Sturgill Simpson

Review: Sturgill Simpson – Sound & Fury

Sturgill Sound and Fury

At the end of 2016, Sturgill Simpson managed maybe the most unlikely Grammy Album of the Year nomination of the modern era, for his third LP, A Sailor’s Guide to Earth. A few months later, he lost that particular award—to Adele—but did manage to walk away with a Grammy for Best Country Album. None of those things are going to happen again, and it’s not because Sound & Fury, the long-awaited follow-up to Sailor’s Guide, isn’t great. Rather, it’s because Sound & Fury 1) isn’t a country album, and 2) is even more blatantly unmarketable than its predecessor.

In a lot of ways, Sound & Fury is an anomaly in the 2019 music world. It’s the sound of a guy who was once hailed as a country music savior—first for his trad-country debut High Top Mountain and later for the experimental, boundary-pushing Metamodern Sounds in Country Music—callously tossing that mantle in the fire. It’s also the sound of an artist who was on the cusp of superstardom—maybe not quite Chris Stapleton/arena-concert-tour level, but close—walking away from it. Finally, it’s a loud, dirty, unapologetic ‘70s-style rock album—the kind that absolutely no one makes anymore. The guitars are so loud and so prominent that they sometimes threaten to drown Sturgill’s voice out entirely. Not that he’d probably mind.

Sturgill Simpson Busks for the ACLU

Sturgill Simpson busked for the ACLU outside last night’s Country Music Awards. He also took questions from fans and passersby. When asked what his acceptance speech would be, he said:

Nobody needs a machine gun. Coming from a guy who owns quite a few guns. Gay people should have the right to be happy and live their life any way they want to, and get married if they want to, without fearing getting drug down the road on a pickup truck. Black people are probably tired of getting shot in the streets, and getting enslaved by the industrial prison complex, and hegemony and racism is alive and well in Nashville, Tennessee. Thank you very much.

You can watch the video archive below.

Sturgill Simpson Discusses Merle Haggard and the ACM Awards

Sturgill Simpson has posted a note on the passing of Merle Haggard:

Im writing this because I want to go on record and say I find it utterly disgusting the way everybody on Music Row is coming up with any reason they can to hitch their wagon to his name while knowing full and damn well what he thought about them. If the ACM wants to actually celebrate the legacy and music of Merle Haggard, they should drop all the formulaic cannon fodder bullshit they’ve been pumping down rural America’s throat for the last 30 years along with all the high school pageantry, meat parade award show bullshit and start dedicating their programs to more actual Country Music.