As listeners, we typically assume that a debut album is an artist’s mission statement. Simply put, an artist’s first album is supposed to establish what that person or band sounds like. It’s supposed to lay the foundations for the rest of their career and give listeners some idea of what to expect later on down the road. But what happens when a debut album proves to be an anomaly? When the first record establishes a sonic identity that the artist doesn’t want to chase on future releases?

For more than a decade now, Cary Brothers has been asking precisely that question.

Brothers burst onto the scene in 2004, with a December release called All the Rage. It wasn’t until the next year, though, that he got his big break, thanks in large part to the Garden State soundtrack. Brothers’ beloved contribution, the song “Blue Eyes,” had already been a Hotel Café favorite when Zach Braff scooped it up for his quirky coming-of-age dramedy. Garden State took the song and immortalized it for listeners and movie fans who were of a certain age at the time. While the song gave Brothers the kind of boost that just about any songwriter would kill for, though, it also meant that he got the musical version of typecast. “Blue Eyes” was a singer-songwriter song, and Brothers’ full-length debut, 2007’s Who You Are, was a singer-songwriter album. You could hardly blame early Cary Brothers fans for making the assumption that he was an acoustic singer-songwriter, period.

Read More “Eight Years Down: Cary Brothers on His Long-Awaited Return”