There’s definitely a lot more anxiety and nervousness around now than there used to be. But that only applies to people of a certain age like me and you, Doug. We have a tendency to live in the past, but that’s only us. Youngsters don’t have that tendency. They have no past, so all they know is what they see and hear, and they’ll believe anything. In 20 or 30 years from now, they’ll be at the forefront. When you see somebody that is 10 years old, he’s going to be in control in 20 or 30 years, and he won’t have a clue about the world we knew. Young people who are in their teens now have no memory lane to remember. So it’s probably best to get into that mind-set as soon as we can, because that’s going to be the reality.
Searchlight Pictures has closed a deal with Ford v Ferrari helmer James Mangold to direct Timothée Chalamet as the young Bob Dylan, during the period when he was poised to become folk music’s most seminal figure. When Dylan instead embraced rock ‘n’ roll and traded his acoustic guitar for an amp and an electric guitar, it created a huge outcry. And it cemented the status of rock music. Jeff Rosen, his longtime manager, is working on Dylan’s behalf actively with Searchlight and Mangold on the film, which the studio said is untitled but has been referred to around town as Going Electric.
Chris Willman, writing at Variety:
For years, rumors have circulated among Bob Dylan fans that a documentary about his legendary, star-studded “Rolling Thunder Revue” tour of 1975-76 was in the works, and occasional whispers had a name attached: Martin Scorsese. Now, the cat can come officially out of the bag. Variety has exclusively learned that Netflix plans to release the movie in 2019, with the director’s name actually in the title: “Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese.”
“We both wanted to create a collection of American whiskeys that, in their own way, tell a story,” Mr. Dylan said in a statement to The New York Times. “I’ve been traveling for decades, and I’ve been able to try some of the best spirits that the world of whiskey has to offer. This is great whiskey.”
My voice cracking here and there wouldn’t bother me, bum notes or wrong chords would bother me more. On “September of My Years,” I didn’t fix anything. That would be impossible to pull off anyway because we were all in the same room playing together at the same time and there was a lot of leakage into other mics. You only fix things if you overdub the vocals separately and we didn’t do that here. If you mangle a lyric on records like this, you have to go back and start over. It’s a live recording. My voice cracking here or there just might mean it was recorded too early in the day, but it doesn’t hurt the overall effect, it wouldn’t bother me.
“Right now we are doing nothing. I have called and sent emails to his closest collaborator and received very friendly replies. For now, that is certainly enough,” the academy’s permanent secretary, Sara Danius, told state radio SR on Monday.