Steve Klein, Ex-New Found Glory Guitarist, Convicted of Indecent Exposure

Legal

Matt Fountain, writing at The Tribune:

A founding member of the pop-punk band New Found Glory was convicted of felony indecent exposure in San Luis Obispo Superior Court last month after accepting a plea agreement in a case that had idled for more than six years.

Stephen Lee “Steve” Klein, who lived in Atascadero, was charged in 2014 with five felony counts of lewd acts on a child, as well as a count each of contact with intent to commit a sex offense and possession of child pornography, stemming from sexual two-way chat room videos involving underage girls found on an external hard drive at Klein’s home.

At a trial-setting conference Feb. 9, Klein agreed to plead no contest to an added felony charge of indecent exposure, and the remaining charges were dismissed. […]

His attorney, Ilan Funke-Bilu, said Monday that if his client successfully complies with the terms of his probation for one year, his felony conviction will be reduced to a misdemeanor and his probation terminated.

The 41-year-old will be required to register as a sex offender for at least 10 years, however, Funke-Bilu said.

Sponsor: Post/War Release New Album

Postwar

Post/War battle growing pains and the isolation of youth in their debut LP, Violet Light and a Hum, which is now streaming on all platforms. Violet Light and a Hum is an album that catalogs early adulthood’s experiences, the loss of love, lack of security, and the value of having people in your life. It’s inspired by the sad and aggressive music they were exposed to as teenagers, and the sound is a blend of indie alt-rock and the greatest hits of the Hot Topic t-shirt era. With heavy hitting nostalgia and catharsis, Post/War makes a grand entrance screaming their poignant refrain: you are nothing without the people you love.

RIYL: Citizen, Teenage Wrist, Thrice

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Review: Ronen Givony – Not for You: Pearl Jam and the Present Tense

Ronen Givony - Not for You: Pearl Jam and the Present Tense

Not for You: Pearl Jam and the Present Tense isn’t your typical book about rock stars. For one, Ronen Givony opens his second book with this line: “First, a confession, and a caveat: I’ve only seen them fifty-seven times.” From the get-go, it’s clear that this narrator possesses the kind of voice that we can relate to. Chasing our favorite band across the world is the dream, is it not? Secondly, Not for You is an unsanctioned biography, if you can call it that. No members of Pearl Jam are involved in this book. Givony isn’t a journalist, nor a close accomplice of the band, he is simply a fan: “someone with no more credentials than you.”

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Yo Kinky – ‘Self-Titled’ EP Track-by-Track Breakdown

Yo Kinky

Recently I was able to get a hold of a brand new pop-duo called Yo Kinky to provide a track-by-track breakdown on their self-titled EP. Yo Kinky is a Queens, New York, post-pop duo that layers seductive patter lyrics over shimmering angular guitars and drum machines. Following the premiere of their first single on the Tower Records site in November and positive coverage from several outlets, Yo Kinky is already forging a name for themselves among the disillusioned and hopeful.

Tom Unish and Laura Wight met at the start of 2020, bonded over shared musical interests, and immediately started working together on songs. Over the course of the pandemic, they recorded and produced their self-titled debut EP out today. These songs touch upon themes such as truth, adaptability, love, and anticipation as Wight’s bright vocals are delivered with a conversational precision calling to mind acts like X, Sleaford Mods, and Blondie. I’d recommend checking out this artist if you’re a fan of similar acts such as Metric and Le Tigre.

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Martin Johnson Talks With Alt. Press

The Night Game

Martin Johnson of The Night Game talks with Alt. Press about the upcoming album:

When you’re a kid and you’re posing in the mirror with your first guitar and you’re thinking about being a rock star, you’re really not thinking about maintenance. You’re thinking about glory and telling your story and being honest and your internal torture and what that means and allowing the world to hear that and see that and do something great. And then you end up in this 12 by 12 box with no windows—in the major-label guts creating songs just to pay the mortgage. And it was like, “All right, let me see if I can do something great.” I said no to working on a lot of big projects in 2014 and just said I’m going to quit, or I’m going to make something that I believe in and that I feel is real, and I’m grateful I did it. I found my love for music again, and I found my love for creating and the art of it. I guess the biggest thing for the Night Game was I just detached from the results. I never really detached from results before. My personal validation has always depended on whether or not people like the song. Who I felt like I was as a man really depended [on], “Do you like my work?” And with the Night Game, it was like, “Do I like my work?”