Review: Bleachers – Gone Now

Bleachers - Gone Now

One of my favorite musical memories was a moment of serendipitous timing outside a record store in Florence, Italy. We found this store almost as an afterthought, popping our heads in at the end of a long day of traveling. But as we left the store, we saw a man busking across the street, singing “Sex On Fire” by Kings Of Leon at the top of his lungs. And I’ll never forget watching this man, singing the lyrics in both English and Italian, crooning “This man is on fire” to a person passing by on a bike. As I watched the assembled crowd start to sing along, again in a mix of languages, I was struck by how a deliberately audacious, silly slice of pop-rock bliss had transcended cultures and boundaries.

All this is to say that when I heard the saxophone on “Everybody Lost Somebody,” made to sound not dissimilar from the street busker I saw in Florence, I knew that Jack Antonoff has had experiences like that. Experiences that made you become not just a spectator in the world around you, but a participant, connected with others. And he realizes that so many of these moments and connections are made through our most universal of languages: music. In many ways, that is what Gone Now, the sophomore record of Jack Antonoff’s project Bleachers, seems to be about: living presently and openly engaging and trying to connect with the people around you.

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Google Chrome Will Automatically Block Annoying Ads

Google

George Slefo, writing for Ad Age:

Google’s Chrome browser will soon come with preinstalled technology that will block the most annoying ads currently marring the web experience, the company confirmed on Thursday.

Publishers will be able to understand how they will be affected through a tool Google is dubbing “The Ad Experience Report.” It will basically score a publisher’s site and inform them which of their ads are “annoying experiences.”

At the same time, Chrome will give publishers the option to force a choice on people running their own ad blocking software: whitelist the site so its non-annoying ads can display or pay a small fee to access the content ad-free.

I’m assuming Google’s annoyingly shitty ads will display just fine? I think I’m fine with the move to build this into the browser, but I think Google’s own ads, specifically their tracking capabilities, are just as big a problem as the ones that dance all over my screen on Alternative Press’ homepage.

When a Once Great Band Gets a Forever Pass

Arcade Fire

Chris DeVille, writing at Stereogum, talks about how since Arcade Fire released great music in the past, they have become too big to fail:

The mighty would have fallen by now, but their reputation is propping them up. That’s how it goes when your rock band becomes too big to fail. You grab enough people by the heart when they’re young and impressionable, you get to be a big deal forever, whether your moment of excellence lasted well over a decade (like U2 or the Rolling Stones) or just for an album or two (like Weezer and the Strokes). Call it brand loyalty, wishful thinking, whatever. It’s a fact of the music business. Creative death can’t kill the world’s biggest rock bands — only actual death, and sometimes not even that.

I’ve only heard a couple songs on the new Arcade Fire album, so I can’t comment on that directly, but I do think this is an interesting phenomenon in general. When an artist’s prior work creates an unstoppable gravitational force of fandom.

Blue Apron Files for IPO

Food

Matthew Lynley, writing for TechCrunch, details Blue Apron’s plan to go public:

The company is showing a rather incredible amount of growth. Blue Apron said it generated nearly $800 million in revenue in 2016, up from $341 million in 2015. For the first quarter this year, Blue Apron said it generated $245 million in revenue, up from $172 million in the first quarter last year. Despite all this, Blue Apron said it lost $55 million in 2016, though it said it lost $52 million in the first quarter this year.

A better way to IPO.