Review: From First to Last – Heroine

From First to Last - Heroine

Let’s start this with a disclaimer. The readers at AP.net have known that I haven’t been one to shy away from my opinion in the past. In fact, I’ve taken a fair amount of criticism for being too harsh on bands in the past (and too nice, it’ll never end). Those of you who are looking for me to rip FFTL to shreds can stop reading at this point, because it’s not going to happen. I don’t care what you think of this review and I don’t care what you think of me. All I know is that From First to Last has shocked me by creating a solid album that I expected to be awful. From the band’s previous work full of oversaturated clichés and ear-splitting vocals, one would never think the band could progress to this sort of level. If you haven’t given Heroine a fair listen, then you can’t judge this band. Yes, their image is absurd. Yes, many of their fans are ridiculous teenage girls with eyeliner and glam/goth outfits. But putting aside all of these factors, one must strip down FFTL and critique the actual music – and it’s good. This is a group of talented musicians who seem to have truly found their sound, with the help of acclaimed producer Ross Robinson, well known for his work with late 90’s nu-metal acts such as Korn and Slipknot. Robinson’s touch gleams off of Heroine from start to finish. Gritty as hell, full of obscenities and soaring sing-along choruses, FFTL has successfully transformed their sound.

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Review: No Trigger – Canyoneer

No Trigger - Canyoneer

When I sat down to review this record, I thought I’d browse the web to see what other people have said about Canyoneer. It only took a few minutes for me to realize that people know absolutely nothing about this band, and some of the reviews I read were so under-researched and inadequate that it actually made me upset. One website even went so far as to call No Trigger a “more scene Rise Against.” It is with these reviews in mind that I felt justice must be done to such an incredible band and release. And trust me, there’s nothing overtly “scene” about No Trigger – they’re more like a balls to the wall fusion of punk, melody, and hardcore. No Trigger shouldn’t be viewed as an aspiring band in comparison to Rise Against when they’ve already created a record that rivals anything Rise Against has ever created.

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Interview: Matt Watts of The Starting Line

The Starting Line

I’d have to say the “Screaming Is For Babies” tour is one of my favorite tours in a long time; how’d it get put together and how’s it been so far?

Well this is kind of like our first real headlining tour—we headlined the Drive Thru tour before, but this was like the first chance for us to go out and headline and pick the bands that we wanted to pick. We got a list of who we could take on the tour, and we wanted to make it sort of a diverse bill of bands that we’re all fans of, and we knew the Cartel guys a little bit before going into it, but not really all that well, and we met the Gatsbys guys on Warped Tour, and we’re just fans of all the bands on it. It’s a lineup that I’d love to see if I was going to a show because there aren’t really two bands that sound alike, and I love going to shows like that. Kids that come for us or Cartel may have not heard Copeland or Gatsbys, and to introduce them to a new band is awesome, especially bands like that.

How does it feel to have your most successful tour in quite some time when some people had maybe written you off?

It’s cool man. The fans are there and it’s proof that good work ethic and grassroots touring makes real fans. Kids support the record, although our record label hadn’t and didn’t really get it out there in full force, but our core audience seems to really like the record or people who didn’t like the last record might like Based On a True Story. It all comes down to the songs, and if people connect with the songs, they’ll support your band.

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Review: Anti-Flag – For Blood and Empire

Anti-Flag - For Blood and Empire

Surprising everyone by signing to major label RCA, Anti-Flag, one of the ultimate anti-establishment proponents, was doing one of two things – committing career suicide and losing all their hardcore DIY fans, or getting a chance to create one of the best albums of their career and send their message to the entire world. It certainly appears the latter is about to happen. Anti-Flag created a great record with top-notch production, intelligent songs, and an unabashed political message. Full of gang vocals, simplistic and memorable choruses, For Blood and Empire is an impressive major-label debut which will expose the band and their message to more than ever before. As always, the band’s intention seems to be raising awareness about the political environment while calling out our nation’s wrong doings and ignorance. 

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Interview: Brett Detar of The Juliana Theory

The Juliana Theory

Brett, first off, I want to say thank you for taking the time to do this interview. You’re music has been a huge inspiration to me, as well as many of the readers on absolutepunk.net.

Thank you! It’s no problem at all. 

I think the first question on everyone’s mind, is will ever see a farewell tour, or maybe a farewell show? 

Well Caleb, unfortunately for the kids who wanted to see us one last time in the States, our final show was in Cologne, Germany. We did not want to do a farewell tour because the last thing we wanted to do was to prolong our breakup. It’s been rough enough just breaking up, let alone 6 weeks of shows under that knowledge. Also, there were a lot of logistical things that got in the way of doing one final show Stateside. 

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