Anti-Flag – “Fabled World” (Single Premiere)

Anti-Flag

Anti-Flag are now ten albums into their career, but there’s no shortage of ire from the current social and political climate to fuel the punk iconoclasts. This is made a evident by the first single, “Fabled World,” for which you can watch the new video in the replies. The aggressive political punk anthem appears on American Spring, which drops on May 26th via Spinefarm Records.

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Review: Death Cab For Cutie – Kintsugi

Death Cab For Cutie - Kintsugi

The word ‘Kintsugi’ means a “style of art where they take fractured, broken ceramics and put them back together with very obvious, real gold. It’s making the repair of an object a visual part of its history.”

It has understandably been a hard four years for Death Cab For Cutie since Codes & Keys came out. First, Ben Gibbard’s divorce makes for a departure from the newfound love that existed in songs like “Stay Young, Go Dancing” on Codes. Second, guitarist and founding member – and perhaps most importantly long-time producer – Chris Walla decided to leave the band, with this being his final album. The result of these situations is Kintsugi

Entirely true to its name, the album expresses the void felt by Gibbard – the need to fix (or fill) something that is broken, to find something that is missing. The opening “No Room In Frame” begins with music that feels desolate and incomplete before Gibbard solemnly admits, “I don’t know where to begin.” The eerie music carries on, as the choppy guitars and drums add weight to the heartbreak of the line “And I guess it’s not a failure we could help / And we’ll both go on to get lonely with someone else.” The repetition of “with someone else” adds another blow to the gut, really letting the sheer desolation of the song sink in. One track in and we already have the fractured heartbreak that resonates throughout Kintsugi, just as the name implies.

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Review: Modest Mouse – Strangers to Ourselves

Modest Mouse - Strangers to Ourselves

”I’m listening to a new Modest Mouse album.”

For a very long time, that seemed like a sentence no one would ever be able to utter honestly. As the years wound past following 2007’s We Were Dead Before the Ship Even Sank—a record that dropped when I was 16 years old—the same pattern repeated over and over again. First, the band would make some comment about writing songs or heading into the studio; then, fans would throw Modest Mouse on their most anticipated lists, saying things like “IT’S GOING TO BE THIS YEAR!!!” And then, inevitably, December would come to a close without any word about a new record. Soon enough, we’d all start the vicious cycle all over again.

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