Review: Arrows In Action – I Think I’ve Been Here Before (Side A)

The first part of the new Arrows In Action record, called I Think I’ve Been Here Before (Side A), is a slick collection of six songs that highlight the new direction that the band took during these sessions. The band consists of Victor Viramontes-Pattison (Vocals, Guitar), Matthew Fowler (Guitar), and Jesse Frimmel (Drums), and their great chemistry of playing music together continues from their great 2023 full-length debut, Built To Last. The themes on the first part of their new album range from anxiety, to blissful romances, all the way to feelings of familiar places to help tie everything together. Arrows In Action will be supporting the new record with several new tours, including Download Festival, the resurgence of the Vans Warped Tour, and the Summer School Tour with Taylor Acorn. With tons of positive momentum going in their favor, 2025 is poised to be a big year for Arrows In Action.

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Interview: Kristopher Roe of The Ataris

The Ataris

This past week I was able to schedule a Zoom call with Kristopher Roe of The Ataris to discuss the band’s great returning single, “Car Song.” The song is from the band’s forthcoming LP that is tentatively scheduled for a March 2026 release. In this interview, Kristopher shared key insights behind how the new album is shaping up, his life experiences that led to several of the key songs on the new record, as well as his planned release of a cover of “Summer of ’69”. The Ataris will be releasing several new singles and 7″ records leading up to the band’s new album.

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Review: Arm’s Length – There’s A Whole World Out There

There’s A Whole World Out There is the sophomore effort from Ontario’s own Arm’s Length and it takes the listener on a thrilling journey of self-discovery, while still honing in on relatable themes like self-doubt, anxiety, and more. Anton DeLost is once again at the helm as the band’s producer, and he lets the band expand upon what made them so charming on their earlier releases. After having extensive touring experience under their belts from their solid debut, Never Before Seen, Never Again Found, Arm’s Length continue to impress with a unique repertoire here of slick hooks, improved musicianship, and a knack for descriptive songwriting.

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A.M. Boys – “Space Times Six” (Song Premiere)

A.M. Boys

Today I’m excited to bring everyone the latest single and visualizer video from New York City-based post-punk/experimental rock band A.M. Boys called “Space Times Six.” The song comes from their sophomore record, Present Phase, that just released in full today. Band member Chris Moore said, “The first album was more focused on in-studio jams and songs written for live performance, but this time we decided to stretch out more and explore adding additional layers.” If you’re enjoying the latest single, please consider streaming Present Phase here.

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Review: Safari Room – “Cut Out”

”Would it be better just to cut you out, become a ghost and never speak to you again?” are the haunting words in the chorus of the latest single from Safari Room called “Cut Out.” The song is largely about falling head over heels in love with someone who doesn’t feel the same way. Safari Room is the solo project of Alec Koukol and he quickly showcases his songwriting improvements on this acoustic single. The song comes from Safari Room’s new forthcoming EP, Kindling, and the campfire-esque delivery of the track hits its intended target in its delivery.

The song reaches its crescendo on the pointed-bridge of “You’re like a never ending siren / You are famine and you are feast / You’re the monster underneath my bed, a mosquito on a leash / A bad penny always turning up / I will never shake you loose / I’m a ticking bomb when you’re around / You’re the match, and I’m your fuse / You’re like a tattoo on my mind,
you are the one that I can’t have / Every time I think I’m healing, you’ll find me picking at the scab.” It’s really hard to not be impressed by the songwriting found here, and it reminded me a lot of Thrice front-man Dustin Kensrue’s solo work, with equally-pleasing results. Safari Room is developing his sound in such a majestic way, and I’m really excited about the direction this solos project took here.

Review: Cellar Dwellar – “Digital_Drive_By”

The latest single from experimental/prog-rock band Cellar Dwellar scratches that itch for fans of bands like The Mars Volta, NIN, and Stabbing Westward. “Digital_Drive_By” takes the listener on an epic journey over its plus six-minute running time that the Columbus, Ohio based band expand upon the possibilities of their unique music. The band shared, “The lyrics of the song come from the current political climate of queer people being targeted by the state along with my heavy interest in the Act Up movement during the AIDs crisis of the 80s and my personal connection to family who were impacted during that time.”

Cellar Dwellar have started to gain a loyal following in the Ohio area, and have opened for bands like The Jesus Lizard, among others. “Digital_Drive_By” is a cool mix of styles that demands be listened to on a good pair of headphones to fully wrap your head around all of the sounds being pulled into the mix.

Taylor Acorn – “Burning House” (Song Premiere)

Taylor Acorn

Today I’m thrilled to bring everyone an early listen to the new single by Taylor Acorn called “Burning House.” The track comes from the recently announced deluxe version of Survival In Motion that hits streaming services tomorrow. “When I was dreaming up Survival In Motion, I always envisioned it having an extended life and so I’m so excited to be able to continue the story,” Taylor reflects. “I am so proud of the whole body of work that we have created and it was such a pivotal project for myself as a writer, as an artist, and as a human. It was something I truly needed at that time and I’ll forever cherish the experience of getting to create it.” If you’re enjoying the early listen to the single, please consider pre-saving Survival In Motion (Deluxe) here.

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Review: Twenty One Pilots – Blurryface

Twenty One Pilots - Blurryface

The game-changing fourth studio album by rock band Twenty One Pilots is turning ten years old over the weekend, so it’s only fitting for us to take another look at what made Blurryface so special. The Fueled By Ramen release was an immediate success. The record debuted at the top of the Billboard 200 in its first week of release, it was the first album in Billboard history for every song on the record to be at least Gold certified, and it has since been certified as 4x Platinum by the RIAA. Putting a fresh pair of ears on Blurryface in 2025 brings back a flood of good memories for me. I had become a fan of the band from a friend sharing the band’s third record, Vessel, with me, but I was floored by the artistic development found on Blurryface. Tyler Joseph had a hand in co-producing each of these tracks with a handful of other producers gently adding some insight and their experiences to make sure the songs really shined. From the frenetic opening drum sequence by Josh Dun on “Heavydirtysoul” all the way to the somber reflection of “Goner” that slow-builds to a dramatic crescendo, Blurryface has a little bit of everything in it for fans of all genres to enjoy. Fueled By Ramen would happily release six singles from the 14-track effort, and each of these infectious songs are as immediately gripping as the first time I heard them.

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After Ours – “Different Now” (Video Premiere)

After Ours

After Ours, the musical project of Kayla Janowitz, is releasing her music video today for a key song called “Different Now.” From the After Ours new LP of Imaginary Friend that releases on June 6th, this single dances around self-reflection and the realization that we can all find solace in self-healing. I was also able to catch up with Kayla for a brief interview below. If you’re enjoying the music video, please consider pre-saving Imaginary Friend here.

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Interview: M.A.G.S.

MAGS

About two weeks ago, I was able to sit down with Elliott Douglas, better known as M.A.G.S., during his recent tour stop in Washington D.C. to discuss his recently announced plans to take a hiatus from the project. I asked him about the factors that led to this decision, his recent collaboration with American Football, and what the future looks like for him.

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Review: The Starting Line – Based On A True Story

The Starting Line - Based on a True Story

Most bands wouldn’t survive the label turmoil that went on during the promotional period of Based On A True Story, the sophomore record from The Starting Line. Despite reaching as high as #18 on the Billboard 200 upon its release in May of 2005, the album was basically shelved once Geffen Records decided that they were not going to make the LP one of their priorities. It’s a shame that only one single (“Bedroom Talk”) was released from this album since there really are a lot of gems to be found in The Starting Line’s songwriting here. Tim O’Heir produced the majority of the songs on Based On A True Story, but the label wasn’t thrilled with the sound found on the songs they were hoping would take off on radio, so they recruited veteran hitmaker Howard Benson (My Chemical Romance) to provide some guidance on “The World” as well as “Bedroom Talk.” A third producer, Eric Rachel, was enlisted for “Making Love To The Camera”, which would explain some of the unbalanced production elements when played from front to back. The Starting Line battled with their label to the bitter end to ensure they could release the record that the band wanted to make, even if it led to them forfeiting the rights to the recordings themselves. Ultimately, this is what happened, leaving some uncertainty to the future of the album for vinyl represses and so forth. With so much drama going on behind the scenes, it’s truly a miracle that this record saw the light of day, yet fans have adored Based On a True Story for a reason: the songs are really great.

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Review: Out Of Service – Devastation Awaits

The fifth LP from Out Of Service, called Devastation Awaits, finds the band expanding upon their unique sound while still finding ways to add new elements to their music. The set was produced, mixed and mastered by vocalist Mike Capuano, and the now-independent New Jersey band is self-releasing the record today. One of the first things that longtime fans of Out Of Service will notice on Devastation Awaits is the addition of more screamed vocals from Capuano, as evident on the aggressive opener of “Devastation” as well as the second track, “Secrets and Daggers and Mirrors.” After the more somber and acoustic-driven effort found on Reflections & Refractions Volume One, Devastation Awaits is the polar opposite to that previous record by providing a direct reaction to the world around us.

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Review: Catbite – Doom Garden

Catbite - Doom Garden

The ska genre may have fizzled out a bit over the past few years, but Philadelphia’s own Catbite is injecting some serious new life into the genre with their latest EP called Doom Garden. Catbite manage to simultaneously break down the walls of what can be considered ska, while also furthering their own artistic development. When I last caught up with the band for an interview, I could tell that they were poised for breakout success on this record. Of course it doesn’t hurt to have an excellent cameo on “Tired of Talk” by Fall Out Boy’s Patrick Stump to boost their own streaming algorithm and alert new fans to the magic that comes through the speakers when Catbite play their captivating music. Doom Garden is brimming with new possibilities for this band that continues to improve on their songwriting.

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Review: Lyn Lapid – Buzzkill

Lyn Lapid - Buzzkill

There will be times in our life when we discover an undeniable talent in our music rotation. That type of artist who makes you say, “Well, of course this person was meant to do this for a living!” I’ve had that feeling with several key artists in my music discovery, and I think I’ve just found the next great one. Lyn Lapid is a 22 year old music sensation from Baltimore, Maryland who started to gain a loyal social media following with her ukulele and acoustic guitar-driven covers of popular songs. Her original song of “Producer Man” in 2020 was her first taste of fame, but given the breathtaking vocals and production found on her debut album, Buzzkill, it certainly won’t be her last brush of notoriety. Lapid’s sound is somewhere in the realm of the quieter moments of Billie Eilish, paired with a starry-eyed vision for her music like Olivia Rodrigo, and the vocal range of Amy Winehouse. Lyn Lapid shimmers all over Buzzkill and cements herself as a marquee artist to watch.

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