tiny ruins

Review: Tiny Ruins – Olympic Girls

Tiny Ruins

Folk-tinged indie rock is renowned for beautiful lyrics, intricate melodies, and stunning collaborations. It’s a style that’s held the spotlight inside indie circles for years, with good reason. Current stars such as Sharon Van Etten released her fifth album; Remind Me Tomorrow, just weeks ago. Van Etten goes for soul-crushing while experimenting with haunting, cinematic synth-led tracks. Last year’s For My Crimes by Marissa Nadler is equally haunting, albeit in much more subtle light. Just last week, Phoebe Bridgers and Conor Oberst teamed up as Better Oblivion Community Center, delivering their intimate debut album that showcases both of their unique types of storytelling. Here enters Tiny Ruins, originally a moniker for New Zealand singer-songwriter Hollie Fullbrook.

Subsequent to the release of debut full-length, Some Were Meant For Sea, in 2011, Tiny Ruins opened for Fleet Foxes and toured internationally with Beach House. Cass Basil (bass) and Alexander Freer (drums) later made Tiny Ruins an ensemble, in turn recording the second album, Brightly Painted One, in 2014. Tiny Ruins were bestowed Best Alternative Album for Brightly Painted One at the New Zealand Music Awards in late 2014. Tiny Ruins wistful new album, Olympic Girls, out today, is the next big indie folk album of 2019.