Riding Shotgun With the Boss

Bruce Springsteen

Dwight Garner, writing at The New York Times, reviewed Bruce Springsteen’s autobiography:

The book is like one of Mr. Springsteen’s shows — long, ecstatic, exhausting, filled with peaks and valleys. It’s part séance and part keg party, and then the house lights come up and you realize that, A) you look ridiculous dancing to “Twist and Shout” and, B) you will be driving home in a minivan and not a Camaro.

His writing voice is much like his speaking voice; there’s a big, raspy laugh on at least every other page. There’s some raunch here. This book has not been utterly sanitized for anyone’s protection, and many of the best lines won’t be printed in this newspaper. Most important, “Born to Run” is, like his finest songs, closely observed from end to end. His story is intimate and personal, but he has an interest in other people and a gift for sizing them up.

Vanity Fair Cover Story on Bruce Springsteen

Bruce Springsteen

David Kamp, with the cover story on Bruce Springsteen for Vanity Fair:

What might better serve the good of the Republic is the planned release, sometime next year, of Springsteen’s first album of entirely new songs since Wrecking Ball. (His last studio album, 2014’s High Hopes, consisted of covers, new recordings of older songs, and orphaned songs from sessions for his preceding albums.) The new album, as yet untitled, has been finished for more than a year but has sat on the shelf while Springsteen has busied himself with the tour and the book.

That makes at least two really good articles in this issue — the other being from Nick Bilton on Theranos.

Bruce Springsteen Cancels North Carolina Show

Bruce Springsteen

Bruce Springsteen has canceled his upcoming North Carolina show over their ridiculous new “bathroom” law:

As you, my fans, know I’m scheduled to play in Greensboro, North Carolina this Sunday. As we also know, North Carolina has just passed HB2, which the media are referring to as the “bathroom” law. HB2 — known officially as the Public Facilities Privacy and Security Act — dictates which bathrooms transgender people are permitted to use. Just as important, the law also attacks the rights of LGBT citizens to sue when their human rights are violated in the workplace. No other group of North Carolinians faces such a burden. To my mind, it’s an attempt by people who cannot stand the progress our country has made in recognizing the human rights of all of our citizens to overturn that progress. Right now, there are many groups, businesses, and individuals in North Carolina working to oppose and overcome these negative developments. Taking all of this into account, I feel that this is a time for me and the band to show solidarity for those freedom fighters. As a result, and with deepest apologies to our dedicated fans in Greensboro, we have canceled our show scheduled for Sunday, April 10th. Some things are more important than a rock show and this fight against prejudice and bigotry — which is happening as I write — is one of them. It is the strongest means I have for raising my voice in opposition to those who continue to push us backwards instead of forwards.

Review: Bruce Springsteen – Born to Run

Bruce Springsteen - Born to Run

Today (August 25th, 2015), Bruce Springsteen’s Born to Run has officially been around for 40 years. It’s only had a huge influence on my life, though, for about seven. For a considerable amount of my personal musical growth, I was aware of “the Boss” and his work, but it didn’t really resonate with me on a personal level. Born to Run, along with Born in the USA, Greetings from Asbury Park, and The Rising, were among the first albums I ever put on my first iPod back in 2004, as I looted my parents’ CD collection looking for more tunes to stock my brand new 20 gigabyte device. But while I loved hearing the title track pop up on shuffle during runs, and while later songs like “My City in Ruins” always struck a chord with me, it took another four years for Born to Run to really become that album in my life.

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Review: Bruce Springsteen – Human Touch/Lucky Town

Bruce Springsteen - Lucky Town

The decision to release Human Touch and Lucky Town was probably the worst decision ever made in the Bruce Springsteen camp. Springsteen hadn’t been wrong about many things up to this point in his career, but whoever okay-ed the decision to release one really mediocre record and one really good record on the same day clearly didn’t know much about marketing and the forever-lasting stain one would leave on the other.

It is with the synthy, glossy, overproduced and underwhelming memory of Human Touch that Lucky Town will forever be dragged down. Many people (definitely including me, until as recently as about three weeks ago) dismissed the latter of the two records because of how misguided the former is. Even in 1991, when Springsteen’s management decided it was okay to release the two separate records on the same day (Springsteen was the first artist to ever do this), fans appreciated the singles on Human Touch and little else. 

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Review: Bruce Springsteen – Darkness on the Edge of Town

Bruce Springsteen - Darkness On The Edge Of Town

Following up Born To Run is something that seems like a monumental task, but given the pressure Bruce Springsteen experienced in earlier parts of his career, it probably didn’t seem like such a tall mountain to climb. When Springsteen released Born To Run, Columbia Records basically treated it as the 25-year-old’s last chance to write something that could make them some money. Luckily, Springsteen churned out one of the most fantastic records of all time, launching himself into stardom as a household name and a worldwide presence. Need further evidence as to his importance other than his extensive world touring after the record? On Oct. 27, 1975, both Time and Newsweek put Springsteen on their respective covers, with Time calling him “Rock’s New Sensation.”

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Review: Bruce Springsteen – Nebraska

Bruce Springsteen - Nebraska

Bruce Springsteen’s 1982 release Nebraska is probably the release that Columbia Records was looking for when they signed a young and unproven Springsteen in the early 1970s. Although the record came about a decade later and it was Springsteen’s sixth studio album, Columbia probably isn’t too disappointed with how the whole Springsteen experiment played out.

The story behind Nebraska is not one that is known very well outside of the Springsteen faithful. Basically, The Boss recorded demos of an album that he meant to record with the E Street Band on a 4-track at home. When he went into the studio and the entire band recorded the album, Springsteen and his producers felt it didn’t translate right. The end result was the actual releasing of the demos, as recorded on a 4-track in Springsteen’s home. Let The Boss tell you about it himself.

I got a little Teac four-track cassette machine, and I said, I’m gonna record these songs, and if they sound good with just me doin’ ’em, then I’ll teach ’em to the band. I could sing and play the guitar, and then I had two tracks to do somethin’ else, like overdub a guitar or add a harmony. It was just gonna be a demo. Then I had a little Echoplex that I mixed through, and that was it. And that was the tape that became the record. It’s amazing that it got there, ’cause I was carryin’ that cassette around with me in my pocket without a case for a couple of week, just draggin’ it around. Finally, we realized, “Uh-oh, that’s the album.” Technically, it was difficult to get it on a disc. The stuff was recorded so strangely, the needle would read a lot of distortion and wouldn’t track in the wax. We almost had to release it as a cassette. [quote taken from a 1984 interview in Rolling Stone via the wonderful Wikipedia.]

I can’t even.

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Review: Bruce Springsteen – The River

Bruce Springsteen - The River

Unlike a couple of Bruce Springsteen’s previous records, The River can never be called a flawless effort. Arguments are made by some that Born To Run is a perfect work. With less fervor, people have called The Wild, The Innocent & The E Street Shuffle or Darkness On The Edge Of Town perfect. I’m not going to argue the degree of perfection found in any Springsteen album. But with The River, a 20-song, 83-minute behemoth of a double-disc record, there are certainly flaws. But with those flaws came yet another sign of Springsteen’s musical genius that was the most captivating part of rock and roll in the 1970s and 80s.

Springsteen originally recorded 10 songs for a record called The Ties That Bind, and that record was going to be released in late 1979. Instead of releasing that, Springsteen went back to the drawing board and wrote some darker material after penning a song called “The River.” The result was the double-disc that saw light of day in the fall of 1980. While the record didn’t have the compact and straightforward storytelling themes of Born To Runand Darkness, it does feature some of Springsteen’s most compelling songwriting.

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Review: Bruce Springsteen – Greetings From Asbury Park, N.J.

Bruce Springsteen - Greetings From Asbury Park, N.J.

Greetings From Asbury Park, N.J. is one of the two records that Bruce Springsteen released before he was Bruce Springsteen. At this point in his career, a 23-year-old Springsteen was not yet The Boss, but a singer/songwriter who Columbia Records signed with the hope that he would blossom into the next Bob Dylan. To say the least, Columbia was not pleased with Springsteen’s January 1973 debut full-length, as Greetings had no huge singles and proved to be much more rock’n’roll than Columbia had bargained for.

The record was received well by critics at the time of release, but Springsteen didn’t become America’s favorite rock star right away. Columbia released “Blinded By the Light” and “Spirit In the Night” as singles, but neither had any impact whatsoever on any charts. Most people only know “Blinded By the Light” because of the remake by Manfred Mann’s Earth Band, and “Spirit By the Night” didn’t have the instant accessibility needed to become a regular number played on the radio. Considering the conditions under which the record was written, with Springsteen recording with producer/manager Mike Appel in one of the cheapest available studios in New York, it’s not much of a surprise that it only sold around 25,000 copies in its first year.

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Review: Bruce Springsteen – The Wild, The Innocent & The E Street Shuffle

Bruce Springsteen - The Wild, The Innocent & The E Street Shuffle

With Columbia Records disappointed at the result of Greetings From Asbury Park, N.J., there was only one thing for Bruce Springsteen to do – give it another chance. So what did he do? He wrote, recorded and released an entire record in less than a year. Even lessthan less than a year, if that makes sense. Greetings was released on Jan. 5, 1973. The Wild, The Innocent& The E Street Shuffle came out barely seven months later – on Sep. 11, 1973.

Perhaps more impressive than the short turnaround is the quantum leap between the two records. Shuffle is more rock’n’roll while at the same time being more funky, the lyricism is improved to an exponential power, and it is the recorded debut of Springsteen’s E Street Band. An interesting point is that when Springsteen started off, he signed a contract with Columbia Records for Bruce Springsteen – no E Street Band existed for quite a while. Even on Shuffle, only three members of the E Street Band would continue on to work with The Boss for his entire career.

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