Next Christopher Nolan Film Coming in July 2020

Christopher Nolan

Hollywood Reporter:

Warner Bros. announced Friday that Nolan’s next film will open in Imax on July 17, 2020.

The project is described as an event film, but nothing else is known about Nolan’s latest venture. The writer-director has a propensity for secrecy, writing his scripts away from any prying eyes. Furthermore, he is of such a stature that he can attract the actors he wants, package his project with thespians and then present it to a studio with what amounts to a simple yes or no question: Are you in or are you out?

PledgeMusic Owes Artists Thousands of Dollars

Billboard

Colin Stutz, writing at Billboard:

According an anonymous former employee who wished to remain anonymous, the root of these problems is improper money management where PledgeMusic failed to hold artists’ campaign funds separately and securely and instead invested it back into the company. The idiom “robbing Peter to pay Paul” came up in many conversations describing PledgeMusic’s actions and as the company’s growth slowed the situation worsened. Over the last year, according to the former employee, in effort to reduce overhead, PledgeMusic also laid off about a third of its U.S. staff and moved out of its New York offices into a WeWork shared workspace.

Adam Lazzara Talks With Substream

Taking Back Sunday

Logan White sat down with Adam Lazzara of Taking Back Sunday over at Substream:

While the two new songs are a great representation of where Taking Back Sunday is at currently going through their 20thyear as a band, Lazzara is unable to say whether these songs will be a representation of any future material. This ties into their effort of being as genuine as possible with each release of new music, as Lazzara explains “I think we’d be doing a disservice if we said, ‘Oh yeah, these two songs are the direction we’re going’ because, who knows what the next batch of songs is going to sound like.”

‘Bryan Singer’s Accusers Speak Out’

The Atlantic

The Atlantic:

We spent 12 months investigating various lawsuits and allegations against Singer. In total, we spoke with more than 50 sources, including four men who have never before told their stories to reporters. A man we’ll call Eric told us that he was 17 in 1997 when he and Singer had sex at a party at the director’s house; another we’ll call Andy says he was only 15 that same year, when he and Singer had sex in a Beverly Hills mansion. Both men say Singer, who was then in his early 30s, knew they were under 18, the age of consent in California. (They asked The Atlantic to conceal their identity for fear of retaliation, and because they didn’t want certain details about their past made public.)

Mariano Rivera Is a Hall of Famer

Tyler Kepner, writing for The New York Times:

Mariano Rivera, the career saves leader whose elegant efficiency helped the Yankees win five World Series, on Tuesday became the first player ever elected unanimously to the Baseball Hall of Fame.

It is bonkers to me that no one else had been elected unanimously before.

Here’s Derek Jeter, writing at The Player’s Tribune:

I heard a stat the other day and it blew my mind:

In human history, more people have walked on the moon than have scored an earned run off of Mariano Rivera in the postseason.

Sounds crazy, right? But it’s true.

According to NASA, 12 people have had the privilege of walking on the moon.

According to Baseball Reference, 11 people have scored an earned run off of Playoff Mo.

And while no statistic could ever truly encapsulate Mariano, I figure this one is as close as we’re going to get. Because I think it really gives you a sense of what sort of greatness we’re dealing with, when it comes to Mo. It’s hard to compare him to other closers — in fact, it’s hard to compare him to other pitchers.

Spotify to Introduce “Block/Mute” Feature

Tom Warren, writing at The Verge:

Spotify is getting ready to enable a block feature in its apps to mute artists you don’t want to hear from. Spotify is currently testing the “don’t play this artist” feature in its latest iOS app, and The Verge has been able to test the new block functionality ahead of its release soon. The feature simply lets you block an entire artist from playing, so that songs from the artist will never play from a library, playlist, chart list, or even radio stations on Spotify.

Edgar Wright Talks Future Plans

Baby Driver

Ben Travis, writing at Empire:

Elsewhere, Wright is continuing to work on his documentary about the cult band Sparks, and his previously-mooted Baby Driver sequel is still in the works. “A first draft of Baby Driver 2 exists,” he confirms, adding that it introduces a whole swathe of new characters following the original’s high body-count, and “takes the story further”.

The Inside Story of How We Got Two Warring Fyre Festival Documentaries in the Same Week

The Ringer

Scott Tobias, writing at The Ringer:

Fyre and Fyre Fraud arrive at many of the same conclusions about what happened with the festival, and both documentaries place much of the blame on McFarland, a scam artist who was subsequently sentenced to six years in federal prison for wire fraud. However, the major difference between them is that the Hulu doc has an exclusive interview with McFarland and the Netflix doc does not. In the course of preparing a profile on Chris Smith (American Movie, Jim & Andy: The Great Beyond) for The Ringer, coming later this week, I asked Smith on Monday about the Hulu documentary that was released earlier in the day. What he said wound up sparking a kind of ethics-off between the two camps.

Maroon 5 Biggest Act on US Radio in 2018

Maroon 5

Maroon 5 were the biggest act on the radio in 2018:

The band finished 2018 as the biggest act on U.S. radio airwaves, according to Nielsen Music. The group’s catalog of songs collected 8.58 billion audience impressions across all monitored radio stations, from 1.95 million plays of their tunes.

Drake was the second most-heard act on the radio last year, with 8.15 billion in audience impressions, while Imagine Dragons (7.18 billion), Post Malone (7.14 billion) and Ed Sheeran (7.08 billion) rounded out the top five biggest radio acts of 2018.

Founder of Coachella Talks With the LA Times

Coachella

The founder of Coachella talked with the LA Times about a variety of topics, including the controversial “radius clause:”

The radius clause is part of all business to some extent. You can’t put a car dealer every block; a car dealer has a region. These artists generally come back later that year. Sometimes two more times that year. So it’s just a moment of time that there’s a radius clause on that. Ours is more for that first part of the year right before Coachella.

Human beings trying to make a living playing shows, car dealerships, same thing.

Kanye West Pulled Out of Coachella Because the Festival Wouldn’t Build Him a Giant Dome

Kanye West

David Brooks, writing at Billboard:

When senior executives from Coachella parent Goldenvoice explained that the dome would be impossible to build in four months and would require the AEG-owned concert promoter to rearrange the entire festival site and remove a large section of portable bathrooms, West became irritated, declaring that he was an artist with a creative vision who shouldn’t be spending his time talking about port-a-potties.

Sony Looking to Reboot ‘He-Man: Masters of the Universe’

Variety:

Art Marcum and Matt Holloway have been tapped to pen Sony Pictures and Mattel Films’ “Master of Universe” reboot with brothers Adam and Aaron Nee still directing.

Mattel Films is partnering with Sony Pictures on the feature film, which is based on Mattel’s beloved toy-line that spawned a successful animated TV series (1983-85) as well as a 1987 film. The property centers on the warrior He-Man, the last hope of a magical land called Eternia. Dolph Lundgren starred in the original pic as the title character, while Frank Langella played the villainous Skeletor.

Spotify Focusing on Podcasts in 2019

Sarah Perez, writing for TechCrunch:

This has led Spotify to believe that influencers in the podcast community will be able to bring their community with them when they become a Spotify exclusive, and then further grow their listener base by tapping into Spotify’s larger music user base and, soon, an improved recommendation system.

Personally, I think an “exclusive” to one platform ‘podcast’ isn’t really a podcast. It’s a Spotify radio show. Which, cool, that’s fine, but if it’s not available via an RSS feed to any podcast player, it’s not a podcast.