Review: Transit – Young New England
Before you read anything past the first sentence of this review, it’s important to know that Transit earned everything I’m about to write about them.
We naturally hold great bands to higher standards. It is, of course, completely normal to expect a good band to write a good record. So when Transit wrote Listen and Forgive, by all accounts a brilliant album, they subjected themselves to this higher standard. They did something great, and with that comes the expectation of continued greatness. It’s because of this band’s boundless potential and proven track record that their new releases are evaluated with the kid gloves taken off. I know how good Transit can be. I’ve heard it. And because of that, I can say Young New England is the most shocking disappointment to come from the wave of pop-punk bands that Transit has grown up with.
Read More “Transit – Young New England”Interview: Michael Shepard of Lovedrug
Michael Shepard chats about his new Boys on the Radio project, writing poppier music, the future of Lovedrug, and whether he regrets never making it big.
Interview: Matt Frazier of Local Natives
Drummer Matt Frazier talks about graduating to arenas as openers for Kings of Leon, the importance of percussion and melodies in crafting the Local Natives sound, and the next step in following up Hummingbird.
Interview: Ritzy Bryan of The Joy Formidable
Frontwoman Ritzy Bryan talks about the science vs. nature concept behind The Joy Formidable’s sophomore album Wolf’s Law, recording in Maine during the dead of winter, and the balancing act between the live show and studio recordings.
Interview: The Wonder Years – “Passing Through a Screen Door” (Song Premiere)
Today we’re excited to bring you the premiere of The Wonder Years’ “Passing Through a Screen Door.”
Read More “The Wonder Years – “Passing Through a Screen Door” (Song Premiere)”Review: Silverstein – This Is How The Wind Shifts
The idea that one situation can changed dramatically by something as innocent as where the wind blows is a compelling one – something Silverstein explores thoroughly on its latest album, This Is How The Wind Shifts. I feel like Silverstein has been one of the more underappreciated bands out of the early-00’s post-hardcore boom. While many similar acts have either folded or released poor imitations of past work, the Ontario quintet continues to challenge their selves. This Is How The Wind Shifts is proof of that, as it’s the band’s finest effort in its decade-plus career.
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