In the last year and a half, The Wonder Years have ridden their early 2010 release The Upsides to levels of attention they had never experienced before. That record helped them jump from the up-and-coming No Sleep Records to indie powerhouse Hopeless Records, exposed the group to new fans and got them credibility all over the globe. After roughly an entire year of touring, the six-piece Philadelphia pop-punkers took a month to record a follow-up full-length in Los Angeles with the legendary Steve Evetts. Announced earlier today, Suburbia I’ve Give You All And Now I’m Nothing will be released June 14 via Hopeless Records. Now we’ve got for you an exclusive interview with frontman Dan “Soupy” Campbell, where Soupy and I discuss the band’s current state, a big-picture look into the new record, the first song we’re exclusively streaming, and the band’s mindset going into the release of Suburbia. Much thanks to Soupy for taking the time to answer these questions, to Hopeless for letting us bring you this great exclusive, and to The Wonder Years and their entire team for being awesome people to work with.
Read More “Dan Campbell of The Wonder Years”The Wonder Years Sign to Hopeless Records
The Wonder Years have signed to Hopeless Records.
Edit: A video from the band and Hopeless can be seen here.
Read More “The Wonder Years Sign to Hopeless Records”Review: The Wonder Years – The Upsides
Dan “Soupy” Campbell is not sad anymore. After years of struggling to keep his head above water, The Wonder Years’ frontman is looking for the upsides to life. The newly adopted mantra is also the namesake of the band’s sophomore effort, The Upsides.
The album ups the ante in every way possible. The songwriting is more dynamic, sans the out of place breakdowns and unnecessary keyboards. (Keyboardist Mikey Kelly left the band prior to the recording of the album.) In their place are more opportunities for the other instruments to shine. Mike Kennedy displays some impressive skin work with his upbeat drumming throughout the 40 minute duration. Matt Brasch and Casey Cavaliere’s guitar work is more refined and melodic, while bassist Josh Martin keeps the low-end thumping. Campbell’s vocals have also improved immensely. He offers more soaring choruses and crooning melodies.
Read More “The Wonder Years – The Upsides”Review: The Wonder Years – Get Stoked On It!
Take a look around. What do you see?
Half-eaten bag of Flamin’ Hot Cheetos? Check.
Nunchucks hanging on wall (you know, just in case)? Check.
Telescope facing hot co-eds. Triple check (they’re blondes!).
A general air of debauchery and laziness? Check**
Well then, you’re an idiot. Whoa, whoa, whoa, don’t take that as a put-down. You have not been forgotten this time. You can finally dive into the cesspool of discarded expectations and “you had to be there” stories with a sufficiently boisterous soundtrack. For The Wonder Years have created Get Stoked On It! And Ted saw all that he had influenced, and that it was very good. He tried to tell Bill, but Bill had fallen asleep in the phone booth and was transported back to feudal Japan. Moving on.
Read More “The Wonder Years – Get Stoked On It!”





