Tegan and Sara have announced a 10-year acoustic anniversary tour for The Con.
Read More “Tegan and Sara Announce ‘The Con’ Anniversary Tour”
Tegan and Sara have announced a 10-year acoustic anniversary tour for The Con.
Read More “Tegan and Sara Announce ‘The Con’ Anniversary Tour”
Thirty Seconds to Mars has begun teasing their new album on Twitter.
It looks like Pete Wentz of Fall Out Boy has been cast for a role in the upcoming film, Escape Plan 2.
Federico Viticci, writing for MacStories, about the new 10.5” iPad Pro:
The first time I swiped on the 10.5” iPad Pro’s 120Hz display last week, I thought it looked fake – like a CGI software sequence. It was incredibly, utterly crisp and fast. It didn’t look like iOS belonged on the screen: after years of iPad usage, my brain was telling me that something didn’t seem normal about the way iOS was animating. Except it’s all real, and it simply takes a couple of days to get used to the new display and the work Apple has put into ProMotion for smoother scrolling and fluid animations throughout the system.
“Last year was a son of a bitch for nearly everyone we know.” So Jason Isbell proclaims in the middle of “Hope the High Road,” the resilient lead single from his brand new LP, The Nashville Sound. It’s something of a mission statement for the record, which is very much informed by 2016’s shit storm of political division and deep-seated anger. However, that lyric only gains its resonance from the line that follows it: “But I ain’t fighting with you down in the ditch, I’ll meet you up here on the road.” Being pissed off and dwelling on everything that went wrong last year might feel good, but it isn’t productive. Looking forward and striving to do better and be better is what’s necessary to effect change.
As a lead single, “Hope the High Road” is not indicative of what this album sounds like. It’s bright and anthemic where much of the record is dark and jagged, opting for Springsteen-style uplift instead of following the record’s lead of addressing all those nagging thoughts that you don’t want to talk about at parties. However, the message of the song—that maybe it’s a good idea to take a look inward instead of casting blame for once—is what gives the LP its beating heart. The Nashville Sound is the third masterpiece in a row from Isbell, and it gets there by never giving easy answers to the hard questions.
Read More “Jason Isbell and the 400 Unit – The Nashville Sound”
Green Day have released a video for “Revolution Radio.”
Southern rock often goes overlooked in mainstream or music criticism circles, which is why bands like The Steel Woods will probably never have the widespread followings they deserve. Bands of this ilk either get lumped in with country (and subsequently written off by people who don’t like country) or compared endlessly to Lynyrd Skynyrd and The Allman Brothers Band, as if no southern rock bands have existed since. But the past few years have been nothing but healthy for southern rock, bringing great albums from new artists (A Thousand Horses, Whiskey Myers, Cadillac Three, Blackberry Smoke) and old standbys alike (the ever-reliable Drive By Truckers). Even Chris Stapleton has more than a little bit of the southern rock sound in his DNA.
The Steel Woods add their name to that list with their stellar debut album, the recently-released Straw in the Wind. Blending influences from half a dozen genres—including blues, gospel, down-home country, rock ‘n’ roll, and even a little dash of metal—The Steel Woods sound more seasoned, versatile, and assured on this sprawling 13-song collection than you would normally expect from a debut act. (Though they do have a previous four-song EP under their belt.) The band’s wheelhouse is dark, atmospheric rock ‘n’ roll, like the slow-burning opener “Axe” or the gospel-tinged “Let the Rain Come Down,” a song that appeared in a more acoustic-oriented arrangement on last year’s debut album from singer/songwriter Brent Cobb. Foreboding and thrilling, these songs carry an almost apocalyptic glint to them, which makes for a hell of a lot of fun.
Mutemath have announced some new tour dates.
The artists on your television this week include: Phoenix (Kimmel; 6/12), Miley Cyrus (Fallon; 6/14), Lorde (Fallon; 6/15), and Fleet Foxes (Colbert; 6/16).
Halsey has the number one album in country this week.
Pop singer-songwriter Halsey notches her first No. 1 album on the Billboard 200 chart, as her second full-length studio effort, Hopeless Fountain Kingdom, debuts atop the list. The set, which was released on June 2 through Astralwerks Records, earned 106,000 equivalent album units in the week ending June 9, according to Nielsen Music. Of that sum, 76,000 were in traditional album sales.
Good Charlotte talked with Kerrang about a new album being “in the works.”
Odesza will release their new album, A Moment Apart, on September 8th. They’ve also debuted two songs, “Corners of the Earth” and “Meridian,” and pre-orders are now up.
Moby has released his new album for free via fake Trump press release.
YouTube: 35 “Unbelievable” Cooking Hacks