Spotify Announces Most Streamed Stats

Spotify has released the top streamed album, track, and other stats for 2020:

The most-streamed song of the year is The Weeknd’s “Blinding Lights,” which held out strong after being the second most-streamed song of the summer with almost 1.6 billion streams this year. In the second and third spots, respectively, are Australian ex-busker Tones And I’s viral 2019 earworm “Dance Monkey” and Roddy Ricch’s “The Box.” The fourth most-streamed song is the catchy “Roses – Imanbek Remix” by Imanbek and SAINt JHN, followed by “Don’t Start Now” by Dua Lipa.

Spotify Letting Artists/Labels Promote Tracks in Recommendations

Sarah Perez, writing at TechCrunch:

Spotify announced today it will begin to test a new service that gives artists more of a say in how their music is discovered on the Spotify platform. At launch, the service will allow artists and labels to identify music that’s a priority to them, and Spotify will then add a signal to help the music get surfaced by its personalization algorithms.

While the new service is not a paid promotion and requires no upfront budget on artists’ or labels’ part, Spotify says that the artists, labels and rights holders will agree to be paid a “promotional recording royalty rate” for streams where the company provides the service. 

Why Spotify Has So Many Bizarre, Generic Artists

Peter Slattery, writing at OneZero :

While the platform pays only in the neighborhood of a third of a penny per stream if you’re not Drake, it boasts more than a quarter-billion active users. So, if your music ranks highly for a search term, you can accumulate enough listens to steadily make hundreds, in some cases thousands, of dollars a month with minimal effort.

The key to success is to find a phony artist name that Spotify users are likely to type into search. Like Relaxing Music Therapy, some of these “artists” use names inspired by an adjective commonly used to describe music. Others name themselves after popular uses for certain kinds of music, well-known generic tunes like children’s rhymes, or entire music genres. Often, these creators optimize further by titling tracks and albums with related words and reuploading the same songs ad nauseum, which can look especially absurd when filtering to see just a single tune. Relaxing Music Therapy, for instance, has uploaded the track “Stream in the Forest With Rain” 616 times to date.

Spotify CEO Talks Future of Music Releases

Spotify’s CEO, Daniel Ek, talked with Music Ally about how he sees the music industry going forward:

“There is a narrative fallacy here, combined with the fact that, obviously, some artists that used to do well in the past may not do well in this future landscape, where you can’t record music once every three to four years and think that’s going to be enough,” said Ek

“The artists today that are making it realise that it’s about creating a continuous engagement with their fans. It is about putting the work in, about the storytelling around the album, and about keeping a continuous dialogue with your fans.”

Ek cited Taylor Swift’s activity around her new album ‘Folklore’ as just one recent example of an artist benefitting from that kind of effort.

“I feel, really, that the ones that aren’t doing well in streaming are predominantly people who want to release music the way it used to be released,” he said, as the interview ended.

Couple thoughts:

  • As someone that loves the album experience, I hate this. I barely remember to listen to singles when they’re released and then forget they ever came out. Fine, I’m getting old, but shouldn’t the next “model” for releasing music actually be one where artists can release music in various ways, that they think best suits their art, and make a living doing it?
  • Taylor Swift, and artists of her size, are usually the exception, not the rule.
  • Spotify is worth $50 billion and barely, if at all, making money. That’s not sustainable. There’s a reason they’re spending so much money on premium podcasts and other content that’s not related to music.
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Spotify Launches Couples Plan

Spotify:

With Spotify Premium Duo, our new, first-of-its-kind subscription plan, couples can enjoy their favorite music—together and separately. 

Premium Duo is designed for audio-loving pairs living at the same address. Each individual gets their own Premium account under one plan in addition to unique benefits for couples for just $12.99 (or market equivalent) per month.

Spotify Acquires The Ringer

The Ringer

Spotify has acquired The Ringer.

Spotify has purchased The Ringer, Bill Simmons’ sports and culture site, the companies announced today (February 5). The move follows the streaming service’s expansion into podcasts. (The Ringer has 30 podcasts.) The Ringer, which was previously in partnership with Vox Media, also has a video network, film production division, and book imprint, as The New York Times notes.

Simmons, the former ESPN commentator who founded The Ringer in 2016, said in a statement: “Spotify has the unique ability to truly supercharge both content and creator talent across genres. We spent the last few years building a world-class sports and pop culture multimedia digital company and believe Spotify can take us to another level. We couldn’t be more excited to unlock Spotify’s power of scale and discovery, introduce The Ringer to a new global audience, and build the world’s flagship sports audio network.”

I know I’m probably not like most casual podcast listeners, but the moment any of this content goes behind any kind of Spotify exclusive wall, I’m out on the shows. Neil Cybart’s take on why Spotify spent the money here feels right to me. The economics of streaming music isn’t great and they’re betting on sports radio/talk and podcasts.

Spotify Acquires SoundBetter

TechCrunch:

Spotify today took another step in its efforts to build out services for artists to help diversify itself away from a business model predicated on paying music streaming royalties to labels: it has acquired SoundBetter, a music production marketplace for artists, producers, and musicians to connect on specific projects; and for people who are looking to distribute music tracks to those who want to license them.

Pre-Saving Albums Can Allow Labels to Track Users on Spotify

Billboard:

Users who “pre-save” an upcoming release to their Spotify accounts may be sharing more personal data with the act’s label than they realize.

To pre-save music, which adds a release to a user’s library as soon as it comes out, Spotify users click through and approve permissions that give the label far more account access than the streaming giant normally grants them — enough to track what they listen to, change what artists they follow and potentially even control their music streaming remotely.

Spotify Says They Overpaid Songwriters and Publishers in 2018

Tim Ingham, writing at Music Business Worldwide:

Because of this additional complexity, Spotify has now calculated that, retrospectively, according to the CRB decision, many music publishers actually owe it money for 2018, due to an overpayment based on the prior rates. And guess what? It wants that money back.

Spotify told the publishers the news this week and, as you can imagine, these companies – already up in arms over Spotify’s CRB appeal – are fuming about it.

One senior figure in the music publishing industry told MBW: “Spotify is clawing back millions of dollars from publishers in the US based on the new CRB rates that favor the DSPs, while appealing the [wider CRB decision]. This puts some music publishers in a negative position. It’s unbelievable.”

Spotify’s Mood Related Data Lets Advertisers Target by Listeners Emotional State

Liz Pelly, writing for The Baffler:

[A] more careful look into Spotify’s history shows that the decision to define audiences by their moods was part of a strategic push to grow Spotify’s advertising business in the years leading up to its IPO—and today, Spotify’s enormous access to mood-based data is a pillar of its value to brands and advertisers, allowing them to target ads on Spotify by moods and emotions. Further, since 2016, Spotify has shared this mood data directly with the world’s biggest marketing and advertising firms.

This creeps me out.

Spotify’s Postal Address Insanity

Josh Centers, writing at TidBITS:

Apparently, Spotify requires address verification to try to ensure that all family members are in the same household, so presumably, those addresses need to be entered identically. Did my wife type out the word “bypass” in our address, or did she use an abbreviation? Did she put our box number on the first or second line? Wanting to make sure I got it right, I asked her to check the address format on her account.

Apple Music’s U.S. Subscriber Count Overtakes Spotify

Reuters is reporting that Apple Music has surpassed Spotify in paid monthly U.S. subscribers:

Apple Inc’s streaming music service overtook rival Spotify Technology SA in terms of paid subscribers in the United States, a person familiar with the matter told Reuters on Tuesday.

Apple’s service had 28 million subscribers as of the end of February compared with Spotify’s 26 million paid subscribers, the person said.