I was bummed out by the result. It took the wind out of my sails as far as thinking of direct-to-customer as a sustainable business for a musician. In a way, that experience gave me a preemptive look at music today. You’re not making money from albums; instead they’re a vessel for making people aware of you. That’s what led me to thinking that a singular subscription service clearly is the only way this problem is going to be solved. If we can convert as many music fans as possible to the value of that, in a post-ownership world, it would be the best way to go.
What has crept in is that everyone’s a commentator now. The internet is giving voice to everybody thinking that someone gives a shit what they have to say and they have the right. I think, in general, that has created a toxic environment for artists and led to some very safe music. Artists are trying to make music to please the tastemakers that tell the sheep what to like. It’s a vicious cycle and I think it’s unhealthy. I don’t see any Princes emerging on the scene today. I see a lot of people making formulaic, made to please, vegan restaurant patron-type shit. And I think it creates an environment where people are too fuckin’ worried about what other people have to say. And people who have never made anything think it’s OK to talk shit about stuff they have no right to talk about. You got a Facebook account? Nobody gives a fuck. You haven’t achieved anything.
I’m not sure how he really feels about this.