Review: Noah Gundersen – Ledges

Noah Gundersen - Ledges

There’s a moment near the beginning of Noah Gundersen’s fantastic debut album, called Ledges, where the singer/songwriter just lets loose. The song in question, a traditional Appalachian folk-like reverie called “Poor Man’s Son,” dwells for most of its runtime in a stripped down a cappella setting, Gundersen’s voice melding with his sister’s to create a sound that is instantly timeless. It feels like something that should have been on one of the T. Bone Burnett-helmed Coen Brothers soundtracks, Gundersen’s voice and style leaning more toward the recent Inside Llewyn Davis and his sister Abby’s Emmylou Harris impression – not to mention the song’s decision to directly quote from “Down in the River to Pray” – coming more from the fertile traditional music ground of O Brother Where Art Thou. The combination, frankly, is every bit as stunning as it sounds, with lyrics like “I’ve got money for food and a little bit of gasoline” gliding out like something that would have sounded equally at home in the Great Depression as it does in the current economic recession.

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Review: Taking Back Sunday – Happiness Is

Taking Back Sunday - Happiness Is

You can describe the Taking Back Sunday fandom by imagining a simple Venn diagram: one circle contains fans who only enjoy the Tell All Your Friends version, the other full of fans that prefer the band’s major label output (Louder Now and New Again). And then there’s the small intersection of fans who prefer a little bit of everything from Taking Back Sunday’s vast and diverse discography. You can see why the majority of TBS news threads are littered with hundreds of differing opinions.

The band’s sixth record, however, looks to bring those two sides together. Happiness Is is Taking Back Sunday’s first independent release in almost ten years (via Hopeless Records) and delivers that indie spirit throughout its eleven tracks. That energy is immediately felt on opening single “Flicker, Fade.” Clashing cymbals and soaring guitar chords are the backdrop as Adam Lazzara softly sings, “If you should change your name/I’d love you just the same/and if you’d run away/I’d save your place.” It’s oddly comforting, with its eruptive and incredibly catchy chorus sandwiched with the band’s mastery of soft/loud/soft dynamics. It also re-introduces John Nolan and Mark O’Connell back to the mix. Both musicians seemed lost in the overall recording of Taking Back Sunday, and on “Flicker, Fade,” Nolan delivers his impassioned yells (which buoy the song’s chaotic outro), while O’Connell’s raucous drumming gives the track (and the rest of Happiness Is) its spine.

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Steve Klein Arraigned in San Luis Obispo Court

Legal

Idobi has learned and reported that Steve Klein (ex-New Found Glory) was “arraigned (on December 12, 2013) in a San Luis Obispo court on multiple charges, including lewd conduct with a minor under the age of 14” and has pleaded not guilty.

UPDATE • March 12, 2014

We have received the following statement from Steve Klein’s (ex-New Found Glory) attorney.

It is a difficult challenge to defend oneself in the media when there is a pending criminal case. This is because people are quick to assume that if a person is charged with a crime, they are also guilty as charged. And it is especially difficult because criminal defense attorneys insist that their clients not talk about the case to ensure that their constitutional rights are protected. Furthermore, attorneys are limited by law as to what can and cannot be said about a case to the public. 

In the matter of Steve Klein, since his case has now been brought into issue by the media, I am permitted to make a few statements. To that effect, I offer you the following indisputable facts about the accusations:

1. Steve Klein is not accused of having any lewd actual physical contact with any minor. 

2. ALL charges against Steve are derived solely from online consensual video chats between Steve and some female strangers he met on an adult website. Steve believed the females were over the age of 18.

3. The females alleged to be “minors” in this case are not known females. This means that no one, not the prosecution, not the police, and not the defense, actually know who the females are and no one knows their true age. 

4. The possession of child pornography charge is based solely on Steve allegedly “possessing” the videos of chats with the female strangers from the adult website. 

This is about all I am permitted to disclose at this time. But I can tell you, from my many years of experience in this specialty area of criminal defense, I wholeheartedly believe that Steve Klein is innocent of all of these charges. 

Steve is devastated by these accusations. He has lost his band, his livelihood, and his ex-wife continues to push for full custody of his children using this case as her pawn while he literally fights for his life. Despite this heavy hand, Steve remains strong and hopeful that he will be vindicated.

UPDATE • Mar 12, 2014

New Found Glory have posted the following update:

Upon our return from Warped Tour Australia, Steve made us aware of possible allegations that might be made against him. At that point, not knowing all the details, we made the decision to part ways in order for him to deal with these personal issues. Us 4 members of New Found Glory have given our entire lives to this band and will continue to do so. We’ve been able to play all over the world for the most amazing fans. We can’t wait to get in the studio to make a new album and we can’t wait to get back on the road! Just coming off the Parahoy cruise and a surprise show in our hometown we are more inspired than ever! Thank you so much to everyone around the globe for always sticking by us. The future is bright.

This article was originally published on AbsolutePunk.net

Interview: Adam Lazzara of Taking Back Sunday

Taking Back Sunday

On March 18th Taking Back Sunday releases its sixth full-length record so we got on the phone with vocalist Adam Lazzara to learn more about it.

When did you start writing this record?

We started writing not too long after the self-titled record came out. Just because we all live in different states, whenever we got home from tour we would get together to write and find a place that was kind of out of the way so there weren’t many distractions.

This time I noticed you went with two producers, Marc Hudson and Mike Sapone, instead of returning to Eric Valentine like you did with the self-titled.

That kind of happened haphazardly because we had done a round of demos in Michigan with Marc Hudson and then we did another round of demos in New York with Mike Sapone. When it came time to actually record the record we thought things went so well when we were demoing with those guys, so if it ain’t broke, don’t fix it. We’ve had a relationship with Mike Sapone since the band started so that is one reason we went back. As for Marc Hudson he’s been touring with us for years so it was just two guys we felt really comfortable with because they were our friends first. There really wasn’t much of an outside influence.

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