I loved this essay on Ted Lasso from Catherynne M. Valente:
Ted Lasso is like if Mr. Rogers, Bob Ross, Coach Taylor, Leslie Knope, and David Tennant’s Doctor all got together and had a big strange baby. It is a completely formulaic premise that turns around and refuses to follow the formula. It’s wholesome without being boring, kind without being trite, smart without being pedantic, so loving it’ll take your breath away, and gut-bustingly funny. Scripts so tight and hilarious that even one guy just saying his name and the paper he works for is not only a meme but makes you smile each and every time.
Do you know how fucking hard that is to pull off?
It is so much easier to be funny while being cynical. Everyone knows life sucks, it’s easy to get them onside by accessing that universal experience. To sneer and punch down and stand back from the world wrapped up in a sense of coolness that comes at the expense of everyone else and call that edgy. It is so much harder to stay funny while you’re being kind. In a show for adults. For cynical adults who are having a thoroughly rubbish time of it — and that was everyone in 2020. It’s nearly impossible, honestly. Even Parks and Rec constantly shit down Jerry’s neck. The Good Place was full of demons to balance out the philosophy with that kind of humor.
Ted Lasso is just a guy. It’s not the afterlife, it’s not in space, it’s not in a medieval morality play, it’s not even something as high-concept as the fantasy life of JD in Scrubs. He’s just a guy, who has problems, not insignificant ones, but also maybe the secret of life, moving through a traditional comedy plot — in fact, the actual plot of Major League — and handling it like comedy characters never do because it’s easier to do a madcap plot when everyone is being stupid and not communicating and running on the rails of their particular archetypal tropes.