Dustin Kensrue Launches New Podcast

Dustin Kensrue

Dustin Kensrue of Thrice has started the Carry the Fire Podcast.

The show aims to dig deep into those big questions through the lens of the good, the true, and the beautiful. While these days it may feel like our disagreements and divisions threaten any hope of building a broad and beloved community, could it be possible that we all share some innate common belief in the value of these three transcendentals? By exploring our differences through this common ground, I believe our individual worldviews can be enriched by our interactions, becoming more good, true, and beautiful every day. To this end, we will be speaking with people like you, from a wide variety of backgrounds, beliefs, and professions. Whether the conversation is with a musician or author, a scientist or philosopher, we will together glimpse the world anew through their unique perspectives.

The show also has a Patreon.

Review: Dustin Kensrue – Please Come Home

Dustin Kensrue - Please Come Home

Please Come Home is the freewheeling solo debut of Thrice frontman Dustin Kensrue. Kensrue’s folk-country labor of love has finally taken shape with a minimalist 8-song release featuring Thrice axe-man Teppei Teranishi and the band’s guitar tech, Chris Jones.

The album kicks off with a double-time acoustic number called “I Knew You Before.” Kensrue sends a scathing message with sharp lyrics aimed at the degradation of women. Interesting fare, for sure, and it proves quite the compelling opener for Please Come Home. The title track is a rather unexpected ballad that stands proud although at times seemingly scattered. The arrangements feel a little off until Kensrue hits the chorus for the first time, and then he finds his groove. “Blanket of Ghosts” is the surefire sleeper song on the album. Sounding as though Kensrue decided to channel Counting Crows frontman Adam Duritz, the song meanders along with an organ-heavy accompaniment (courtesy of Thrice’s Teranishi). Many listeners may skip this song, but it reminds me a lot of Duritz’s “A Long December,” with its slick lyrics, extended solos, and pleasing tone.

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