Review: Kayak Jones – You Swear It’s Getting Better Every Day

Kayak Jones

You Swear It’s Getting Better Every Day feels to me like the sort of album that, were it released two decades ago, would net Kayak Jones the legacy of a band like Name Taken. Perhaps not appreciated in their time, but considered a classic in retrospect. Like Name Taken, Kayak Jones is ultimately a pop-punk band, although with a heavy dose of emo influence. While they aren’t the first to play the style, and won’t be the last, they do so in a way that feels refreshing.

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The Chorus.fm Shop

Our new merch shop has the Chorus.fm and AbsolutePunk.net heart logo on a whole bunch of t-shirts, hoodies, mugs, stickers, and more.

Review: Catfish and the Bottlemen – The Balance

Catfish and the Bottlemen - The Balance

The more things change, the more they stay the same. The old English proverb could be applied directly to the case of Catfish and the Bottlemen. While many artists are quick to change their styles at the drop of a hat from album to album, the working-man approach of this Welsh quartet clicks along remarkably well on their third album, called The Balance. If nothing else, Catfish and the Bottlemen know precisely the type of music that suits them, and they are willing to continue out this path, naysayers be damned.

Right down to the trademark black and white artwork, it appears that this band has crafted a trilogy of albums whose songs could very well be re-arranged from one album to the next with minimal side effects to the untrained ear. Whether this was an intentional direction from the band to hone in on their strengths in their sound, rather than create an experimental or quirky LP in their discography, The Balance lives up to its name by striking the proper ledger between their debut (The Balcony) and their sophomore effort (The Ride).

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Billie Eilish Tops the Charts

Billie Eilish

Billie Eilish has the number one album in the country this week:

Billie Eilish’s When We All Fall Asleep, Where Do We Go? jumps back to No. 1 on the Billboard 200 chart, rising 2-1 in its fourth week on the tally and collecting its second total week at No. 1. The effort earned 88,000 equivalent album units in the week ending April 25 in the U.S. according to Nielsen Music (up 10%).