Philly indie rockers twentythreenineteen just released their debut full-length on Know Hope Records. It’d be easy to call XXIIIXIX an emo album, but that’d sell the band short. They pull from pop, electronic, and even ambient as much as they do emo and emo-adjacent music, and it makes for one of the genre’s most creative and refreshing albums in a long time. I recently had the pleasure of speaking to bandleader Sean McCall about the writing of the record, which is currently available for streaming and purchase.
This is my eight time interviewing Juliet. In the nine years I’ve been speaking with her, I watched her go from leading Automatic Loveletter to performing on NBC’s “The Voice” to her recently signing to Sumerian Records. Over the years Simms has always been as candid as she has been persistent in her work ethic.
Tanya Batt is many things. First off, she’s a proud Gecko mum. Then, she’s a musician, an actress, she nannies, and she even works in a theatre. You wouldn’t know it by glancing at our table in the busy Melbourne café, The Hub, but Tanya Batt – who performs under the musical moniker BATTS – played a show in a packed Hamer Hall just a week earlier. Hamer Hall is one of Melbourne’s most beautiful venues, a room Tanya never thought she’d play in. Following a string of concerts as a special guest for Sharon Van Etten (“Sharon is the best. She watched my sets from the side of the stage”), Friday night saw Batt end her album launch shows with a special hometown performance.
Earlier this month, I was able to catch up with Hannah Joy (singer/guitarist) of the indie rock band, Middle Kids before they played a sold out show at the legendary 9:30 Club in Washington, DC. During our conversation, Hannah shared the band’s approach to creating a memorable set of songs for their live shows, the process that goes into writing their music, as well updates on the progress of their second full-length album. Middle Kids recently released New Songs For Old Problems on Domino Records, and the EP is available for purchase wherever music is sold.
Three years ago, when I reviewed Ceres’ sophomore album Drag It Down on You, I said “Tom Lanyon sounds pissed.” But that isn’t the case on We Are a Team. Lanyon sounds happy. Hell, the first line of the record is “I’m gonna get happy.”
That isn’t the case when talking to him, either. He’s quick to laugh, quick to joke, and seemingly eternally grateful to be able to make music that connects with people. I got the chance to talk to Tom about the band’s upcoming We Are a Team, out next week.
This past week I was able to sit down with lead vocalist of Silverstein, Shane Told, and discuss the process that the band went through for the REDUX: The First Ten Years retrospective release. The band is self-releasing the record and it will be available everywhere music is sold on April 12, 2019.
I recently had a chance to chat on the phone with former Motion City Soundtrack front-man, Justin Courtney Pierre. Below are the highlights from our conversation, and we chatted about everything from his preparations for his solo tour, his personal life, and what went into making his new record, In the Drink. Justin’s debut solo album is now available everywhere via Epitaph Records.