As Radiohead’s music publisher, it’s true that we’ve been in discussions since August of last year with Lana Del Rey’s representatives. It’s clear that the verses of “Get Free” use musical elements found in the verses of “Creep” and we’ve requested that this be acknowledged in favour of all writers of “Creep.” To set the record straight, no lawsuit has been issued and Radiohead have not said they “will only accept 100%” of the publishing of “Get Free.”
It’s true about the lawsuit. Although I know my song wasn’t inspired by Creep, Radiohead feel it was and want 100% of the publishing – I offered up to 40 over the last few months but they will only accept 100. Their lawyers have been relentless, so we will deal with it in court.
“Bloom was inspired by the original Blue Planet series so it’s great to be able to come full circle with the song and reimagine it for this incredible landmark’s sequel,” said Yorke in a press release.
“Hans is a prodigious composer who effortlessly straddles several musical genres so it was liberating for us all to work with such a talent and see how he wove the sound of the series and Bloom together.”
We are appalled by the decision to stay the charges against Live Nation, Optex Staging, and Domenic Cugliari. This is an insult to the memory of Scott Johnson, his parents and our crew.
It offers no consolation, closure or assurance that this kind of accident will not happen again.
I’ll be totally honest with you: this has been extremely upsetting. There’s an awful lot of people who don’t agree with the BDS movement, including us. I don’t agree with the cultural ban at all, along with J.K. Rowling, Noam Chomsky and a long list of others.
There are people I admire [who have been critical of the concert] like [English film director] Ken Loach, who I would never dream of telling where to work or what to do or think. The kind of dialogue that they want to engage in is one that’s black or white. I have a problem with that. It’s deeply distressing that they choose to, rather than engage with us personally, throw shit at us in public. It’s deeply disrespectful to assume that we’re either being misinformed or that we’re so retarded we can’t make these decisions ourselves. I thought it was patronizing in the extreme. It’s offensive and I just can’t understand why going to play a rock show or going to lecture at a university [is a problem to them].
OK Computer transformed Radiohead from a cult British act into the most important rock band on the planet. But in classic Nineties fashion, its success only left Yorke more adrift. “Back then,” Yorke recalls, “the person I saw in the mirror kept saying, ‘You’re shit. Everything you do is shit. Don’t do that. It’s shit.'” For a minute there, he lost himself.