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Month: January 2019

‘Venom’ Sequel Moves Forward

Venom
Jason Tate

A sequel to Venom, which made a truckload of money, is in the works:

Following box office smash “Venom,” Sony Pictures is putting the wheels in motion for a sequel to the antihero adventure. The studio has tapped Kelly Marcel, one of the screenwriters from the first movie, to pen the script.

Sources close to the negotiation tell Variety that, although an exact amount couldn’t be unveiled, Marcel’s deal was a significant one. She will also executive produce the follow-up, which will see Tom Hardy return as the eponymous symbiote. Marcel was also a producer on the first pic.

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Chorus.fm’s Top 25 Albums of 2018

The Best of 2018
Craig Manning

I don’t know how to sum up 2018. At the end of most years, it’s possible to look back and see certain themes or narratives or big ideas coming through in the music from the past 12 months. 2018 was not one of those years. Most of the industry’s biggest stars sat the year out, and music critics couldn’t agree on a consensus album of the year pick. Instead, 2018 as a music year was chaotic. It was a dozen jukeboxes playing in the same bar at the same time, one blasting a starry-eyed country album about love, the next broadcasting a rock ‘n’ roll anthem about how it would be great if the human race didn’t fuck up the chance we’ve been given to, you know, exist.

But music years like this are thrilling for their seeming lack of structure or narrative. They are chances for underdogs to fight their way to the top, or for new superstars to be born in place of the old ones. 2018 was that kind of year for music, and it was dazzling to behold. The only option was to dive headfirst into the chaos and embrace the many disparate triumphs that came along the way. This list, of our 30 favorite albums of the year, is symbolic of that leap of faith, a wildly dynamic set of records that includes callbacks to this community’s roots, monuments to how we have grown over the years, and signposts to where we are going. It’s been a pleasure to be a part of this site for another year, and to see the way we all share the music we love with one another. This list was made in that spirit, of discovery and shared passion, and I can’t think of a better way to sum up such a chaotic year.

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Craig Manning’s Top Albums of 2018

Craig Manning

I’m never sure what to write at the outset of this post. How do you sum up an entire year in a few paragraphs? It was a big year in my life, marked by a move back to my childhood hometown and a few big leaps forward in my professional life. I was busier, which left less time for discovering new music and less time for writing about it. Still, 22 of the 40 artists on the list below have never featured on a year-end list of mine in the past, and two of my top three albums are debuts. I always like knowing that there is new talent on the horizon, artists that might morph from big surprises this year to favorite artists a few years down the line. 2018 was a wonderful year for that kind of discovery.

In terms of my favorite music, I was all over the map in 2018. I leaned a little less on country than I have for the past few years, though there are still plenty of country and Americana artists on this list. Mostly, I was looking for songwriting that spoke to where I am at this current moment in my life. A lot of what resonated spoke of nostalgia and the past, a fitting theme given that I’ve been out of high school for almost 10 years now. I thought a lot about growing older in 2018, and about the shifting chapters of my life. The music, from Andrew McMahon’s “House in the Trees” to Lori McKenna’s “People Get Old” to Donovan Woods’ “Next Year,” told me that I wasn’t alone in feeling what I was feeling. As I get further from high school, I’m constantly wondering if I’ll get to a point where I’ll stop relating to music in the fiercely personal, autobiographical way that I always have. It’s a comfort to know that hearing the right song at the right time still feels as potent and poignant as it did when I was 17.

I’m rambling, as I always do at the start of these posts. So, I think I’ll stop now and let the 40 albums listed below speak for themselves.

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21 Savage Tops the Charts

Jason Tate

21 Savage still has the number one album in the country this week:

21 Savage spends a second week atop the Billboard 200 albums chart with I Am > I Was, earning 65,000 equivalent album units in the week ending Jan. 3, according to Nielsen Music. The set slips by 51 percent in its second week on the tally after debuting at No. 1 with 131,000 units.

Dear Lobsters: There Is a Better Way

Jason Tate

Nathan J. Robinson, writing at Current Affairs:

I’d like to send a message, then, to those who like Peterson, or those young men who think Ben Shapiro is a “cool kids’ philosopher,” or those who find Sam Harris profound: You are missing out on the real world of ideas. You are accepting a shallow substitute for the real thing, and it is a dead end. These men do not have solutions. They have pseudo-solutions. If you are depressed, if you are alone, if your job sucks and you aren’t sure where your life is going, what you need is not the shallow bromides of _12 Rules for Life_sc. You need to come and join the left.

There is a misconception, pushed by people like Shapiro and Peterson, that “the left” consists of a very particular strain of “social justice” thinking that traffics in making white people, especially men, feel ashamed all the time.

YouTube Dominating Streaming Market

YouTube
Jason Tate

Mark Mulligan, writing at the Music Industry Blog:

YouTube is the dominant music streaming platform, with 55% of consumers regularly watching music videos on YouTube, compared to a combined 37% for all free audio streaming services. YouTube usage skews young, peaking at nearly three quarters of consumers under 25. Although YouTube leads audio streaming in all markets — even Spotify’s native Sweden — there are some strong regional variations. For example, emerging streaming markets Brazil and Mexico see much higher YouTube penetration, peaking at close to double the level of even traditional music radio in Mexico. Indeed, radio is feeling the YouTube pinch as much as audio streaming. 68% of those under 45 watch YouTube music videos compared to 41% that listen to music radio. The difference increases with younger audiences and the more emerging the market.

I Was A Cable Guy. I Saw The Worst Of America.

Huffpost
Jason Tate

Lauren Hough, writing at HuffPost:

This is the stuff I can’t remember — how a particular day unfolded. Maybe the next job was the Great Falls, Virginia, housewife who answered the door in some black skimpy thing I never really saw because I work very hard at eye contact when faced with out-of-context nudity. She was expecting a man. I’m a 6-foot lesbian. If I showed up at your door in a uniform with my hair cut in what’s known to barbers as the International Lesbian Option No. 2, you might mistake me for a man. Everyone does. She was rare in that she realized I’m a woman. We laughed about it. She found a robe while I replaced her cable box. She asked if I needed to use a bathroom, and I loved her.

This was a great read.

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