Craig Manning’s Top Albums of 2023

Sometimes, the things you love leave you. Sometimes, those things come back.

Musically, 2023 for me was a year defined by the things I got back. Six of the 30 albums listed below were made by artists or bands I thought would never release music again. All six were artists who played key roles in extremely formative moments of my life; then they all went dormant for extended periods of time. Three of the six had been out of action for a decade or longer; one’s been gone for 23 years. Getting all six back – plus a few other long-awaited returns not represented on this list – felt like a little gift from the music gods, and made 2023 feel so special. There’s a Dawes song I love that goes, “May all your favorite bands stay together.” 2023’s blessing, for me, was more like “May all your favorite bands get back together.”

2023 was also the year that I wandered back out into the live music world, after being extremely hesitant about doing so in 2021 and 2022. While that post-pandemic return to normal didn’t come without its costs – I definitely contracted COVID-19 at a Taylor Swift concert – it felt so wonderful and so life affirming to be a part of a deafeningly-loud audience again. Getting that sensation back in 2023 – and having a couple of my very favorite concert experiences ever along the way – was a gift of its own.

So, here’s to getting things back, whether that’s the bands you love or the kinds of communal live music experiences you weren’t sure you’d ever have again. If there’s one thing I’ve learned from the past five years, it’s to never, ever take anything for granted, and I tried to instill that spirit into the making of this list. To quote yet another Dawes lyric, “Most people don’t talk enough about how lucky they are.” Most people also don’t talk enough about why they love the music they love, so here’s 30 albums from 2023 that I love – and more importantly, the “why.”

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Craig Manning’s Top Albums of 2022

As the years go on, I find myself interested by how differently I’m using music from one year to the next. In high school, music was purely an emotional soundtrack to all the upheaval that time of your life brings. In college, it was the soundtrack to the thousands and thousands of miles I drove to keep a long distance relationship alive. In the years immediately following college, it was background music as I found my way as a freelance writer. And then later, as I picked up songwriting, I studied the music I loved almost academically, trying to figure out what made it work from lyrical, musical, and production standpoints.

The last few years have brought new utilities for music in my life. In 2020, music was a crutch, something I relied on to get me through hard times. In 2021, it felt like so much of the music I loved was about communicating and amplifying the euphoria of being able to get back to some semblance of a normal life. This year, music was jet fuel. I spent 358 hours running this year and covered 3,131.3 miles, first in preparation for my first marathon, then for a variety of other races and goals. Music was a companion across most of those miles, pushing me forward and giving me the inspiration and the confidence to push harder — to drop the pace another 30 seconds per mile, or to keep going on those 20-mile days when my legs were burning and even my brain felt tired.

I think I’ll always have a special connection to these albums for how they accompanied me on that brand-new journey. There will be other marathons and many more miles to run, but 2022 will always be the year that I pushed myself to do something that even 28-year-old me never would have thought I could do, and the music on this list will always remind me fondly of pushing those limits and discovering that no human being is limited. Here’s to pushing a few more limits in 2023.

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Craig Manning’s Top Albums of 2021

A year ago, I wrote about how 2020 forced me to lean on music in a way that I hadn’t since my tumultuous coming-of-age years. All the fear and heartbreak and uncertainty of last year caused me to turn to songs and albums for solace and comfort like I was a teenager again, looking for answers in his headphones. In the midst of so many dark days, music felt like one of the few things that kept me sane and kept me hopeful.

2021 was different. Where almost every day of 2020 – at least, every day after about March 13 – felt like it brought some scrap of very bad news – this year was more about the ups and downs. The music I listened to and fell in love with reflects that roller coaster. In the albums and songs discussed below, there are dizzying, euphoric highs and deep, dejected lows. Some days, I could listen to a song in the car with the windows down and feel like life was normal again. Some days, life was normal again. From crossing the finish line at the end of my first half marathon to watching one of my best friends from college tie the knot, 2021 reminded me again and again how sweet the world can taste on the good days. But there were the heartbreaking days, too: being there for my wife and her family as we said goodbye to both of her grandparents, less than six months apart; watching COVID come back with a vengeance; seeing my small town land in the national news for one of the most appalling reasons imaginable.

And so, again, music proved to be something I needed desperately in 2021. After experiencing a waning level of engagement and excitement over new albums in 2018 and 2019, I now feel as ecstatic about music discovery as I ever have. I spent this year pushing beyond my comfort zone, both in terms of the new albums I was finding my way toward and the many older records I listened to for the first time in the past 365 days. The result is probably the most surprised I’ve ever been at the year-end list I made. That’s not to say there aren’t old favorites of mine represented here – including at the very top of the list. But there are also artists who I learned about for the first time, or veteran bands who I’d largely written off. There are pop superstars and under-the-radar up-and-comers. Maybe most notably, there’s a contingent of young women who are reigniting rock music within the pop mainstream in a way that I find extremely exciting.

You never know which music years or end-of-the-year lists or individual albums are going to end up “standing the test of time.” Who knows if these records will still mean much to me in a year, or five years, or come 2029 when it’s time to compile another end-of-the-decade list. All I can do for now is look back at the last 12 months and survey the music that defined the moments that filled them. To the best of my ability, these are the albums that tell my 2021 story.

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Craig Manning’s Top Albums of 2020

I never thought I’d need music again like I did in 2020.

I spent big chunks of 2018 and 2019 sorting back through records that had been formative in my life, first from the 2000s and then the 2010s. If anything, those processes showed me that the way I listened to music and connected with it had largely changed. And that made sense: the 2000s were the decade where I came of age, where I fell in the love with music for the first time, and where I went through the tumult of high school and all the joys and stumbles that path entails; the 2010s were my college years, the decade where I fell in love with my wife, where I saw my big youthful dreams die, where I saw another set of dreams sprout up to take their place, where I got married, and where I found my way toward contentment in my professional and personal life.

That kind of contentment is a gift, but it can also change the way you connect with art. When you’re young, you latch onto music in a primal way, because your emotions are heightened and every year brings so many milestones and so much change. Settling into the routine of adulthood affords fewer reasons to rely on an album like it’s a lifeline, or to listen to a song and feel like it might have just saved your life. Looking back at my year-end lists from the past two years, it’s clear to me that I was losing that visceral bond with the songs I thought I loved. While there are albums I adore on those lists, there are also many that don’t have any true relationship with beyond simple appreciation. 2020 was different. The world was a storm and I turned to music again as my raincoat, not unlike the way I used to in high school or college and facing a broken heart or a moment of crisis.

In recent days and weeks, as countless music fans across the internet have shared their “best of 2020” lists, I’ve read time and time again that folks “didn’t listen to much new music in 2020.” Maybe they felt they lacked the mental or emotional capacity to process anything else that was new and unfamiliar when our entire way of life suddenly seemed alien. Maybe people were just retreating to albums and songs they’d loved for years, taking solace in sounds that felt like old friends.

That wasn’t me: I spent the year putting out a call to the music world to give me something, anything that made me feel alive, or that spoke to the hope or grief or resilience or frustration I was feeling at any given moment. And the artists more than answered that call, delivering music that kept me afloat through it all, from the early days of the pandemic to a summer that never quite was, and from the jitters of election night through to the melancholy sadness that floated over the holiday season. It’s my favorite single-year slate of albums in at least half a decade – a list where I feel a more emotional connection with the LP at number 26 than I did with last year’s number 6. For the sake of the world and my own mental health, I hope I don’t have a reason to lean on music as much in 2021 as I did in 2020. But during a time when almost everything around me felt like it was falling apart, these albums gave me the hope and faith to keep going. I’ll never forget that.

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Craig Manning’s Top Albums of 2020 (So Far)

Best of 2020 (So Far)

I don’t need to tell anyone reading these words that 2020 has been a tough year. The last few months have, in many ways, been like living through a nightmare and slowly realizing you don’t get to wake up from it. Thank God, then, for the music. A few major artists delayed their new albums because of COVID-19, but the ones that stayed the course and released their art into this uncertain world have had an unusual opportunity to make a mark as much more than background music. In the depths of quarantine, I certainly used music as something of a life raft, looking to Fridays and new album releases as rare bright spots in weeks packed with bad news, or building huge emotional connections with the records on this list. I frankly can’t remember a year that had a stronger first half in terms of music releases. I guess someone out there knew we fucking needed something good to break the deluge of bad.

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Craig Manning’s Top Albums of 2019

I wrote a lot of album blurbs in 2019. If you’re reading this post, you probably already know that 1) I’m an insane person, and 2) my big writing project this year was a rundown of my 200 favorite albums of the 2010s. I concluded that project in mid-December, around the same time that everyone else in the music criticism world was sharing their “Best of 2019” lists. For a few days, I debated not even writing up a list this year. I was so emotionally exhausted after pouring so much of myself and my life into that end-of-decade piece that I just couldn’t see myself sitting down to do it all over again—albeit, on a much smaller scale. But then I started delving back into my favorite 2019 albums, albums that I maybe hadn’t spent enough time with in my race to relive a full 10 years of music. And then I started making late-year discoveries, new albums I’d overlooked that excited me greatly. Ultimately, I decided I couldn’t let a year end without the big-list ritual that I have followed every year since 2011.

I did give myself some extra leeway this time, though. Instead of going to 40 albums, as I have for the last several years, I stuck to 30. I also opened the door for late additions (and for the corresponding deletions they would require). The resulting list is not at all what I expected it would look like even two months ago. It’s a list loaded with exciting new talent and with albums that I can’t wait to spend more time with, brushing up against records I’ve already listened to hundreds of times, from artists I’ve loved for many years. I can’t say it’s my favorite end-of-the-year list that I’ve ever made, but it might be the most unexpected. I could feel my music tastes yearning to shift and grow in new directions while compiling this collection of 30 albums, which is frankly a very exciting place to start a brand-new decade. So bring on the 2020s! But first, here are my 30 favorite albums of 2019.

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Craig Manning’s Top Albums of 2018

I’m never sure what to write at the outset of this post. How do you sum up an entire year in a few paragraphs? It was a big year in my life, marked by a move back to my childhood hometown and a few big leaps forward in my professional life. I was busier, which left less time for discovering new music and less time for writing about it. Still, 22 of the 40 artists on the list below have never featured on a year-end list of mine in the past, and two of my top three albums are debuts. I always like knowing that there is new talent on the horizon, artists that might morph from big surprises this year to favorite artists a few years down the line. 2018 was a wonderful year for that kind of discovery.

In terms of my favorite music, I was all over the map in 2018. I leaned a little less on country than I have for the past few years, though there are still plenty of country and Americana artists on this list. Mostly, I was looking for songwriting that spoke to where I am at this current moment in my life. A lot of what resonated spoke of nostalgia and the past, a fitting theme given that I’ve been out of high school for almost 10 years now. I thought a lot about growing older in 2018, and about the shifting chapters of my life. The music, from Andrew McMahon’s “House in the Trees” to Lori McKenna’s “People Get Old” to Donovan Woods’ “Next Year,” told me that I wasn’t alone in feeling what I was feeling. As I get further from high school, I’m constantly wondering if I’ll get to a point where I’ll stop relating to music in the fiercely personal, autobiographical way that I always have. It’s a comfort to know that hearing the right song at the right time still feels as potent and poignant as it did when I was 17.

I’m rambling, as I always do at the start of these posts. So, I think I’ll stop now and let the 40 albums listed below speak for themselves.

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Craig Manning’s Top Albums of 2017

I’m not sure I’ve ever seen a music year quite like 2017. In terms of personal classics, it didn’t stack up to my favorite music years on record, like 2004 or 2015. But for maybe the first time ever, I would have been comfortable putting just about any album from my top 30 in my top 10. Indeed, every record up to about 19 or 20 was ranked in my top 10 for at least one draft of this list. Clearly, the breadth of good music from this year was stunning, and I feel fortunate to have been able to experience it.

Above all, this year was one of huge discovery for me. Of the 40 artists featured below, only 18 have made year-end lists of mine in the past. A few of the remaining 22 were artists I’ve known for awhile who realized their considerable potential in 2017. Most, though, were completely new finds for me, and a fair handful released debuts. Looking at those numbers, I can’t wait to see what new things will grace my ears in 2018. For now, though, I’m bidding farewell to 2017 by recounting the music that played as my life soundtrack during it. Here’s hoping my discoveries can become yours.

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Craig Manning’s Top Albums of 2016

Say what you want about 2016, but the music was fantastic. It would have been damn-near impossible for this year to top last year in terms of albums I loved—simply because 2015 completely reconfigured my tastes and taught me entirely new ways to love music. Even still, 2016 brought its fair share of riches. Butch Walker, Jimmy Eat World, and Green Day all released their best records since 2004—a miraculous feat, given that 2004 remains my all-time favorite year for music. Dawes continued to redefine what their sound could be, with a record so adventurous it cost them a few long-time fans. Discoveries like Parker Millsap and Lori McKenna wowed me with their songwriting prowess and became potential new favorite artists. Sturgill Simpson and Maren Morris led the vanguard of country music’s renaissance, following in the footsteps of what Chris Stapleton and Jason Isbell were able to accomplish in 2015. And Yellowcard, one of the most important bands in my personal musical development, decided to call it quits.

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