Chorus.fm’s Top 25 Albums of 2016

The Best of 2016

Well then. That was a weird year.

In many ways, 2016 was a whirlwind—a confusing and frustrating year that will probably always be defined by its political tension and long list of celebrity deaths. For our staff and community, 2016 was also marked by the end of AbsolutePunk.net and the birth of Chorus.fm, a major transition that brought some serious nostalgia about the place where many of us grew up online.

No matter where you were or what you were going through in 2016, though, you probably at least had a great soundtrack to keep you company. By almost every metric, 2016 was a remarkable year for albums. If you are a fan of pop music and superstar acts, there was certainly no shortage of marquee releases for you to sink your teeth into. Even beyond the blockbuster surprises and capital-I “Important” albums, though, the year was a goldmine. Rock music was vibrant, highlighting both new bands and longtime veterans. Country music continued a resurgence that even self-described country haters could get behind. Hell, even the movie musical came back in a big way.

In virtually every genre or category, 2016 provided a wealth of new musical treasures. It’s no wonder that our contributors placed votes for 267 different albums while compiling this list. Ultimately, though, it was the 30 records listed below that rose to the top.

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Craig Manning’s Top Albums of 2016

Say what you want about 2016, but the music was fantastic. It would have been damn-near impossible for this year to top last year in terms of albums I loved—simply because 2015 completely reconfigured my tastes and taught me entirely new ways to love music. Even still, 2016 brought its fair share of riches. Butch Walker, Jimmy Eat World, and Green Day all released their best records since 2004—a miraculous feat, given that 2004 remains my all-time favorite year for music. Dawes continued to redefine what their sound could be, with a record so adventurous it cost them a few long-time fans. Discoveries like Parker Millsap and Lori McKenna wowed me with their songwriting prowess and became potential new favorite artists. Sturgill Simpson and Maren Morris led the vanguard of country music’s renaissance, following in the footsteps of what Chris Stapleton and Jason Isbell were able to accomplish in 2015. And Yellowcard, one of the most important bands in my personal musical development, decided to call it quits.

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