The Absolute 100 (2013)

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Another year, another 100 bands hand-picked by the AbsolutePunk staff for you to check out. Seeking out and discovering new music is one of my favorite things to do – not only as a writer but also as a passionate fan of the art form. Last year we introduced to you some bands that are tearing up 2013 thus far (Pity Sex, Chelsea Wolfe, and Pentimento for example) and we are poised to do the same in 2013. It’s kind of like having a jumbo book of Where’s Waldo?, only in this case our list is the book and Waldo is your new favorite band. We don’t buy into buzz, hype, or whatever – this is a list of one hundred musical acts that we as a staff truly love and support. Enjoy this year’s list (revealed in four parts over four weeks) and let us know which ones are your new favorites.

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Review: Yellowcard – Ocean Avenue (Acoustic)

Yellowcard - Ocean Avenue (Acoustic)

Welcome back to another round of the AP.net Roundtable – an article revolving around a much-anticipated album and the discussion it inspires amongst a handful of staff members. Today’s roundtable article features Jason Tate, Craig Manning, Ryan Gardner, Cody Nelson and myself discussing Yellowcard’s latest release, Ocean Avenue Acoustic. Throughout the discussion we touched on which renditions were executed the best, favorite moments on the release, and why this album has affected so many pop-punk fans. So pick up your copy of Ocean Avenue Acoustic, put the needle down, and check out the latest AP.net Roundtable discussion in the replies. – Drew Beringer

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Review: John Mayer – Paradise Valley

John Mayer - Paradise Valley

Tell a bunch of people you meet at a party that John Mayer is one of your favorite songwriters, and you may get a few curt nods, perhaps even one or two wide-eyed declarations of agreement, but quite often, you will see rolled eyes and barely restrained scoffs instead. Whether a result of the off-putting public persona Mayer was putting forth a few years ago or a lingering disrespect for the artist’s early pop radio hits, I have found that a lot of people still dismiss John Mayer as an asshole, a playboy, and a mediocre songwriter. I can’t claim to have met the man and wouldn’t presume to make accusations in the first two categories, but I have always found it strange that my friends and family members don’t share so much as a fraction of my adoration for Mayer’s musical output, especially because he has proven himself to be so much more than just the twenty-something heartthrob that sang “Your Body is a Wonderland” on MTV over a decade ago. 

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Review: The 1975 – The 1975

The 1975 - The 1975

I feel as though every year or so a new band hits my ears that forces a sharp reflection and virtually recalibrates my tastes. It’s that band that defines the year for me. That band that I look back on as the crack that splintered my tastes and musical habits into a spider-web of new directions. I think of artists like Blink 182, The Format, Brand New, Thrice, The Gaslight Anthem, Bon Iver, and P.O.S. Bands that have become pillars of my musical collection and ones I would point to as defining my “taste matrix.” These bonds have lasted for years and each listen to their catalog transports me back in time. These are the bands that I take possession of and metaphorically hang my hat on. That I say: “this is the band that defines this part of me; this is the band that I believe in.”

In 2013, that band is The 1975.

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