The Hotelier have announced some updated tour dates.
Two months ago, The Hotelier released their third album, Goodness. It touches on themes of Taoism and acceptance and it’s been something I’ve connected with a good deal during the end of my senior year of high school. Last week, on the tour to celebrate the release of the album, I had the opportunity to speak with the group’s lead singer/bassist/lyricist, Christian Holden. We discussed the writing process of Goodness, the band’s first music video(s), and anarchist theory.
Three months ago, Christian Holden, vocalist/bassist of The Hotelier, posted on the band’s Tumblr a very personal essay reflecting on how their last album, Home, Like NoPlace Is There, affected the band’s lives and how they were going to proceed in the future. The essay also featured Holden coming to terms with being a public figure and exploring trust, art, and “realness.” Somewhere in the middle of the post Holden writes, “And I think this is what bums me out about the wishy-washiness of rock music and performance. Realness is a treasure in life. I don’t want to see uncritical postured realness. I want transparency.” And, well, you can use that declaration as the thesis statement for The Hotelier’s stunning new album, Goodness.
The second path, surprisingly, was that of Brand New. Not in the sense that the Hotelier had become a band welcomed at any variation of Emo Night or that they’d even one day headline Madison Square Garden. Here was my friend’s explanation of the Brand New model: “They’ll make every wrong move that turns out to be the right move.”
Yes, the artwork is at the top.
“I think that if people are looking for anguish, that’s fine and they don’t need to get that from this record,” Holden says. “This isn’t Home #2, this is a transition. You have to find a way out.”
“You can’t live in anguish your whole life.”