Review: John Mayer – The Search for Everything

John Mayer - Search for Everything

What the hell, John?

Let’s journey back for a moment to New Year’s Day, when John Mayer told the world via his Instagram account that his new album, The Search for Everything, would be coming in four-song waves “every month.” Mayer never explicitly said that he would be releasing 48 songs in 2017, but he definitely implied it. Strongly.

What he actually did was release two four-song waves—in January and February, respectively—and then announce a full-length album that would include all those songs, plus a few more. At this point, no one is sure whether Mayer will be continuing with the waves for the rest of the year or not. I don’t think Mayer even knows. On the one hand, CD versions of the new album label it “Vol. 1.” On the other hand, Mayer tweeted on release day: “And that ends an era: August ’14-April ’17.” Since The Search for Everything is an album about Mayer’s breakup with Katy Perry, and since the album is very much a “complete thought” on its own, there seems to be little reason that Mayer would continue this release cycle in any fashion.

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John Mayer Knows He Messed Up. He Wants Another Chance.

John Mayer

Joe Coscarelli talked with John Mayer for The New York Times:

Across four hectic days this month, as Mr. Mayer, lucid and optimistic, finished his big-budget new album, “The Search for Everything,” and filmed a music video for what he hopes will be his next hit single, he seemed to especially relish reflecting on his 2010 undoing. Recalling the consequences of those infamous magazine articles — in which he used the phrase “sexual napalm,” chronicled his onanism in horrific detail, referred to his male anatomy as David Duke and somehow separately used a racial epithet — Mr. Mayer was vivid and virtuosic in his self-laceration.

Review: John Mayer – Continuum

John Mayer Continuum

From the moment it was released, it seemed like John Mayer’s Continuum was poised to be a classic. That’s not because Mayer was particular respected at the time. Sure, Mayer hadn’t yet put his foot in his mouth by making stupid comments to interviewers. Still, though, the Berklee dropout turned pop sensation wasn’t exactly anyone’s first bet in the “guess who will have career longevity” game. It was obvious from early on that Mayer had chops, and equally obvious that he could write a damn sturdy pop song. (Listen to Room for Squares and tell me those tunes don’t still sound like hits.) But he was a teen pop icon first and foremost, and most of his songs seemed destined to become relics of early 2000s radio. You need only listen to “Your Body Is a Wonderland” once to realize how easily Mayer could have been a pop cultural punchline 10 years after the fact.

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