The Death and Life of the 13-Month Calendar

Citylab:

The 13-month calendar worked so well at Kodak that the company used it until 1989, 57 years after Eastman committed suicide (a businessman to the end, his ashes are buried at Kodak’s old industrial complex). “I loved it,” says John Cirocco, a former Kodak employee who worked at the company in the late ’80s as a tech advisor. “It was a major piece of financial applications, and from a financial perspective it made the ability to compare sales periods a hell of a lot easier.”

Besides the occasional carryover (Kodak’s 1989 financial year began on December 26, 1988), overlapping a 13-month calendar with the Gregorian one came with surprisingly few hiccups. “After I got hired, it took about a week to adjust to,” Cirocco tells us. “When I first got there they explained it to me and I was like, ‘Oh, my God, this is brilliant!'” In fact, the former Kodak employee remains fond of the calendar to this day. “I’ve tried to recommend it at two places I’ve worked at since then. The feedback is always, ‘We can’t, this [12-month calendar] is how it’s always been done.'”

Spotify Hit With $1.6 Billion Copyright Lawsuit

Eriq Gardner, writing for The Hollywood Reporter:

As the new year begins, the music industry could be set for an epochal moment. Hopes are running high for the first significant reform of music licensing rules in decades. The coming year may also see Spotify go public. But before any of this happens, the Stockholm, Sweden-based streaming giant must now contend with a massive new copyright lawsuit from Wixen Music Publishing, which administers the song compositions by Tom Petty, Zach De La Rocha and Tom Morello of Rage Against the Machine, The Black Keys’ Dan Auerbach, Steely Dan’s Donald Fagen, Weezer’s Rivers Cuomo, David Cassidy, Neil Young, Sonic Youth’s Kim Gordon, Stevie Nicks, and many others.