Review: City Mouth – Coping Machine

Adam Grundy Apr 23, 2020

I want to introduce you to your next favorite band: City Mouth. Running out of the gate with shimmering synths, infectious harmonies, and melancholy lyrics with a tint of hope, this Chicago-based band is on to something special on their latest LP that they have affectionately titled Coping Machine. Drawing comparisons to the synth-pop sensibilities of Motion City Soundtrack and clever songwriting of The Format, City Mouth has carefully crafted a collection of songs dealing with thematic elements such as preserving one’s mental health and staying true to yourself. The album was mixed by Marc McClusky (Weezer, Motion City Soundtrack), and his dedication to bringing out the best in the band comes shining out of the speakers from the very first listen.

Read More “City Mouth – Coping Machine”

Review: Papa Roach – Infest

Adam Grundy Apr 22, 2020

“Cut my life into pieces / This is my last resort!” With those loaded words, Papa Roach immediately gained the attention of an army of misguided teens looking for their way in a confusing world. Infest was a massive record for a lot of reasons. In essence, it had a great lead single in “Last Resort,” fantastic marketing, perfect timing in the rap-rock scene, as well as ultra-talented musicians backing up what they wanted to accomplish in their sound. The music landscape in 2000 was littered with tons of rap-rock bands looking for their breakthrough in a crowded, and at times, confusing rock scene. What made Papa Roach stand out from the pack was their ability to grab their audience from the first listen and give them a feeling of belonging to something bigger than themselves. I’m sure many of us can remember the first time we heard the guitar riff of the lead single on the music video that seemed to be airing on MTV more often than not, and how it made us all feel something.

Review: Incubus – Trust Fall (Side B)

Adam Grundy Apr 20, 2020

With their first new music released in three years, Incubus has returned with an expansive EP called Trust Fall (Side B). Much like their last release, 8, the music presented on this EP tackle a wide range of emotions and styles. What I have always appreciated about this band is that they never make the same record twice, and they continue to push the boundaries of their expectations on what their music is and can be. This record is no exception to this rule, as Incubus continues to cover new ground on this collection of songs.

Review: The Strokes – The New Abnormal

Adam Grundy Apr 16, 2020

When I first listened to the new album from The Strokes, I wasn’t quite sure what to think of it. It had everything that I have come to expect from a Strokes release, but I felt like it was missing some ingredient to it that made it feel complete. These feelings quickly evaporated the more I listened to The New Abnormal as it has become my favorite Strokes album since their incredible debut. This odd transition of uncertainty to favorability speaks a lot to the bands’ character and approach to songwriting. The New Abnormal is The Strokes’ first new album in seven years, their sixth studio album in total, and was expertly crafted under the tutelage of legendary producer Rick Rubin. There is plenty to unpack on this latest release that features plenty more ups than downs.

Remove

Review: The Menzingers – Chamberlain Waits

Brett Bodner Apr 14, 2020

The Menzingers released their second album, Chamberlain Waits a decade ago, and what a decade it’s been for them. It was an album that would build the foundation for a small town Pennsylvania-rooted band that would go on to consistently pack venues with fans all over the world.

Chamberlain Waits represents The Menzingers on the cusp of pulling off something truly special. While 2012’s On the Impossible Past is the staple Menzingers album (with After the Party in a close second place), Chamberlain Waits had all of the ingredients of what makes the Menzingers great; Relatable lyrics that set a scene in your head, catchy choruses that make you want to scream them at the top of your lungs and guitar riffs that will hook you in immediately.

Review: The Wildfires Projekt – From Which We Came

Adam Grundy Apr 13, 2020

On the latest EP from The Wildfires Projekt, the wide range of emotions felt while listening to the record only further showcases the tragic beauty of the world we are all living in right now. This band is comprised of Johnny Zirkel and was co-written/produced by Ronnie Winter (The Red Jumpsuit Apparatus), and the duo of artists work very well together. The record teeters on the edge of post-hardcore in the same vein as Circa Survive and Saosin, with plenty of newer elements thrown into the mix as well. With a wide range of themes such as tackling depression, anxiety, and addiction, The Wildfires Projekt has crafted a well thought out collection of songs worthy of your attention.

Review: Dua Lipa – Future Nostalgia

Garrett Lemons Apr 10, 2020

It’s no use explaining what’s happening in the world around us—you already know. Everything we’ve known has been upended and changed forever. We’re still years from discovering what that new normal actually is. It’s heavy, it’s infuriating, and it’s scary: it’s grief. Everything we hold dear—vacations, concerts, healthy daily life—is canceled. There isn’t an end in sight, but there is an abundance of graphs, uncertainty, and fear.

We need an escape. Enter Dua Lipa’s—I’ll go ahead and say year-defining sophomore album, Future Nostalgia. Three years ago, “New Rules” was ever-present on the radio, a top ten worldwide, indisputable Song of the Summer candidate. The US was behind the rest of the world on discovering “Blow Your Mind (Mwah)” and “Be the One,” whose style laid the groundwork for her second album’s sound. However, two 2018 collaborations with Calvin Harris (the tropical house-influenced “One Kiss”) and Silk City (the straight dance-pop of “Electricity”) kept her pop star rising.

Read More “Dua Lipa – Future Nostalgia”

Review: Blurgundy – Wither

Mary Varvaris Apr 9, 2020

“Blurgtones” was the long-time running title for “No Authority,” a magnetic tour-de-force in melodic post-hardcore from Pennsylvania outfit Blurgundy. The band’s second EP, Wither, came about during long sessions listening to Deftones, O’Brother, and Seahaven. Bassist and vocalist Logan Ressler wrote the main riff during these sessions, writing the bulk of the song with drummer Michael Cross. While “Betrayer” and “You Should Stay Home” were written as a group, songs like “No Authority” and “Reverie” were written by two members – “Reverie” was mostly written by Ressler and guitarist Matthew Subers. Ressler is the band’s secret weapon, as his endlessly creative mind ticks through guitar riffs and melody progressions. He doesn’t stop there: Ressler has recorded, mixed, and mastered every Blurgundy song thus far.

Review: Violent Soho – Everything is A-OK

Brett Bodner Apr 8, 2020

Violent Soho are back with their first record in four years called Everything is A-OK, which seems ironic given our current world affairs. The new album was written before the COVID-19 crisis hit the world like a ton of bricks, but you could now make the argument that Everything is A-OK has arrived at just the right time; a moment when we can relate to the themes and ideas scattered throughout the record.

After taking a break following 2016’s Waco to focus on other musical projects, the Australian rockers– consisting of lead singer/guitarist Luke Boerdam, lead guitarist James Tidswell, bassist Luke Henery and drummer Michael Richards – are picking up right where they left off with their new album.

Remove

Review: All Time Low – Wake Up, Sunshine

Adam Grundy Apr 6, 2020

Even for longtime fans of the band, many of us were taken back by surprise by just how good Wake Up, Sunshine is. All Time Low have crafted their quintessential mid-career masterpiece that picks all of the best elements of each of their previous studio album efforts and expands upon these landmark moments with glowing results. The songs never stray too far from what All Time Low have accomplished in the past; they do these moments bigger and better on this record. This is one of those albums that grabs you from the very first listen, doesn’t disappoint, and still leaves you with a feeling of warmth and comfort through each of your repeat spins. In an age where some bands are postponing their releases in favor of garnering more attention in the fall, All Time Low have graced us with an early-summer treat that will stay in our daily rotations for the foreseeable future.

Review: Pearl Jam – Gigaton

Brett Bodner Apr 2, 2020

We are currently living in uncertain times with fear, anxiety, and stress riding high, especially as many are self-quarantining to prevent the spread of the coronavirus. Sometimes what you need to get you through is a calming force, and for many, temporary relief came in the release of Pearl Jam ‘s new album, Gigaton, their first new record in just over six years.

Gigaton arrived at a moment when people needed a break, and many Pearl Jam fans were fortunate to be rewarded with one of the best albums in the band’s deep discography. The new record is one that was a genuine collaborative effort, and it amplifies the sounds of a band still loving what they do as they head into their fourth decade creating albums.

The new record is loaded from front to back, in what is truly a balanced record. There are moments of peace, calmness and relaxation, with an equal amount of rockers that you’ll be air-guitaring along to.

Review: The Beautiful Mistake – You’re Not Broken. I Am

Adam Grundy Apr 1, 2020

Back onto the scene after a lengthy hiatus, The Beautiful Mistake have released their first new music since 2004 with You’re Not Broken. I Am. Produced by Beau Burchell (Saosin), this short collection of songs shows a lot of promise as the band looks to write the next chapter in their career. The band is comprised of band members Josh Hagquist, Shawn Grover, Josh Quesada, Steve Dunlap, and Jon Berndston, and they seem poised to re-cement themselves into the crowded post-hardcore scene. On this EP, the wide-range emotions felt in their music only speaks to the power of their sound and composure as artists.

Review: Joywave – Possession

Adam Grundy Mar 27, 2020

When Joywave set out to record their third studio album in their home studio in Rochester, New York, even they must have been surprised by how much the result of their work would be so relatable in the chaos of a never-ending pandemic. Produced by Joywave front-man, Daniel Armbruster, the band has created a spacey collection of tracks that breathe new life into a society that is struggling for its sense of direction. In some recent interviews regarding Possession, Armbruster mentioned that the album is an investigation of control, and added, “Our heads are spinning. Every day is crazier than the last. Every screen we walk by is shouting at us, demanding our undivided attention. Control over our own lives is constantly under siege.” This album couldn’t have come at a better time, as this quote sears through the noise of uncertainty going on in our lives at this very moment.

Review: Nap Eyes – Snapshot of a Beginner

Mary Varvaris Mar 26, 2020

Although Nap Eyes couldn’t have predicted the circumstances behind it, their fourth album, Snapshot of a Beginner is a comforting album for the social distancing era. Songwriter and vocalist, Nigel Chapman springs between anxiety-induced stalling of tasks (“Mystery Calling”) to “feeling bored and unquestionably boorish” for writing songs about himself on “Though I Wish I Could.” Snapshot of a Beginner takes both the snappy and slacker rock moments of Nap Eyes’ third album, I’m Bad Now and encourages your grooviest dance moves to some pensive jams.

The Halifax, Nova Scotia outfit is Chapman, Seamus Dalton on drums and percussion, guitarist Brad Loughead and bassist Joshua Salter. Joining them are producers, James Elkington (Joan Shelley, Steve Gunn), and Jonathan Low (The National, Big Red Machine) to elevate the band’s slick sound with flourishes of additional piano, keyboards, organ, synthesizer, pedal steel guitar, and percussion. Nap Eyes, exceedingly open and clever, may leave you entranced — but, contrary to the name, their music certainly isn’t a slog.

Remove

Review: Thrice – Vheissu

Garrett Lemons Mar 23, 2020

I’ll be honest: I’m starting a fifteen-year retrospective of Thrice’s seminal masterpiece Vheissu in a way that may not make sense.

It’s been just under three years since the legacy of Brand New’s The Devil and God Are Raging Inside Me gained a sizeable asterisk. Once firmly entrenched at number two on my list of all-time favorite albums, that record transited from being a piece of art that comforted me, grounded me, and helped me through some of the darkest eras in my cycles of depression to this huge question mark of unease and memory. It was an album that had fostered a community in my life—both online on the AbsolutePunk forums and with high school friends—at the same time that depression was stealing many senses of connection. It embodied a sound and possessed lyrics that explained how depression felt inside my chest and head.

In all the ways that losing Brand New hurts a myriad of people—from Jesse Lacey’s victims to the band’s fans—my internalized struggle emerged when I couldn’t turn to “Degausser,” “Sowing Season,” or “Not the Sun” to face certain emotions anymore. I won’t pretend I haven’t turned to those songs first out of a sense of musical muscle memory in the interim years, but they don’t carry the weight like they used to. In many ways, thanks to medication and a lot of personal growth, I don’t need them anymore, at least not as I did back then. But there will always be a part of me that wants an album to feel like a home in the storm when those emotions swarm.

Last month, at a concert venue in Atlanta, before a pandemic swept the globe and the year still felt full of promise, I realized that I already had that album—one that probably should’ve been the one I’d turned to all along. One that’s brought me comfort and catharsis through the chaos of social distancing, botched government responses, and hysteria.