunter - Act III: Life and Death

So here we are – halfway through the sprawling six-volume epic of The Dear Hunter, and the road has been anything but smooth. After the universally adored Act II came out and gained traction in the scene, the band was almost dismantled by the departure of three members, leaving the future of the band and its opus in clouded doubt. Thankfully for fans, Casey Crescenzo is persistent to the greatest degree, and along with Erick Serna, rebuilt The Dear Hunter to rise again.

One might think that with this discord and splintering, the work of The Dear Hunter might suffer in kind, but such is not the case. If anything, Act III: Life and Death ends up being a much more focused, coherent offering, and exhibits no signs of faltering or lost momentum. Whereas Act II: The Meaning Of & All Things Regarding Ms. Leading was the progeny of the band experimenting across the entire sonic spectrum, Act III is the sound of a band finding their sound, and honing it to a fine point. Act II was lauded for its diversity, but Act III almost makes it sound disconnected in comparison. Act II was almost certainly the band (and Casey) finding itself, and Act III is the first revelation of the growth to come from said self-awareness.

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