Thrice Talks With Alternative Press

Thrice

Dustin Kensrue of Thrice sat down with Alternative Press:

We were doing challenges for this record, weird things to bounce ideas off and impose some boundaries or walls to run ideas up against and inspire creativity. Two of those went onto that song. One was making a riff based on the Fibonacci sequence, which is the guitar riff that comes in at the beginning and then comes back later. Another one was using quartal chords, a kind of chord that a lot of jazz musicians started using at a certain point because they’re built on fourths instead of thirds like normal chords. They can float over things a little bit, a little less melodically defined.

Review: Thrice – Horizons/East

The word that most closely comes to mind when talking about Thrice is consistency. The second word that I most closely associate with this legendary band on their 11th studio album, Horizons/East, is variety. They simply do not make the same record twice; a true marking of an artist that is uncomfortable with the comfort that comes with creating similar sounding material. On Horizons/East, Thrice are able to embrace the change that comes with pushing themselves to their artistic limits, and much like that famous Lindsay Lohan meme; the limit does not exist.

This picturesque record opens with the sprawling “The Color of the Sky,” as Dustin Kensrue sets the stage with, “My first and foremost memory / Is staring up in wonder at the wall / It circumscribed the city / They said beyond it nothing dwelt at all / But I came to wonder if the stories all were true / So one night I made my mind up / I resolved that I would find a passage through” before drummer Riley Breckenridge explodes into one of my favorite drum fills in recent memory. Kensrue’s closing lyrics of “I don’t know the way, but I know that I belong out here / On this journey that I never thought I’d make / Setting out across a new frontier / A new horizon with each eager step I take,” seems to encapsulate everything that I love about his top-notch storytelling on my favorite opening tracks in their discography since Vheissu’s “Image of the Invisible.”

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