The Annual State of Chorus.fm

Chorus.fm Logo

I try and do an update once a year where I kind of check-in on the current state of the website. Last year told a similar story to the year before, costs had increased, ad revenue had decreased, and supporter revenue was solid and growing.

The past year is not that much different. Ad revenue is what it is and the new normal. It’s at least steady now. And membership revenue is the reason we are able to keep publishing. In almost every week supporting revenue is 2x-3x ad revenue.

The website’s costs have remained flat this year. I was able to put off upgrading any of the servers last year, but the forum server’s hard drive space is creeping upward (we’re now around 65% full, mostly from image attachments). In the next year I’ll probably need to offload some of these images to a secondary storage solution. Which will probably have an additional monthly cost.

Below are the last 52 weeks of revenue for the website—ad revenue in blue, supporter revenue in green. The big green spikes you see are the main recurring annual renewals each year. One is right around when I write this post each year, another is around the time when the website first launched, and the others are around the end of the year and previous site update posts.

Read More “The Annual State of Chorus.fm”

August has reminded me that I need to take more photos. The month came and went and I’m flipping through and seeing lots of cats. We did a lot of things, and I was very bad at documenting it. The rose garden sure was cool though. What I’ll probably remember most? It was hot. Every day hot. Too hot. So very very hot.

August 2025

Most played last week. That Deftones album is just dominating me right now. Loving the new Hayley and Taylor Acorn albums too. Notable new entry this week. More on that one soon. 😉

Bandcamp’s Update on Tariffs

Bandcamp

Bandcamp has updated their policy page with how tariffs will impact their customers. From an email sent out today:

Significant changes are coming to global tariffs (import taxes imposed by a government) that may impact how packages enter the United States.

In practice, this means fees may be applied to some types of merchandise on US-bound shipments, and some Bandcamp sellers may choose to temporarily pause shipments to the US.

Also, several international postal carriers are temporarily suspending delivery to the US. These restrictions do not come from the artists or labels but from global carriers.

Will Smith’s Concert Crowds, AI, and Where We’re Headed

Will Smith

Andy Baio has the best break down of the Will Smith AI(?)-crowd controversy I’ve seen:

This minute-long clip of a Will Smith concert is blowing up online for all the wrong reasons, with people accusing him of using AI to generate fake crowds filled with fake fans carrying fake signs. The story’s blown up a bit, with coverage in Rolling StoneNMEThe Independent, and Consequence of Sound.

[…]

But here’s where things get complicated.

The crowds are real. Every person you see in the video above started out as real footage of real fans, pulled from video of multiple Will Smith concerts during his recent European tour.

Review: Have Mercy – The Loneliest Place I’ve Ever Been

There’s something to be said when you can feel a beating heart behind a band’s music. That raw, emotional connection to the material is hard to come by these days, especially in the AI-era of music. Maryland’s own Have Mercy have returned with their most immediate material to date with The Loneliest Place I’ve Ever Been, that is packed with ultra-personal lyrics. “We’ve been waiting so long to show our fans what we’ve been working on. This feels like a new journey has started for our band. There’s no better way to kick start this album than releasing a song like ‘august 17’. It is an incredibly personal song that carries a lot of weight. It’s about loss and the continuing pain felt after someone is gone. It may hurt less over time, but it never stops hurting,” shared Brian Swindle, lead singer/guitarist of Have Mercy. By delving even deeper into stories of loss and trauma, Have Mercy simultaneously crafted their most personal, urgent, and best work to date on The Loneliest Place I’ve Ever Been.

Read More “Have Mercy – The Loneliest Place I’ve Ever Been”

Review: Pinkshift – Earthkeeper

Pinkshift - Earthkeeper

It’s easy to see why Pinkshift were so happy for their sophomore LP, Earthkeeper, to see the light of day. This record is brimming with hopeful messages, and is paired with an ambitious and dynamic take on what punk music is and can sound like today. An “Earthkeeper” is “a reflection of universal consciousness and a protector of existence,” and the spacey artwork showcases the band’s lofty ambitions on taking their music to the next level. While their Hopeless Records’ debut, that was called Love Me Forever, was a raucous punk rock romp of a good time, Earthkeeper is a direct reaction to the world around this young three-piece band that has a lot on their minds. Singles like the abrasive “Anita Ride” and the punk rock energy found on “Evil Eye” are wisely stacked back to back in the early-going of the album sequencing, while vocalist Ashrita Kumar finds lightning in a bottle in a dynamic vocal performance. Earthkeeper is absolutely packed with heavy political themes, while still remaining true and authentic the band’s core values and spiritual beliefs that there is a bigger power at play.

Read More “Pinkshift – Earthkeeper”