Review: Greta Van Fleet – Starcatcher

The meteoric rise of Greta Van Fleet has not been over-exaggerated. Most bands would give their right arms for the attention that they garnered since they stormed onto the music scene in April of 2017, having introduced themselves with the Black Smoke Rising EP. The Led Zeppelin comparisons, the snarky takes on the band’s style choices, all coincided with the band’s ability to take it all in stride, and their perseverance led to them delivering their most cohesive and best album to date with Starcatcher. While I felt that The Battle At Garden’s Gate was a bit of a mixed bag of quality tunes and bloated song structures, the 2023 version of this band has my undivided attention. The latest LP was produced by veteran hitmaker and Grammy Award-winning producer Dave Cobb (Chris Stapleton, Jason Isbell), and he does a tremendous job of accentuating the best parts of this artist. Through Cobb’s attention to detail, he gets the best performance out of each musician on these ten songs brimming with purpose and reigniting the fire in this ultra-talented young band. Guitarist Jake Kiszka shared, “We didn’t really have to force or be intense about writing, because everything that happened was very instinctual. If anything, the record is our perspective, and sums up where we are as a group and individually as musicians.” Through this process of sticking to their musical instincts and getting back to the basics of early days of the band, Greta Van Fleet are creating their own lane and driving themselves down the highway of rock & roll immortality.

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Review: Yellowcard – Ocean Avenue

It’s the night before my first day of high school, and I’m feeling some feelings. Anxiety. Curiosity. Nostalgia for what I’ve left behind. Excitement for what’s to come. Just 12 hours from my first day in a brand-new school, I don’t know whether I should be scared shitless about diving into the deep end, or reveling in the anticipation of everything that comes with a new start. I know I might lose myself in the great big unknown I’m journeying into. But I also know that there’s opportunity for growth and reinvention and self-discovery waiting somewhere out there. And so, I’m staring down the first day of the rest of my life and trying to sort out the good from the bad. It’s enough to drive any 14-year-old boy mad. Thank goodness, then, for the soundtrack, which might just be the only thing keeping me sane.

I’m fond of saying that my favorite traditions are music-related traditions. I love marking different points of the year with different songs, or albums, or playlists. Holidays; anniversaries; seasonal shifts; specific runs or drives; daytrips to certain places. All these things, for me, can be tied to specific musical cues that become rituals or traditions. Every year when it gets warm enough for a windows-down car ride, for instance, I am, by personal law, required to take a drive with Jack’s Mannequin’s Everything in Transit playing very, very loud. It can’t be summer until I’ve done precisely that.

My favorite musical tradition of all time dates back to that Labor Day evening in 2005, right before I headed off to high school for the first time. I’ve always held that there is no melancholy quite like the melancholy of the last day of summer when you’re young. It’s a bit like the peculiar sadness of a Sunday evening, when you know that you have to head back to work or school the next day, but wish the fleeting freedom of the weekend could last a little longer. Except for that, in summertime, as a kid, the freedom does last a little longer – so long that it seems it might last forever. I’d felt that peculiar melancholy before – the mix of sadness at summer’s end and anticipation for the start of something new. But I’d never felt it quite as strongly as I did that day, when it seemed like I might be at the end of what constituted my true “childhood.” It felt momentous in a way, and it needed a soundtrack to capture what I was feeling: the end-of-summer ethos, the melancholy, the finality, the excitement. No one album felt fitting, so I made a playlist.

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America Jayne – “Life of the Party” (Video Premiere)

America Jayne

Today I’m so excited to bring everyone the latest single and video from Alt Rock artist, America Jayne, called “Life of the Party.” The track comes from her forthcoming EP, Shove It, out everywhere music is sold on August 11th. With a sound that fits well within the realm of Snail Mail, Lucy Dacus, and Phoebe Bridgers, America Jayne could be the next breakthrough artist to take the alternative music scene by storm. I was also able to catch up with this talented artist for a brief interview below.

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