On the new album from the South Jersey/Philadelphia band Out of Service, they do a great job of encapsulating the feelings of living with depression, getting help, and coming to terms with living with a mental illness. The wide range of emotions that a person can go through when they realize they aren’t “feeling right” can be both shocking and heartbreaking at the same time, and Out of Service realizes this is a process. In fact, as a person like me who struggles with depression from time to time, Burden spoke to me more than I thought it would from the very first listen.
This past week, I had the opportunity to sit down with Jade of Oso Oso, before he played a supporting set at the Fillmore Silver Spring near Washington, DC. In this interview, I asked Jade about how much he follows what others say about his music, the recording process he went through during the Basking in the Glow sessions, and how he continues to find inspiration as an artist. Throughout our chat, I got a glimpse into what makes Jade such a talented songwriter, and found our conversation to be a hell of a lot of fun too.
Allen Stone has a lot to be thankful for as he celebrates the release of his new album, Building Balance: he was recently married, had his first child, and is still finding the time to deliver some more soulful tunes for his faithful fanbase. For those unfamiliar with the artist, he is an incredibly gifted vocalist and songwriter who cut his teeth to classic soul artists such as Stevie Wonder, Marvin Gaye, and Gladys Knight. Stone has a lot going for him on this latest effort, as he finds a way to embrace the past artists who inspired him to sing as well as look forward in his career as he maps out his next move creatively.
For those unfamiliar of the band Mappe Of, you are in for a musical journey not easily found on a sophomore effort. On The Isle of Ailynn, singer/songwriter Tom Meikle is as captivating as anyone in the indie music scene right from the first notes of the record. Kicking off the set with the musical landscape of “Estuary,” it’s clear that Meikle is not afraid to take some calculated risks with his music. From falsetto vocals, to carefully plucked guitars, Mappe Of has a lot going for it on their second record.
Coming off the success of the multi-platinum, debut self-titled album, Third Eye Blind could have gone in several different directions. Would they crash and burn like many of their 90’s peers hitmakers that stormed onto the scene of the height of the music industry, or would they embrace the pressure and deliver a noteworthy record? Plenty has already been written about the drama and in-fighting that went on during the writing and production of their sophomore album, Blue. Yet, I’m going to focus on the music itself which by all points of merit is still pretty damn good even at 20 years of age. The album’s themes are filled with relatable concepts, ranging everywhere from teen pregnancy (“10 Days Late”), physical abuse (“Wounded”), to gushing feelings of love (“Deep Inside Of You”).
When Ra Ra Riot announced a headlining tour with several major cities and markets on their itinerary, I knew I had to reach out to set up an interview during their local stop to my market, in Washington, DC. I had always enjoyed the stylistics changes that the band had done from album to album, and the growth in lead singer Wes Miles could be heard easily when comparing their original sound, to what came out on their latest record Superbloom. The band graciously granted me an interview with bassist, Mat Santos, to discuss what went into the recording of the latest album as well as some insight on: the band’s formation, Wes’s vocal regimen, and the band’s plans for the future. The interview was conducted in the “green room” backstage at the 9:30 Club in DC, and I truly enjoyed the conversation that Mat and I had that evening.
On the new album from the pop-punk band, Rational Anthem, called It’s Only Permanent they fully embrace their shiny personalities and have created a collection of songs that are a hell of a lot of fun. Led by the sister/brother duo of Noelle and Pete Stolp, Rational Anthem initially reminded me of some early Fenix Tx records with a mix of the pop sensibilities of Allister. Their longtime friend, Christoper Hembrough, rounds out the band, and Rational Anthem has a lot going in their favor on their latest effort.
From the opening notes of Saves The Day’s now-legendary emo album, Through Being Cool, Chris Conley confidently sings, “This isn’t the way we planned / I wasn’t supposed to forget your taste,” and it’s almost as if Conley and his band knew they might be on to something extraordinary here. The irony behind an album about leaving the cool kids to their cliques, while sitting a few out much like the cover art depicts, is humorous now because Saves the Day became emo legends on this record. Those same kids who wouldn’t give Conley and crew the time of day back in high school, are probably the ones now asking them for autographs after a show. This album was recently overlooked by Kerrang! magazine on the 25 greatest emo albums ever, much to my chagrin.
Looking back at the numerous bands influenced by this band and this album, in particular, one can not merely brush this record off as just another emo album. Instead with heart-on-my-sleeve lyrics about their hometown on songs such as “You Vandal,” where Conley sings, “I woke up to my cold sheets and the smell of New Jersey / When do I get to wake up to you?” there was no stopping this band’s ascent into greatness.
Today I’m happy to share the latest single from Holy Pinto, called “Malady.” This track comes from the latest trio of singles under the Holy Trinity record, and this track in particular reminds me of Interpol-inspired rock. The last song, called Acquaintances, Friends, Love Ends” was released in October, but the current single can be streamed below and it’s their best yet.
If you like what you hear, be sure to buy the Holy Trinity Singles Club.
The 15th anniversary of the My Chemical Romance classic has come and gone, but with the recent news of them reuniting, I just couldn’t wait five more years to write about Three Cheers For Sweet Revenge. I vividly remember my first time hearing this record. I was a 21-year old, shopping at my local Hot Topic, browsing the listening station of the recent CD releases. The Three Cheers artwork grabbed my attention from the first look, and I knew I had to see what the band had come up with, having only seen them open up for The Used at the 9:30 Club about a year prior. The album was produced by one of all-time favorites, Howard Benson, and had it not been for my immediate trust in the producer; I may have waited to purchase this album until a few weeks later. What I was not expecting was just how professional, polished, and amazing the record was, as I became immediately transported into the world of MCR. From the opening notes of “Helena,” I knew this band had created something incredibly special, immediate, and gripping from the very first listen. It’s safe to say that this immediate purchase of the record was not one that I came to regret.
Rewind for a minute back to 1999. Nu-metal looms large with bands such as Limp Bizkit and Korn dominating the airwaves and record sales. RollingStone magazine is saying for the millionth time that rock is dead, or at the very least, on life support. Little did that magazine realize, a small yet remarkable movement was taking place. Incubus had started to establish a good career for themselves on their sophomore studio effort S.C.I.E.N.C.E. , and were slowly but surely getting rock fans to turn their heads towards the Calabasas-based band. Enter the third studio album, Make Yourself that has just turned 20 years old. Produced by veteran hit-maker Scott Litt, Incubus made a conscious effort to leave the nu-metal bands they built a scene with scratching their heads in disbelief as the band would evolve their sound into an alternative rock powerhouse that would go on to sell over two million records in the United States alone. While Incubus had grabbed my attention on S.C.I.E.N.C.E., they became my new favorite band on Make Yourself.
The mystery, indecisiveness, and possible controversy surrounding Third Eye Blind’s sixth studio album only added to the allure and likability of Screamer. In many interviews, front-man Stephan Jenkins went as far as to say that there would never be a sixth studio album from Third Eye Blind, which came as a big shock to those who have been following the band during this decade. Coming off multiple successful tours with their name at the top of the bill, Third Eye Blind has done plenty to remove themselves from the pack of 90’s bands who could only dream of Jenkins and his bandmates’ sustained success. Dopamine, their last proper full-length was released in 2015, and they followed that record up with an equally charming collection of cover songs affectionately titled Thanks For Everything. With such an ominous EP title, one could only think Jenkins was living up to his word about hanging up the studio production output from the Third Eye Blind moniker. Luckily for us, Jenkins and 3EB’s long-time drummer Brad Hargreaves, guitarists Kryz Reid and Colin Creev, and bassist Alex LeCavilier collectively came together to deliver Screamer.
When I first got word of Mark Hoppus and Alex Gaskarth joining forces for a band that would become Simple Creatures, my reaction was that they would be able to play off of each other’s strengths as songwriters and musicians brilliantly. Little did I know that this side project of sorts would morph into one of my favorite electronica-driven new bands to come out of this decade. Twelve songs later into their debut in 2019, and we are left with a much better picture of who Simple Creatures are. Whereas Strange Love was an introduction to the band and what they were capable of, Everything Opposite finds Mark and Alex at their most confident, accomplished, and strongest.
Today I’m pleased to share the new single from Pelafina called “Blue and Gold.” This four-piece emo rock band from Chicago is poised for big things this year as their sound is reminiscent of bands such as Moneen and The Graduate. You can pre-save this single on Spotify and stream it below.
Today I’m proud to premiere the latest single from Rational Anthem called “Unimaginary Girlfriend.” The band, who are originally from Florida, are set to release their new record It’s Only Permanent on November 1st via A-F Records. This video captures the band’s energy from their live shows and their great personalities.
If you like what you hear, pre-orders are now up.
Today I’m proud to premiere the latest video from Leather Bound Crooks called “Summer Nights.” The band mentioned in a recent interview that, “We really wanted to create a chill end of summer vibe. The song is central to a summer love and the tones and melody create this blissful atmosphere. We’re glad the lyric video is able to reflect the track’s aesthetics so well.” Leather Bound Crooks’ latest record, Breach, is available on all streaming platforms via Forward Pace Records.
When I last spoke with Vinnie Caruana a few weeks ago, he was incredibly excited to share his solo record Aging Frontman with everyone. Now that I’ve had some time to absorb everything that is in this fantastic album, Vinnie and my conversation still sticks in mind with his cautious optimism towards his outlook on not only his music, but his life and accomplishments as well. Aging Frontman on the surface is an observation of Vinnie’s outlook on his great career with bands such as The Movielife, and I Am The Avalanche, yet this solo record solidifies an even greater standing with just how accomplished a musician and songwriter Vinnie Caruana is and has become.
When The Lumineers set out to record the follow-up their highly successful sophomore effort, Cleopatra, the band managed to raise their expectations for what would become III. The album is presented in three chapters: each coming with their own set of themes, topics, and overall feel. The album itself progresses nicely as it unfolds over these chapters, and co-founder/multi-instrumentalist of The Lumineers, Jeremiah Frates mentioned in an interview that, “This collection of songs worked out in a beautiful way, and I feel with this album we’ve really hit our stride.” The confidence that comes through on this record can be felt, but it’s a bit of a departure from the upbeat nature of their second record. What we are left with is an “artist’s record” that stays true to who The Lumineers are as both people, as well as musicians.
Today I’m happy to bring you the premiere of the new music video from Out of Service called “Stories.” This new single comes from their latest effort, Burden, and I’d recommend this band for fans of As Cities Burn and Valencia, but Out of Service has a sound that has continued to evolve nicely since their debut LP, Morning.