Ryan Adams made what was, to my ears, his best record ever with 2014’s self-titled effort. More diverse and consistent than Heartbreaker and less bloated than Gold, Love Is Hell, and Cold Roses, Ryan Adams was a tight, taut, and tense collection of songs that saw Adams dealing with the loss of his grandmother and the pressures of a troubled marriage. Two and a half years later, the once-prolific Adams returns with the proper follow-up to his self-titled record, and it’s the closest he’s ever come to making a sequel. Prisoner carries many of the sonic and lyrical hallmarks of its predecessor, from the reverb-heavy production to the clear influence of 1980s Springsteen and Petty records. “Do You Still Love Me,” the opener and lead single, even bears a strong resemblance to the last record’s first track, “Gimme Something Good.”
Singer-songwriter Ryan Adams knows there’s a stark difference between the way he views the work throughout his career and the popular perception of it. Whether it’s his years in Whiskeytown or his song New York, New York becoming a rallying cry after 9-11, Ryan tells Marc why history has created a different narrative of these events than what he experienced at the time and how that guides what he’s doing today.
By the time I got there, I was so angry. I felt humiliated, but what else could be done? Either way I had lost something. Unlike a more seasoned comic or musician, I didn’t have the experience to ignore a situation like this, or to use wit to turn it around. I felt a kind of disappointment and disillusionment that I had never known — and it was in front of a thousand-plus people.