MTV to Bring Back “Unplugged”

MTV

Steven Zeitchik, writing for the LA Times:

“Unplugged,” which could be on the air in coming months, will stoke the interest of those who came of age with artists such as Nirvana, Eric Clapton and Arrested Development breaking down their music to its acoustic basics, often with some added atmosphere.

“It won’t be carpets and candles,” Erik Flannigan, executive vice president of music and multiplatform strategy, said of the new show. “And it won’t be rock legends playing their catalog. “What we want to do,” he said, “is take the attributes that made ‘Unplugged’ such a success for so many years and reimagine them for 2016.”

Further Sky Records Offer Free Compilation

Bandcamp

Further Sky Records is offering a free compilation on Bandcamp to celebrate their one year anniversary.

For our one year anniversary we reached out to all the artists we’ve worked with, our friends, and some of our favorite up-and-comers to put together this compilation. We’re giving it away to all of you as a thank you for the support you’ve given us. That support is the reason why we’ve had such a successful first year, and we really can’t thank you all enough. Enjoy the music!

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Descendents to Release ‘Hypercaffium Spazzinate’ in July

Descendents

Descendents have announced that they will release their new album, Hypercaffium Spazzinate, in July via Epitaph Records.

The band played six new tunes (“Feel This,” “Victim of Me,” “On Paper,” “Testosterone,” “Full Circle,” and “Shameless Halo”), all of which sounded like Descendents songs (which is to say they were catchy, short and full of energy) and announced a new album titled Hypercaffium Spazzinate slated for a July release on Epitaph Records.

The Lack of Diversity at Bled Fest

The Lack of Diversity at Bled Fest

Bled Fest have posted a blog on their website discussing, kind of, why they don’t have more diverse roster at this year’s festival:

Is there a responsibility on us or other event producers like us to even pay any attention to races, genders, etc.? Is there a quota? Let’s just roll with an estimate of 10%. If 10% of applications represent minorities, should I book 10% of acts featuring minorities? 15%? 20%? Should we specifically attempt to go outside of who submitted and the agents we work with (defined earlier as almost entirely white males) to make sure that there’s a fair % of minorities represented? and what’s fair? Do we focus more on race and gender than we do on skill, promotional value, achievement, professionalism, etc.?

I think this is a false choice. I don’t think looking at the reasons for why certain music scenes lack diversity means you need to ignore other metrics. Using phrases like “affirmative action” and “quotas” misses the entire damn point: do better than you’re doing right now. Let’s start there.

Remembering Prince

Prince

With the news of Prince’s passing yesterday there’s been an outpouring of sadness and love. From tributes to live performances to the sharing of favorite songs, late night appearances, live videos, and memories — it’s been a purple drenched world. My first exposure to Prince came when I saw the Batman logo on a cassette tape at the local store, and needed it, badly. I was six or seven and obsessed with everything Batman. My parents told me I had to wait until the movie came out on video because they wanted to talk to me about some of the themes and violence depicted in the film (and pause it if I got too scared). But that didn’t stop me from asking for anything, and everything, that had the Batman emblem on it. From cereal to toys to t-shirts: I wanted it all. I still remember seeing the tape and begging for it. I was a child, I don’t think I had any clue what a soundtrack even was. I just wanted this little plastic box because Batman. My mom bought it and told me she had to listen to it first, I remember her explaining to me that this artist sometimes sang about “grown up things” and she wasn’t sure if it was going to be appropriate for me. It was one of the first conversations I ever remember having with my parents about these “grown up things.” I ended up getting to listen to the album if I promised I wouldn’t repeat certain words. Of course, I loved it. It was different, fun, funky, and I could dance to it. Over the next two decades I discovered the rest of Prince’s discography. I loved the uniqueness and I loved Prince’s dedication to his vision. It’s now, in retrospect, that I see the phenomenal songwriter, the virtuoso guitar player, and the show stopping performer. Here’s to you Prince, thank you for everything you did for music.

I’ve compiled my favorite tributes, videos, and links below.

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