Review: Silverstein – Antibloom

Silverstein - Antibloom

2025 is a major year for Silverstein for a litany of reasons. The band is celebrating 25 years of existence, they are currently on a comprehensive tour in support of this band anniversary, and they are planning to release not one, but two LPs this year. First on the docket is the brief, but extremely hard-hitting album called Antibloom. Silverstein recorded both parts of their ambitious two-part album in the deserts of Joshua Tree, CA, and it appeared to have a big impact on the five musicians. Shane Told shared, “Antibloom is a reference to the desert, the empty vastness, the harshness, something we experienced while making the record. This is not a concept record, the concept was making a record in this space, and while the lyrics/songs are not directly connected in any shape or form, the concept of death or mortality does appear a lot”. While some fans may be turned off by the short run time of Antibloom, it’s hard to not admit that this record features eight great songs that play off of each other brilliantly and accelerate the artistic development of Silverstein.

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Interview: Shane Told of Silverstein

Silverstein

This past week I was able to schedule a Zoom call with the lead vocalist of Silverstein, Shane Told, to discuss the band’s “25 Years of Noise” tour with Thursday, as well as what went into the writing and recording process of their recently announced two new albums, Antibloom and Pink Moon. Shane dove deep into how the two records were shaped while recording in Joshua Tree, and how the vibe of that place started to seep into the new material. I also asked Shane to walk me through the “personality” of Silverstein’s last five LPs, plus much more. Antibloom will be released on February 21st via UNFD and pre-orders are on-going here.

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Interview: Shane Told of Silverstein

Silverstein

Recently I was able to schedule a Zoom interview with the lead vocalist of Silverstein, Shane Told, to discuss the band’s tour preparations for their anniversary tour of their sixth record, This Is How The Wind Shifts. In this interview, I asked Shane about what went into the writing process for they current album (Misery Made Me), the band’s thinking behind doing the REDUX album re-recordings, and some advice he has for young bands navigating the changing music business. Silverstein will be embarking on their This Is How The Wind Shifts tour starting November 23rd in Toronto, and tickets can be purchased here.

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Review: Silverstein – Misery Made Me

Bad times will come and go. Sadness isn’t forever. But misery? Damn, that can feel like a ton of bricks weighing you down to the point of paralyzing helplessness. On the band’s tenth studio album, Silverstein have misery well on their mind with Misery Made Me. The band took a deep dive into the introspective with their last effort, A Beautiful Place To Drown, and that experience seemed to have made the band look towards heavier tones and themes on this latest record. The promotion cycle for this latest album started with the release of one of their heaviest songs to date in “Bankrupt,” and roughly seven months later the band upped the ante again with “It’s Over,” a blistering song about being on the verge of throwing in the towel. Much like other records, Misery Made Me features four songs that have an outside collaborator, and each cameo appearance is well thought out and calculated. This album is one of the heavier records the band has released (in both guitar tones as well as lyrical material) and yet as Silverstein explore the darkest parts of these feelings, they come back into the light with cautious optimism that things can (eventually) get better.

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