2017 Music Sales Are Up

Peter Kafka, writing for Recode:

Music streaming is big, and getting bigger fast. Digital downloads are falling off a cliff.

Oh, and one more familiar refrain: The music industry loves the money it’s getting from subscription services like Spotify and Apple Music, but it wants YouTube to pay them much more. […]

More than 30 million people are now paying for a subscription streaming service in the U.S., which pushed streaming revenue up 48 percent, to $2.5 billion, in the first half of the year. Streaming now accounts for 62 percent of the U.S. music business.

And that’s pushing the overall music business back up again, after a fall that started in 1999, with the ascent of Napster, and didn’t stop until a couple years ago. Retail sales were up 17 percent, to $4 billion, and wholesale shipments were up 14.6 percent, to $2.7 billion.

Sponsor: My Thanks to Vinyl, Me Please

Vinyl Me Please

My thanks to Vinyl Me, Please for sponsoring the website this week. Vinyl Me, Please is a record of the month club and they call themselves “the best damn record club.” After reading a few forum members talking about being members, it seems like that is a fair claim. People that have already signed up say good things about it and that’s really all you can ask for in an endorsement.

How’s it work? Every month, Vinyl Me, Please features one album that is essential to the modern vinyl collection and sends it to thousands of members worldwide. Each record is pressed exclusively for Vinyl Me, Please members with features you can’t get anywhere else (things like bonus tracks, inserts, colored variants) and comes packed with a 12”x12” album-inspired art print and custom cocktail pairing recipe.

Find out more information and sign up for a no contract, no strings, you can cancel anytime plan on their website.

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Review: Prawn – Run

In 2003, The Appleseed Cast released Two Conversations, the followup to their critically acclaimed two-disc Low Level Owl project. Fans were disappointed. Two Conversations was decidedly more commercial than Low Level Owl; the ambiance was replaced with melody and, it seemed to fans, the band traded ambition for accessibility. It’s true that Two Conversations shifted away from the unrepentant post-rock sound of the Low Level Owl CDs, but it’s also true that it’s an impressive album in its own right, even if it isn’t what was expected out of The Appleseed Cast. Most have come around to that by now.

I foresee something similar happening with Prawn’s new album, Run. 2014’s Kingfisher was unanimously praised on release by fans and critics alike. The record’s blending of emo and punk with post-rock made for an engrossing listen – one you can sing along to as well as brood to. Like Two Conversations, Run is a far more straightforward album than its predecessor. It’s more Into It. Over It. than Moving Mountains, let’s say – especially when the punk influence shines through on songs like “Empty Hands” and “Snake Oil Salesman.” The latter of which is a highlight on the record; Tony Clark shouting, “I know what you’ve been selling,” is one of the most fun moments in the band’s whole discography.

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